Preparing
Your Manuscript for Production
PERMISSIONS
One of
your prime responsibilities as an author is to ensure that all material
you supply is your own, or, if it is taken from another source, that it
is clear of legal difficulties for reprinting. Keep in mind that a manuscript
with outstanding permissions cannot be considered ready for publication.
Once you have determined which items require permission, you should organize
your material and apply for permissions as soon as possible according to
the procedures outlined below.
WHEN IS
PERMISSION NECESSARY?
-
No more
than 500 words from any one source may be quoted in a work (text or supplement)
without requesting permission. This number represents the total number
of words. That is, if you use material from a source throughout your work,
all of the quotations contribute to the 500-word limit.
-
In addition,
no more than 8% of a source's may be quoted. That is, if 500 words represents
more than 8% of the source, permission must be requested to use the material.
-
Permission
is necessary to quote from Allyn & Bacon books published by another
author. Please apply to our Permissions Editor at ab_permissions@abacon.com.
-
Permission
is necessary for any artwork from another source. If the art is from a
secondary source, with a printed credit to a primary source, we only need
permission from the primary source. However, if the secondary source adapted
the art and we want to use that design, we must have permission from both
sources.
-
Permission
is necessary for even one line of a poem or a song.
-
Permission
is necessary for unpublished theses, speeches, and letters. The content
of a letter belongs to the person who wrote it, not the recipient.
-
Permission
is necessary for use of students' art or writings. If you want to use a
drawing done by a child in your kindergarten class, you must have written
permission from the parent or guardian.
-
If you
supply your own photos, send us Model
Releases for anyone in the photos.
-
While
federal government publications are usually "public domain" (available
for public use), they may include material such as studies done by private
organizations for the government that may be copyrighted and therefore
need permission.
-
When in
doubt, ask yourself who owns the copyright to the material and apply to
that organization or person for permission. Our Permissions Editor (ab_permissions@abacon.com)
may also be able to help you.
-
Once you
have determined which items require permission, you should organize your
material and apply for permissions as soon as possible according to the
procedures outlined above.
THE PERMISSIONS
PROCESS
-
Apply
for permissions at least six (6) months before your manuscript is due.
-
Prepare
a log of all permissionable items in order by chapter.
-
Contact
the copyright holder or the party who has the right to grant permission
with a written request for permission (see Sample
Permission Letter (PDF)). You may find it easier to bundle all of your
items from one source in one request.
-
Include
a photocopy of the material for which you are requesting permission and
of the permission letter for the copyright owner's files.
-
If you
are editing the material in any way, you must clearly show that on the
copy of the material and mention it in your permission request letter.
-
Always
make a photocopy of the permission letter and material for yourself. Clip
these together and file in a "pending file" until you receive a reply.
These letters are your most reliable record that you did request permission
and will come in handy if follow-up letters are needed.
-
Record
all requests sent on your Permissions Log with the date they were sent
(see Sample Permission Log (PDF)).
-
Contact
your editor if the copyright holder requests specific publication data,
such as the price of your book, format (paper or hard back), and print
run. Publishers often use this information to determine how much they will
charge for the permission.
-
Wait for
the replies. Permissions offices are typically very busy and can take up
to several months to get back to you. You may want to follow up with a
phone call in one month if you haven't heard from your source.
-
Record
the responses on your Permissions Log. If you were not granted permission,
decide whether you would like to delete the material from your text or
paraphrase it significantly.
-
Key the
correspondence to the manuscript (i.e., mark permissions "Chap. 1, Item
1," etc.). If possible, keep the correspondence in the same order as the
items appear in the text.
-
Read carefully
any restrictions to the permission granted to be sure that you meet all
of the conditions specified. If you do not comply with the restrictions,
the permission is not valid. In some cases, you may have to sign the permission
letter, return it, and wait for the final, approved form before the permission
is valid.
-
Respond,
as asked in the letter, to the copyright holder and/or their requests.
For example, as a courtesy, many publishers ask that you ask for permission
from the author as well.
-
File your
permission responses in a "completed file." Attach a copy of your original
letter and the quoted material.
-
When the
file is complete, send all original permissions and your completed log
to your editor. Keep a copy of the permissions and your log for your files.
PARAPHRASING
Should
you choose not to apply for permission for material or have been denied
permission, you have the option of deleting the material or paraphrasing
the information. If you choose to paraphrase, keep in mind that material
must be substantially rewritten in the author's own words to be considered
a paraphrase that does not require permission. Merely changing the order
of the words, dropping articles or pronouns, or adding or deleting numbers
in a list does not constitute acceptable paraphrasing. Adding additional
material from another source and rewriting the piece is another way to
avoid needing permission. Be aware that some sources do not allow excerpts
or adaptations, but only complete, exact reprints of their material.
DETERMINING
WHO OWNS THE COPYRIGHT
At times,
it is difficult to determine who owns the copyright. Carefully read credit
lines. If credit is given to a source other than the publisher of the material,
you will have to write to the original owner. When in doubt, apply for
permission to the publisher of the material from which the excerpt is found.
They can usually tell you who the copyright holder is, if it is not themselves.
PERMISSION
FOR REVISIONS
If you
are working on a revision, check your permission file from the previous
edition (ask your editor if you no longer have a copy) for all carry-over
permissions. If your original letter requested permission for all future
editions and revisions and no restrictions were made by the copyright holder,
you need not apply again. Indicate in your log that permissions carries
over, and include a copy of the letter with the new file.
LIBEL
AND OTHER DANGERS
How do
you draw the line between fair criticism and libel or slurring? Libel is
anything in writing that accuses someone of doing something unlawful, disgraceful,
or ridiculous. Regardless of truthfulness, the plaintiff can sue the author,
the publisher, or both. Your job is to keep people from thinking they have
grounds for a suit. Allyn & Bacon retains the right to require you
to correct or to decline publishing a manuscript if we feel that libel
or slurring may exist.
POINTS
THAT MAY BE CONSIDERED LIBELOUS OR SLURRING
-
Anything
that touches on professional competence.
-
Anything
that reflects on someone's morals or ethics, even if no crime is involved.
-
A "real
person" in fiction identifiable by location, occupation, name or any other
evidence that gives the suggestion. It does not matter whether or not damage
was intended.
-
Insults
on credit standing.
-
Holding
anyone up to public ridicule or scorn.
-
Slurs
on a particular race, religion, gender, and/or sexual preference.
-
Broad
accusations and blanket attacks on professional groups, associations, businesses,
and industries should be avoided.
Next>>
Art
and Photo Specifications
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