Childhood and early creative work
(Steventon, 1775-).
Early adulthood at Steventon (-1801),
and Bath (1801-1806).
Maturity in Southampton (1806-1809)
and Chawton (1809-1817).
The main source of information about
Jane Austen's life is family letters, especially those of Jane to her sister
Casandra from 1796 onwards, supplemented by family recollections (which
were generally not written down, however, until half a century after Jane
Austen's death).
Her childhood and early creative
work (Steventon, 1775)
Jane Austen was born December 16th,
1775 at Steventon, Hampshire, England (near Basingstoke). She was the seventh
child (out of eight) and the second daughter (out of two), of the Rev.
George Austen, 1731-1805 (the local rector, or Church of England clergyman),
and his wife Cassandra, 1739-1827 (née Leigh). He had a fairly respectable
income of about £600 a year, supplemented by tutoring pupils who
came to live with him, but was by no means rich (especially with eight
children), and (like Mr. Bennet in Pride and Prejudice) couldn't have given
his daughters much to marry on.
More than one reader has wondered
whether the childhood of the character Catherine Morland in Jane Austen's
novel Northanger Abbey might not reflect her own childhood, at least in
part -- Catherine enjoys "rolling down the green slope at the back of the
house" and prefers cricket and baseball to girls' play.
In 1783, Jane and her older sister
Cassandra went briefly to be taught by a Mrs. Cawley (the sister of one
of their uncles), who lived first in Oxford and then moved to Southampton.
They were brought home after an infectious disease broke out in Southampton.
In 1785-1786 Jane and Cassandra went to the Abbey boarding school in Reading,
which apparently bore some resemblance to Mrs. Goddard's casual school
in Emma. (Jane was considered almost too young to benefit from the school,
but their mother is reported to have said that "if Cassandra's head had
been going to be cut off, Jane would have hers cut off too".) This was
Jane Austen's only education outside her family. Within their family, the
two girls learned drawing, to play the piano, etc.
Jane Austen did a fair amount of
reading, of both the serious and the popular literature of the day (her
father had a library of 500 books by 1801, and she wrote that she and her
family were "great novel readers, and not ashamed of being so"). However
decorous she later chose to be in her own novels, she was very familiar
with eighteenth century novels, such as those of Fielding and Richardson,
which were much less inhibited than those of the later (near-)Victorian
era. She frequently reread Richardson's Sir Charles Grandison, and also
enjoyed the novels of Fanny Burney (a.k.a. Madame D'Arblay). She later
got the title for Pride and Prejudice from a phrase in Burney's Cecilia,
and when Burney's Camilla came out in 1796, one of the subscribers was
"Miss J. Austen, Steventon". The three novels that she praised in her famous
"Defense of the Novel" in Northanger Abbey were Burney's Cecilia and Camilla,
and Maria Edgeworth's Belinda.
In 1782 and 1784, plays were staged
by the Austen family at Steventon rectory, and in 1787-1788 more elaborate
productions were put on there under the influence of Jane's sophisticated
grown-up cousin Eliza de Feuillide (to whom Love and Freindship is dedicated).
This throws an interesting light on Jane Austen's apparent disapproval
of such amateur theatricals in her novel Mansfield Park (though Mansfield
Park was written over twenty years afterwards, in a moral climate closer
to the Victorian era; also, in 1788 one Charlotte Anne Frances Wattell
eloped to Scotland with a son of the scandal-plagued Twistleton family,
remotely connected by marriage with Jane Austen's family -- Mr. Twistleton
and Miss Wattell had been acting together in amateur theatricals; see Tucker,
p.152).
Jane Austen wrote her Juvenilia
from 1787 to 1793; they include many humorous parodies of the literature
of the day, such as Love and Freindship, and are collected in three manuscript
volumes. They were originally written for the amusement of her family,
and most of the pieces are dedicated to one or another of her relatives
or family friends.
Earlier versions of the novels eventually
published as Sense and Sensibility, Pride and Prejudice and Northanger
Abbey were all begun and worked on from 1795 to 1799 (at this early period,
their working titles were Elinor and Marianne, First Impressions, and Susan
respectively). Lady Susan was also probably written during this period.
In 1797, First Impressions/Pride and Prejudice was offered to a publisher
by Jane Austen's father, but the publisher declined to even look at the
manuscript.
Early adulthood at Steventon (-1801), and Bath (1801-1806)
Jane Austen enjoyed social events,
and her early letters tell of dances and parties she attended in Hampshire,
and also of visits to London, Bath, Southampton etc., where she attended
plays and such. There is a famous statement by one Mrs. Mitford that Jane
was the "the prettiest, silliest, most affected, husband-hunting butterfly
she ever remembers" (however, Mrs. Mitford seems to have had a personal
jealousy against Jane Austen, and it is hard to reconcile this description
with the Jane Austen who wrote The Three Sisters before she was eighteen).
There is little solid evidence of
any serious courtships with men. In 1795-6, she had a mutual flirtation
with Thomas Lefroy (an Irish relative of Jane Austen's close older friend
Mrs. Anne Lefroy). On January 14th and 15th 1796, when she was 20, she
wrote (somewhat sarcastically), in a letter to Cassandra:
"Tell Mary that I make over Mr.
Heartley and all his estate to her for her sole use and benefit in future,
and not only him, but all my other admirers into the bargain wherever she
can find them, even the kiss which C. Powlett wanted to give me, as I mean
to confine myself in future to Mr. Tom Lefroy, for whom I do not care sixpence.
Assure her also, as a last and indisputable proof of Warren's indifference
to me, that he actually drew that gentleman's picture for me, and delivered
it to me without a sigh.
Friday. -- At length the day is
come on which I am to flirt my last with Tom Lefroy, and when you receive
this it will be over. My tears flow at the melancholy idea."
However, it was always known that
he couldn't afford to marry Jane . (Many years later, after he had become
Chief Justice of Ireland, he confessed to his nephew that he had had a
"boyish love" for Jane Austen.) A year later, Mrs. Lefroy (who had disapproved
of her nephew Tom's conduct towards Jane) tried to fix Jane Austen up with
the Rev. Samuel Blackall, a Fellow of Emmanuel College, Cambridge, but
Jane wasn't very interested.
In late 1800 her father, who was
nearly 70, suddenly decided to retire to Bath (which would not have been
Jane Austen's choice), and the family moved there the next year. During
the years in Bath, the family went to the sea-side every summer, and it
was while on one of those holidays that Jane Austen's most mysterious romantic
incident occurred. All that is known is what Cassandra told various nieces,
years after Jane Austen's death, and nothing was written down until years
after that. While the family were staying somewhere on the coast (probably
in south Devonshire, west of Lyme), Jane Austen met a young man who seemed
to Cassandra to have quite fallen in love with Jane; Cassandra later spoke
highly of him, and thought he would have been a successful suitor. According
to Caroline "They parted -- but he made it plain he should seek them out
again"; however, shortly afterwards they instead heard of his death! There
is no evidence as to how seriously this disappointment affected Jane Austen,
but a number of people have wondered whether or not Jane Austen's 1817
novel Persuasion might not reflect this experience to some degree, with
life transmuted into art; Jane Austen would have been 27 (the age of Anne
Elliot, the heroine of Persuasion) during 1802-1803, and a crucial scene
in Persuasion takes place in Lyme.
A more clearly-known incident occurred
on December 2nd. 1802, when Jane Austen and Cassandra were staying with
the Bigg family at Manydown, near Steventon. Harris Bigg-Wither, who was
six years younger than herself, proposed to Jane, and she accepted, though
she did not love him. However, the next day she thought better of it, and
she and Cassandra showed up unexpectedly at Steventon (where their brother
James was now the clergyman), insisting they be taken out of the neighbourhood
to Bath the next day. This was socially embarrassing, but her heart does
not seem to have been seriously affected -- Mr. Bigg-Withers, though prosperous,
was "big and awkward".
Notoriously, none of Jane Austen's
letters to Cassandra from June 1801 to August 1804, in which she probably
would have alluded to these incidents, have been preserved. In the end,
Jane Austen (like Cassandra), never married.
In 1803 Jane Austen actually sold
Northanger Abbey (then titled Susan) to a publisher, for the far-from-magnificent
sum of £10; however, the publisher chose not to publish it (and it
did not actually appear in print until fourteen years later). It was probably
toward the end of the Bath years that Jane Austen began The Watsons, but
this novel was abandoned in fragmentary form.
In January 1805 her father died.
As would have been the case for the Bennets in Pride and Prejudiceif Mr.
Bennet had died, the income due to the remaining family (Mrs. Austen and
her two daughters, the only children still at home) was considerably reduced
-- since most of Mr. Austen's income had come from clerical "livings" which
lapsed with his death. So they were largely dependent on support from the
Austen brothers (and a relatively small amount of money left to Cassandra
by her fiancé), summing to a total of about £450 yearly. Later
in 1805, Martha Lloyd (sister of James Austen's wife) came to live with
Mrs. Austen, Cassandra, and Jane, after her own mother had died.
Maturity in Southampton (1806-1809) and Chawton (1809-1817)
In 1806 they moved from Bath, first
to Clifton, and then, in autumn 1806, to Southampton. Two years later,
Jane remembered (in a letter to Cassandra) with "what happy feelings of
Escape!" she had left Bath. Southampton was conveniently near to the navy
base of Portsmouth and the naval brothers Frank and Charles.
In 1809 Jane Austen, her mother,
sister Cassandra, and Martha Lloyd moved to Chawton, near Alton and Winchester,
where her brother Edward provided a small house on one of his estates.
This was in Hampshire, not far from her childhood home of Steventon. Before
leaving Southampton, she corresponded with the dilatory publisher to whom
she had sold Susan (i.e. Northanger Abbey), but without receiving any satisfaction.
She resumed her literary activities
soon after returning into Hampshire, and revised Sense and Sensibility,
which was accepted in late 1810 or early 1811 by a publisher, for publication
at her own risk. It appeared anonymously ("By a Lady") in October 1811,
and at first only her immediate family knew of her authorship: Fanny Knight's
diary for September 28, 1811 records a "Letter from Aunt Cass. to beg we
would not mention that Aunt Jane wrote Sense and Sensibility"; and one
day in 1812 when Jane Austen and Cassandra and their niece Anna were in
a "circulating library" at Alton, Anna threw down a copy of Sense and Sensibility
on offer there, "exclaiming to the great amusement of her Aunts who stood
by, ``Oh that must be rubbish, I am sure from the title.''" There were
at least two fairly favorable reviews, and the first edition eventually
turned a profit of £140 for her.
Encouraged by this success, Jane
Austen turned to revising First Impressions, a.k.a. Pride and Prejudice.
She sold it in November 1812, and her "own darling child" (as she called
it in a letter) was published in late January 1813. She had already started
work on Mansfield Park by 1812, and worked on it during 1813. It was during
1813 that knowledge of her authorship started to spread outside her family;
as Jane Austen wrote in a letter of September 25th 1813: "Henry heard P.
& P. warmly praised in Scotland, by Lady Robert Kerr & another
Lady; -- & and what does he do in the warmth of his brotherly vanity
and Love, but immediately tell them who wrote it!". Since she had sold
the copyright of Pride and Prejudice outright for £110 (presumably
in order to receive a convenient payment up front, rather than having to
wait for the profits on sales to trickle in), she did not receive anything
more when a second edition was published later in 1813. A second edition
of Sense and Sensibility was also published in October 1813. In May 1814,
Mansfield Park appeared, and was sold out in six months; she had already
started work on Emma. Her brother Henry, who then conveniently lived in
London, often acted as Jane Austen's go-between with publishers, and on
several occasions she stayed with him in London to revise proof-sheets.
In October 1813, one of the Prince Regent's physicians was brought in to
treat an illness that Henry was suffering from; it was through this connection
that Jane Austen was brought into contact with Mr. Clarke.
At Steventon she and Cassandra had
had a private "dressing room" next to their bedroom (in the later years,
after their brothers had mainly moved out), which she used to write her
Juvenilia and early versions of her first three novels in relative privacy.
At Chawton, she didn't have any such study, and James Edward tells the
story of the famous creaking door, which Jane Austen requested not be fixed,
since it gave her warning of any approaching visitors, so that she could
hide her manuscript before they came into the room.
In addition to her literary work,
she often visited her brothers and their families, and other relatives
and friends, and they sometimes came to Southampton or Chawton. She had
a reputation for being able to keep young children entertained, and was
also attached to her oldest nieces Fanny and Anna. In a letter of October
7th
1808, she wrote about her niece Fanny: "I found her... just what you describe,
almost another Sister, -- & could not have supposed that a neice would
ever have been so much to me". In a letter of October 30th 1815 she wrote
to her young niece Caroline, after her sister Anna's first child had been
born: "Now that you are become an Aunt, you are a person of some consequence
& must excite great interest whatever you do. I have always maintained
the importance of Aunts as much as possible, & I am sure of your doing
the same now."
In a letter of November 6th 1813
(when she was 37 years old) she wrote: "By the bye, as I must leave off
being young, I find many Douceurs in being a sort of chaperon [at dances],
for I am put on the Sofa near the Fire & can drink as much wine as
I like." A few days earlier she had written, "I bought a Concert Ticket
and a sprig of flowers for my old age."
In December 1815 Emma appeared,
dedicated to the Prince Regent. A second edition of Mansfield Park appeared
in February 1816, but was not a sales success; her losses on the reprint
of Mansfield Park ate up most of her initial profits on Emma.
She had started on Persuasion in
August 1815, and finished it in August 1816 -- although during 1816 she
was becoming increasingly unwell. In early 1816 her brother Henry's business
went bankrupt; Edward lost £20,000.
In early 1817 she started work on
another novel, Sanditon, but had to give it up in March. On April 27th
she made her will (leaving almost everything to Cassandra), and on May
24 she was moved to Winchester for medical treatment. She died there on
Friday, July 18th 1817, aged 41. It was not known then what had caused
her death, but it seems likely that it was Addison's disease. She
was buried in Winchester Cathedral on July 24th 1817 (at that time, so
we are told, women did not usually attend funerals -- three years afterwards,
Victoria's mother was not allowed to attend her husband's funeral -- so
Cassandra was not present).
The inscription on her grave in
the cathedral has become rather notorious in recent years. First, because
it lays such emphasis on her "sweetness" and Christian humility, even though
it is rather clear from Jane Austen's novels (let alone her letters) that
she was no Fanny Price. However, this could well be simply the conventional
(and somewhat empty) eulogistic pieties of the day, heightened by Henry
Austen's mid-life crisis.
The more serious question is why
there was no mention at all of her writings (except in the somewhat oblique
allusion to "the extraordinary endowments of her mind").
The novels Persuasion and Northanger
Abbey were readied for the press by Henry, and published posthumously at
the end of 1817 in a combined edition of four volumes. As with the earlier
novels, Jane Austen's name did not appear on the title page (which simply
says "By the author of ``Pride and Prejudice'', ``Mansfield Park'', &c"),
but the work did contain a "Biographical Notice of the Author" by Henry,
written in much as the same tone as the epitaph, which for the first time
identified Jane Austen as the author.
© http://www.pemberley.com/janeinfo/janelife.html
Other interesting biographies : [Next] [1] [2] [3] [4]
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