All through history
we have seen how in general, women have always confronted their society.
During centuries of male chauvinism, the woman appears the weaker of the
two sexes. They have always been faithful to their respective male partners,
bosses, tutors, fathers and others and have never had a relevant role,
due to the great pressure imposed (sometimes reaching limits of what could
be called plavery) by male ruled societies.
In this fashion,
the book seems to reflect the prevailing anti-femine ideas, but under this
naive appearance exists a strong femenis indictment hidden in every noole
and cranny. This will be demonstrated later on in the essay.
We can say therefore
that this literary work is not only an account of a deformed character
and its forerunner but a reivindicative scream of a woman against her community.
Mary
Shelley was not a unique case as any cotaneous or previous writter
had reflected, these concerns in their work. Shelley´s mother, Mary
Wollstonecraft, was an example of the above, influencing her daughter,
although not in an overwhelming manner, but leaving impregnated femine
traits on her life. Therefore one could say that neither Mary Shelley was
the first feminist, or that her mother didn´t influence her or her
literary work. The family environment from infancy would form the base
for the future life, although not necessarily would be the decisive factor.
For this, Frankenstein
isn´t first a simple feminist manifestation, but we mustn´t
forget the influence of her progenitor and her close circle of friends
and the vision they had towards society, which gives a more critical meaning
to the book.
After this preliminary
context in which we have highlighted the influences in her social-cultural
environment, we will now more on to describe in more detail the feminine
second reading, which we can give to Frankenstein.
As we all well
know, every time there has been any type of physical or mental malformation,
society has always rjected it. Frankenstein suffers the exclusion from
society and his creator, due to the various scars and his innatural appearance.
This is one of the reasons why the creature builds up hate against his
creator.
This exclusion
due to his appearance makes Frankenstein hide his feelings particularly
those of love and hate. If he does show any feelings they are repressed
by society who can´t sme to terms with such a monster having similar
sentiments to them. Any creator seeing his creature reborn is happy, although
when seeing it dead the joy perhaps is greater. This exclusion hurts Frankenstein
much more than any physical punishment.
Another element
to highlight concerning the feminity of the book is the figure of the blind
man. Although it may seem contradictory as his deformity is more common,
the blind character sheds a greater human vision through his more developed
senses than the rest of the characters in the book. He represents a part
of the feminity of the story, aquiring the traits of a mother in relation
to Frankenstein. The monster seeks someone who can give him love and affection
without having in mind hid physique. Frankenstein realizes he has the same
faculties, such as reading, speaking, etc and that the only difference
is the scars, which will mark his existence, while he lives. All these
sensations will lead him to destroy everything which has made him like
that including Victor
Frankenstein, his creator.
Perhaps the most
feminine character in the book is the monster himself who inspite of his
size shows a series of factors which without a shadow of doubt indicate
this.
Included in the
various reasons is the similary of the scars with those women who have
given birth. The second point is the tenderness the creature shows towards
the blindman and th child, using the flute with its sweet and melodious
sound, similar to the tone or voice of a mother or woman when speaks to
a child. Finally, the alienation that the monster suffers when confronting
society, exactly as women suffered in those days. Frankenstein feels subdued
to man, Man represented by society.
This gives a second reading to the
text : Men are not only a unity but rather a group formed by men and women,
while the monster is only one character who clearly takes the subdued character
of the woman in those days.
It´s now
time to discuss all the main topics reflected in the book. As we have said
before, women as beings who live and die on earth have always been forced
to take a submissive posture in front of the strong presence of men who
pass in frot of them, making the main lines to be followed by society,
establishing supremecy in all fields of knowledge including literature.
When we speak
about women we always have them in mind as comparisons of men, without
the same rights and feelings in relationship to society, the same thing
that happened to Frankenstein who was to become the most known feminine
character in Mary Shelley´s literary works.
One instance
is enough to show that Frankenstein goes beyond the feminity of any of
the characters depicted in the book : when he finds the little girl playing
in the wood, while he plays his flute, the sibling doesn´t show any
type of hatred towards him and, what´s more, he gives her his flute
in a posture of lovingness and sweetness; these feelings, not revealed
in men during those times Frankenstein without saying a word only implying
with his gestures convinces the child that he is not to be feared, although
his appearance is strange.
Perhaps this
leads us on to ask ourselves if Mary Shelley´s work was only a simple
femenist idea or a futuristic look into the far future, with hints of terror,
trying to escape from the horror brought about by scientific investigation,
and at the same time realizing a strong criticism of her society, these
facts exist although not easy to discover.
All these factors
indicate that not all masculine figures must be presented through manly
traits mor that all scientific advancements must be well looked on by the
totality of society. There's much to be said in favour on both sides always
keeping in mind the historical and political society of this time where
woman takes a second place, which was Frankenstein's case. In a nutshell,
any progress in science or feminine rights in a male society, will always
lead to a traditional way of life, present in any community which doesn't
accept a minority status, maintaining the long lasting civic attitudes
generation after generation.
The best way
of summing up is to bring this lilterary work up to date where the ideas
exposed would be valid in our present society. For this reason that is
why any novel which fits in any society is read and filmed
over and over again.
The inescapable
conclusion which emerges is that any deformity of the accepted wether physical,
mental or moral produces an ostracism due to a lack of understanding or
repulsion of the community. This situation lived by Frankenstein
after being reborn and alocated a new life is disowned by those who surround
him including his most fervent follower, his creator.
A creator
who in refusing him, hurts him more, converting Frankenstein into an individual
inside the collectivity of the community. The creature
lacks the father, manly figure which forces him to take cover in his own
solitude, loosting his repugnance against everyone and everythibg which
leads him to seek for his own personal revenge. A type of revenge which
will be carried out until reaching the ultimate consequences, hurting
the person he loves or hates most. Victor Frankenstein who be prived him
of both a wife and a father figure. Inspite of this Frankenstein
regrets his actions because he longs to show that he has feelings as everybody
else, although disposed of them he'll seek recognition in any violent form.
A violence which will frame Frankenstein as a monster and deprive him of
entering society. In the last instance Frankenstein cries for his creator,
the father figure, who gave him his identity and existence.
The lesson learnt
from the feminist point of view in this literary novel is that the role
of the unprotected woman in society in the XVIII's has evolutioned
as well as Frankenstein has changed during the story and through the following
centuries.
Socially speaking,
physical or mental malformations have reased to be considered as a blight
on any community and slowly these people are being integrated into society,
where ever possible concerning the scientific experiment carried out by
Victor Frankenstein it was considered inmoral to investigate with human
corpses, although today we accept the idea than transplants have improved
our quality of life.
Finally misshapen
feminism, technichal and scientifical break throughs have stopped being
the objective to fight against traditional and conservative societies.
© Copyright Juan
Pérez Moreno
Created 23/04/99
Updated 23/04/99
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Creada: 22/02/2000
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