Professor K M Newton
Twentieth-Century
Literary Theory: A Reader (Second Edition) (ed) (Macmillan,
1997). Pp xix+306
Theory
into Practice: A Reader in Modern Literary Criticism (ed) (Macmillan,
1992). Pp viii+312
George
Eliot: A Critical Reader (ed) (Longman, 1991). Pp vii+244
Interpreting
the Text: A Critical Introduction to the Theory and Practice of Literary
Interpretation (Harvester Wheatsheaf, 1990). Pp viii+201
ëNever
Standing Still, or Is Roland Barthes Structuralismí, in Literary
Theories: A Reader and Guide, ed. Julian Wolfreys (Edinburgh University
Press, 1999), pp. 15-23.
'"Victorian
Values" and Silas Marner', in Varieties of Victorianism: The
Uses of a Past, ed. Gary Day (Macmillan, 1998), pp. 110-25.
'Sutherland's
Puzzles: The Case of Daniel Deronda', Essays in Criticism,
58 (1998), pp. 1-12.
'Pre-Eminent
Victorian: The Life and Letters of G. H. Lewes', Review, 20 (1998),
pp. 73-86.
'George
Eliot As Proto-Modernist', The Cambridge Quarterly, 27 (1998), pp.
275-86.
ëAesthetics,
Cultural Studies and the Teaching of Englishí, in The State of
Theory, ed. Richard Bradford (Routledge, 1993), pp. 145-61.
'Literary
Theory and the Rushdie Affair' in English, Vol.41, No.171, 1992,
pp 235-47
Professor Geoff Ward
Statutes of
Liberty: The New York School of Poets (St Martinís/ Macmillan).
Second, revised, paperback edition to be published October 2000. Monograph.
Mondegreen
(Equipage,
Cambridge, 2000). Collection of poetry.
Re: Joyce
(Macmillan/
St Martinís, 1998). Co-edited essays (with John Brannigan and Julian
Wolfreys).
Rainer
Maria Rilke: Duino Elegies (Equipage, Cambridge, 1998). Translated
poetry.
Bloomsbury
Guides to English Literature: Romantic Literature From 1790 to 1830
(ed) (Bloomsbury, 1993).
Statutes
of Liberty: The New York School of Poets (Macmillan, 1993).
Language
Poetry and the American Avant-garde (British Association of American
Studies, 1993).
ëPoeticsí,
in J Wolfreys, ed., Glossalalia (Edinburgh University Press, 2002).
ë"The
Wibberlee Wobberlee Walk": Lowry, Hamilton, Kavan and the Addictions of
Forties Fictioní, in R Mengham and NH Reeve, eds., British Fiction
of the 1940s (Macmillan/ St Martinís, 2001).
ë"In
the published city": The New York School of Poetsí, in A Davis and
L Jenkins, eds., Locations of Modernism: Region and Nation in British
and American Poetry, (Cambridge University Press, 2000).
ë"Whatever
Saves": Syntax in Ashbery and Jamesí. The Cambridge Quarterly,
Vol
XXVIII, 2, 1999, 91-102.
ë"A
Being All Alike?": Teleotropic Syntax in Ashbery and Wordsworthí,
in E Larrissy, ed., Romanticism and Postmodernism (Cambridge University
Press, 1999) 86-98.
Foreword
to Lee Jenkins, Wallace Stevens: A Rage for Order (Sussex Academic
Press, 1999) vii-ix.
ëThe
Mutations of William Burroughsí, in R Mengham, ed., An Introduction
to Contemporary Fiction (Polity Press, 1999) 110-23.
ëThrowaway:
Joyceís Heroic Inutilityí, in Brannigan, Ward and Wolfreys,
eds., Re:Joyce (Macmillan/ St Martinís, 1998) 146-63.
ë"The
Strength of Applied Irony": The Altar of the Deadí, in NH
Reeve, ed., Henry James: The Shorter Fiction: Reassessments (Macmillan/
St Martinís, 1997) 60-77.
'Nothing
but Mortality: Prynne and Celan' in (eds) Antony Easthope and John O Thompson
Contemporary
Poetry Meets Modern Theory (Harvester Wheatsheaf, 1991) 139-52.
Dr David S Robb
The Collected
Poems of Alexander Scott (ed) (Mercat Press, 1994). Pp xxiv+260
ë"Stand,
and unfold yourself": My Schools and Schoolmastersí in Hugh
Miller and the Controversies of Victorian Science, ed. Michael Shortland
(Clarendon Press: Oxford, 1996) pp. 246-64.
`Miller
and Edinburgh: My Schools and Schoolmastersí, SLJ,
22,2 (November, 1995), 14 - 28.
ëThe
Plays of Alexander Scottí, Scotlands, 5,2 (1998), 1 - 14.
Dr Andrew M Roberts
Conrad and
Masculinity (Macmillan, 2000)
Joseph
Conrad (ed) (Longman, 1998)
Conrad
and Gender (ed) (The Conradian/Rodopi, 1993). Pp xi+147
The Novel:
From its Origins to the Present Day (ed) (Bloomsbury, 1993). Pp ix+366
ëRomantic
Irony and the Postmodern Sublime: Geoffrey Hill and ëSebastian
Arrurruzí, in Romanticism and Postmodernism, ed. Edward Larrissy
(Cambridge University Press, 1999), pp. 141-56.
ëConrad
and Valueí in Conrad and Literary Theory, ed. Robert Hampson
and Andrew Gibson (Amsterdam and Atlanta, GA: Rodopi, 1998), pp. 178-202.
ëìHow
to Be Happy in Parisî: Mina Loy and the Transvaluation of the Bodyí
in The Cambridge Quarterly Vol. 27, No. 2, 1998, pp 129-47.
ëBeyond
the Male Romance: Repetition as Failure and Success in Apocalypse Nowí,
with Peter Easingwood, Critical Survey, 9.1 (Spring 1997), 19-35.
ëEconomies
of Empire and Masculinity in Conradís Victoryí, in
Imperialism
and Gender: Constructions of Masculinity, ed. C. Gittings (Dangaroo
Press, 1996), pp. 158-69.
ë"Routine
Terror": Violence and Bureaucracy in the Work of Jonathan Swift and Geoffrey
Hillí, in The Timeless and the Temporal, ed. Elizabeth Maslen
(QMW, 1993), pp. 404-26
'Variation
and False Relation in Geoffrey Hill's 'Tenebrae'' in Essays in Criticism
Vol.XLIII, No.2, 1993, pp 123-43
ëTime
and Truth in Yeatsí Autobiographiesí, in Between
Time and Eternity: Nine Essays on W.B. Yeats and his Contemporaries Hofmannsthal
and Blok, ed. Paul Kirschner and Alexander Stillmark (Rodopi, 1992),
pp. 37-53.
ëThe
Gaze and the Dummy: Sexual Politics in Conradís The Arrow of
Goldí, in Joseph Conrad: Critical Assessments, ed. Keith
Carabine (Helm, 1992), pp. 528-50.
'Omnipotence
and the Romantic Imagination' in English Vol. 40, 1991, pp 1-21
ëNostromo
and Historyí, The Conradian 12.1 (May 1987), 4-16.
Dr Victor Skretkowicz
Sir Philip Sidney,
The Countess of Pembroke's Arcadia (the New Arcadia), ed. by V. Skretkowicz
(Oxford: Clarendon Press, 1987), Pp lxxxii+622
Florence
Nightingale's Notes on Nursing, ed. by V. Skretkowicz (Scutari Press,1992);
(Ballière Tindall, 1995). Pp xlii+212
'Devices
and their Narrative Function in Sidney's Arcadia' in Emblematica,
i (1986), 277-305
'Chivalry
in Sidney's Arcadia in (ed) Sydney Anglo, Chivalry in the Renaissance
(Boydell and Brewer, 1990), pp 161-74
'Greville's
Life of Sidney: The Hertford Manuscript' in English Manuscript Studies,
iii, 1992, pp 102-36
'Poems of
Discovery: John Taylor's Barbarian, Utopian and Barmooda Tongues' in Renaissance
Studies, vi, 1992, pp 391-9
'Sidney's
Defence of Poetry, Henri Estienne, and Huguenot Nationalist Satire' in
Sidney
Journal, xvi, 1998, pp 3-24
'Mary Sidney
Herbert's Antonius, English Philhellenism and the Protestant Cause', Womens'
Writing, forthcoming
'Lady Mary
Wroth's Urania and the Rhetoric of Female Abuse', in C. M. Sutherland and
R. Sutcliffe, The Changing Tradition: Women in the History of Rhetoric
(Calgary:
University of Calgary Press, 1999), pp. 133-145
Mr R J C Watt
Philip Larkin:
A Concordance to the Poetry of Philip Larkin (Olms-Weidmann, 1995).
Pp xxi+660
The
Web Concordances - Electronic publications (1996, 1997, 1998, 1999)
Concordance
- Software (1999)
The
Web Concordances, JISC Technology Applications Programme (JTAP) Report
025, August 1998. Pp 31. Also published electronically and available
at http://www.jtap.ac.uk/
'Hopkins
and the Gothic Body', forthcoming in Victorian Gothic: Essays on Literature
and Culture in the Nineteenth Century, ed. Julian Wolfreys (Macmillan,
2000). Pp 26
'Door, Floor,
and Tardy Servants in Wuthering Heights', forthcoming in English
Language Notes, March 2001, pp. 4
ëEditorial
Mumpsimus in the Poems of Gerard Hopkinsí in The Library: Transactions
of the Bibliographical Society, 6th series, Vol.21, No.4, 1999, pp
361-8
'Electronic
Hopkins' in Hopkins Quarterly, Vol. 23, Nos. 1-2, 1997, pp 41-60
'Neither
Parti-eyed nor Poorly Led: Edgar Meets the Blind Gloucester' in Review
of English Studies, N.S. Vol.48, No.189, February 1997, pp 51-6
'The Larkin
Concordance' in About Larkin: Newsletter of the Philip Larkin Society,
No. 3, April 1997, p 28
'The Siege
of Orleans and the Cursing of Joan: Corruption in the Text of Henry
VI Part I' in English Language Notes, Vol.XXXIII, No.3, 1996,
pp 1-6
'Hopkins's
'Penmaen Pool' and the Tradition of Travellers' Verse' in English,
Vol.44, No.179, 1995, pp 111-9
`An Interview
with Sean O'Brien', Talking Verse: Interviews with Poets (St Andrews
and Williamsburg, 1995), pp 173-86
'Commendable
Silence: A Crux in The Merchant of Venice' in Notes and Queries,
N.S., Vol.42, No.3, September 1995, pp 316-7
'Seamus
Heaney: Voices on Helicon' in Essays in Criticism, Vol.XLIV, No.3,
1994, pp 213-34
`My Mother's
--': a Crux in King John' in Notes and Queries, N.S., Vol.41,
No.4, December 1994, pp 479-81
Dr Marion Wynne-Davies
Geoffrey
Chaucer: The Tales of the Clerk and The Wife of Bath (ed) (Routledge,
1992). Pp viii+210
Women
and Arthurian Literature: Seizing the Sword (Macmillan, 1996). Pp viii+237
Gloriana's
Face (eds) S P Cerasano and Marion Wynne-Davies (Harvester Wheatsheaf,
1992). Pp xiv+234
Renaissance
Drama by Women: Texts and Documents (eds) S P Cerasano and Marion Wynne-Davies
(Routledge, 1996)
Dr Kasia Boddy
Open to Question:
American Fiction Writers in Interview (Manchester: Manchester University
Press). Due out 2000.
Great
Hopes: The Boxer in Twentieth-Century American Culture (London: Reaktion
Books). 'Picturing History' series. Manuscript due end 2000.
The Virago
Book of Twentieth-Century Fiction (Virago, 2000). Co-editor
(with Ali Smith and Sarah Wood).
Original
Prints 2: An anthology of new writing by Scottish women. Co-editor
(with Jane Sillars) (Edinburgh: Polygon Books, 1987) pp.156.
'Edwin Morgan's
Adventures in Calamerica', The Yale Journal of Criticism, sometime
in 2000.
'The White
Boy Looks at The Black Boy, The Black Boy Looks at The White Boy: Saul
Bellow, Ralph Ellison and The Great Omni-American Novel', forthcoming in
the Saul Bellow Journal, summer 2000.
'Short Cuts
and Long Shots: Raymond Carver's Stories and Robert Altman's Film', Journal
of American Studies, 34, no.1 (April 2000), 1-22.
'Shards
of God: An Epinician for the Heroes of the Peace-swarm', The Review
of Contemporary Fiction, 19, no.1 (Spring 1999), 61-80.
'John Ashbery
in Conversation', PN Review, 125, (January - February 1999), pp.18-21.
'A Conversation
with Dennis Cooper', Critical Quarterly, vol. 37, no.3 (Autumn 1995),
pp.103-15.
'Conversations
with Lynne Tillman', OVER Here: Reviews in American Studies, 14,
no.1 (Summer 1994), pp.1-9.
'No Innocent
Abroad: The Fiction of Lynne Tillman', OVER Here: Reviews in American
Studies, 14, no.1 (Summer 1994), pp.10-19.
'Agnieszka,
Agnieszka: The Double Life of a Polish Filmmaker', Second Shift, 3
(Winter 1993).
'Companion-Souls
of the Short Story: Anton Chekhov and Raymond Carver', Scottish Slavonic
Review, 18 (September 1992), pp.105-12.
'An Interview
with Tom Leonard', Edinburgh Review, no.77, (May 1987), pp.59-67.
Essays on
Joyce Carol Oates, Jayne Anne Phillips and Lydia Davis, in Blanche Gelfant
(ed) The Columbia Companion to the American Short Story inthe
Twentieth Century - in press, due sometime 2000.
'Adam Mars-Jones',
in Merritt Mosley (ed), The Dictionary of Literary Biography, vol.
207 British Novelists since 1960 (Washington: Bruccoli Clark Layman, 1999),
178-82.
'The European
Journey in Postwar American Writing and Film', in Jas¥ Elsner and Joan-Pau
RubiÈs (eds) Visions and Voyages: Towards a Cultural History
of Travel (London: Reaktion Books, 1999), pp. 232-51.
'Scotland',
in John Sturrock (ed), The Oxford Guide to Contemporary World Literature
(Oxford
University Press, 1996), pp.361-76.
'Women Writers
and the Short Story', in Lizbeth Goodman (ed), Literature and Gender
(London:
Routledge, 1996), pp.80-85.
'Watching
the Fight: Women Spectators in Boxing Fiction and Film', in Tim Armstrong
(ed), American Bodies: Cultural Histories of the Physique (Sheffield:
Sheffield University Press, 1996), pp.204-212.
'The Postwar
American Short Story' for the Annotated Bibliography for English Studies,
Swets
and Zeitlinger (eds) - a CD-Rom resource, 1997.
'A Conversation
with Raymond Carver', London Review of Books, 15 September 1988,
p.16, reprinted in Conversations with Raymond Carver (Jackson &
London: The University of Mississippi Press, 1990), pp.197-203.
Dr Alison F Chapman
A Critical
Guide to Elizabeth Gaskellís ëMary Bartoní and ëNorth
and Southí (Icon, Spring 1999)
The Afterlife
of Christina Rossetti (Macmillan, 2000)
ëFatherís
Place, Motherís Space: Italy, Identity, and the Maternal in Christina
Rossettiís Poetryí, in The Culture of Christina Rossetti,
ed. Mary Arseneau, Antony H. Harrison, and Lorraine Janzen Kooistra (Ohio
University Press, 1999), pp. 235-59
ëPhantasies
of Matriarchy in Non-Canonical Childrenís Literature by Womení,
in Victorian Women Novelists and the Woman Question, ed.
Nicola Diane Thompson (Cambridge University Press, 1999), pp. 60-79
ë"A
Momentís Monument": Uncanny Epiphanies in the Nineteenth-Century
Sonnet Traditioní, in Moments of Moment: Aspects of Literary
Epiphany, ed. Tim Wigges (Rodolphi, 1999) pp. 114-135
ëMary
Elizabeth Coleridge, Literary Influence, and the Uncannyí, in Victorian
Gothic: Death, Desire, Dis-ease and Doubling in Nineteenth-Century Literature
and Culture ed. Julian Wolfreys (Macmillan, 2000)
ëMesmerism,
Agency, and the Courtship of Elizabeth Barrett and Robert Browningí,
Victorian
Literature and Culture, vol. 27 (1999): 303-319
ëDefining
the Feminine Subject: Dante Gabriel Rossettiís Manuscript Revisions
to Christina Rossettiís Poetryí, Victorian Poetry,
Summer 1997: 139-156
ëHistory,
Hysteria, Histrionics: The Biographical Representation of Christina Rossettií,
Victorian
Literature and Culture, vol. 24 (1996): 193-209
Dr Peter Easingwood
'The Face on
the Waterloo Steps' in (ed) Belinda Humfrey John Cowper Powys's Wolf
Solent: Critical Studies (University of Wales Press, 1990), pp 55-67
'Semi-autobiographical
Fiction and Revisionary Realism in 'A Bird in the House'' in (eds) Coral
A Howells and Lynette Hunter Narrative Strategies in Canadian Literature:
Feminism and Postcolonialism (Open University Press, 1991), pp 19-29
'Writing
about Writing: Malcolm Lowry's Novelistic Fiction' in (eds) Shirley Chew
and Lynette Hunter Borderblur: Essays on Poetry and Poetics in Contemporary
Canadian Literature (Quadriga Press, 1996), pp 30-40
'The
Mayor of Casterbridge and the Irony of Literary Production' in The
Thomas Hardy Journal, Vol.IX, No.3, 1993, pp 64-75
Dr Jodi-Anne George
John Pikeryngís
Horestes (1567), eds. Karen Robertson & J.-A. George (Galway University
Press, 1996)
Geoffrey
Chaucer: The General Prologue, ed. J.-A. George (Icon Critical Guides,
forthcoming September 2000).
ëFrom
King Arthur to Sidonia the Sorceress: The Dual Nature of Pre-Raphaelite
Mediaevalismí in Victorian Gothic: Death, Dis-ease and Doubling,
ed. Julian Wolfreys (Macmillan, forthcoming May 2000).
ëThe
vocacyon of Johan Bale (1553): A Retrospective Sermon from Irelandí
in Irish Preaching, 700-1700, eds. Alan J. Fletcher & Raymond
Gillsepie (Four Courts Press, forthcoming November 2000).
ëHwalas
[Apple]ec heriga[Apple]: Creation, Closure and the Hapax Legomena
of the OE Danielí in A Festschrift in Honour of Prof.
Jane Robertsí 65th Birthday, eds. Christian Kay &
Louise Sylvester (Rodopi, forthcoming 2000)
ëFrom
Orestes to Horestesí in Elizabethan Literature and Transformation,
pp. 169-178, ed. Sabine Coelsch-Foisner (Stauffenburg Verlag, 1999)
ëA Very
Private Gesture: William Morrisí A Book of Verse and its
Public Sequelí in Public and Private Voices in Victorian Poetry,
ed. Sabine Coelsch-Foisner (Stauffenburg Verlag, forthcoming early Summer
2000)
'Daniel
416-29: An 'Identity Crisis' Resolved?' in Medium AEvum, Vol.LX,
No.1, 1991, pp 73-76
'The Women's
Art: May and Jane Morris and their Embroidery' in U.C.G. Women's Studies
Centre Review, Vol. 1, 1992, pp 99-106
'Repentance
and Retribution: The Use of the Book of Daniel in Old and Middle English
Texts' in The John Rylands Library Bulletin, Vol.77, No.3, 1995,
pp 177-192
Dr Jane Goldman
The Feminist
Aesthetics of Virginia Woolf : Modernism, Post-Impressionism and the Politics
of the Visual (Cambridge University Press, 1998). Pp xi + 300 [+ 8
of plates: ill (chiefly col)].
The Icon
Critical Guide to Virginia Woolf : To the Lighthouse, The Waves (ed)
(Icon, 1997). Pp 191.
Modernism
: an Anthology of Sources and Documents (eds) Vassiliki Kolocotroni,
Jane Goldman and Olga Taxidou (Edinburgh University Press, 1998). Pp xx
+ 632.
'Metaphor
and Place in To the Lighthouse: Some Hebridean Connections' in (ed)
Caroline Gonda Tea and Leg-Irons: New Feminist Readings from Scotland
(Open Letters, 1992), pp 137-55
''Miss Lonelyhearts
and the Party Dress': Cross-dressing and Collage in the Satires of Nathanael
West' in The Glasgow Review, 2, 1993, pp 40-54
''Purple
Buttons on her Bodice': Feminist History and Iconography in 'The Waves''
in Woolf Studies Annual, 1996, pp 3-25
''But what?
Elegy?': Modernist Reading and the Death of Mrs Ramsay' in The Yearbook
of English Studies, Vol.26, 1996, pp 173-86; co-authored with Randall
Stevenson
"Dada Goes
West: Re-Reading Revolution in The Day Of The Locust", in Imprimatur:
A Journal of Criticism and Theory, Vol.II, Nos.1/2, 1996, pp 20-36
Dr Gail Low
White Skins/Black
Masks: Representation and Colonialism (Routledge, 1996). Pp xi+299
'The Dis/embodiment
of Culture: The Migrant in V S Naipaul and Bharati Mukherjee' in (eds)
Tracey Hill and William Hughes Contemporary Writing and National Identity
(Sulis Press, 1995), pp 112-20
'Post-Colonial/Post-Modern:
The Fiction of Bharati Mukherjee' in Women 4, 1993, pp 8-17
Dr Jane Stabler
Lord Byron:
Selected Poems, ed. (Everyman, 1997), Pp xiv+106
Byron,
ed. (Longman, 1998), Pp xi+235
ëReading
Don
Juaní in Romanticism: A Critical Reader, ed. Duncan
Wu (Blackwell, 1997), pp 247-58
ëGuardians
and Watchful Powers: Literary Satire and Lyrical Ballads in 1798í
in 1798: The Year of Lyrical Ballads, ed. Richard Cronin (Macmillan,
1998), pp 203-30
'A Biography
of Douglas Dunn' in (eds) Robert Crawford and David Kinloch Reading
Douglas Dunn (Edinburgh University Press, 1992), pp 1-16
'Alive in
the Midst of Questions: A Survey of the Poetry of Paul Muldoon' in Verse,
Vol.8, No.2, 1991, pp 52-61
'The Genesis
of Byron's 'Hints from Horace'' in Translation & Literature,
Vol.3, 1994, pp 47-65
'Pit-bull
Poetics: One Battle in Byron's 'War of the Worlds' in Romanticism,
Vol.1, No.1, 1995, pp 82-89
Dr Keith Williams
British Writers
and the Media 1930-45 (Macmillan, 1996). Pp x+285
Rewriting
the Thirties: Modernism & After ed with Steven Matthews (Longman,
1997). Pp vii+221
'Symphonies
of the Big City: High Modernism, Cinema and Urban Modernity', in Paul Edwards
(ed.) The Great Vortex: Modernist London 1890-1930 (Bath: Sulis
Press, Autumn 2,000).
ëThe
Unpaid Agitator: The Influence of James Joyce on George Orwell and James
Ageeí, double-length article in the James Joyce Quarterly (Forthcoming
in Vol.36, no.2, (2,000)).
'Joyce's
'Chinese Alphabet': Ulysses and the Proletarians' in (eds) N Sammells
and P Hyland Irish Writing: Exile and Subversion (Macmillan, 1991),
pp 173-87
'The Will
to Objectivity: Egon Erwin Kisch's 'Der Rasende Reporter'' in The Modern
Language Review, Vol.85, No.1, 1990, pp 92-106
''History
as I Saw It': Inter-War New Reportage' in Literature & History,
Third Series, Vol.1, No.2, 1992, pp 39-54
'Back from
the Future: Katherine Burdekin and Science Fiction in the 1930s', in Maroula
Joannou (ed.) Women Writers of the 1930s: Gender, Politics, History
(Edinbugh: Edinburgh University Press, 1999), pp.151-64.
'Post/Modern
Documentary: Orwell, Agee and the New Reportage', in Rewriting the Thirties:
Modernism and After, ed with Steven Matthews (Longman, 1997), pp.163-181.
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