Costumes, Masks, and Puppets Costumes, Masks, and Puppets
Julie Taymore
More About Julie Taymor

Julie Taymor, director, costume designer, and mask/puppet co-designer for "The Lion King," has always created theater. Born in 1952 outside of Boston she began at a very early age to put on small shows and imagine new worlds. She became interested in all types of theater, including musicals.

At college she created her own major in the ritual origins of theater. After graduating, she studied Javanese shadow puppetry and was granted a fellowship that allowed her to travel to Indonesia, where she gained a great inspiration for her theatrical vision:

"What grabbed me was seeing theater in its original function, its absolutely most powerful creative state ... theater there is sacrosanct, a daily part of your life that is essential to your being."

On the island of Bali, she formed her own theater troupe, whose first work was called "Way of Snow," based on an Eskimo legend. She returned to the U.S. and designed diverse theater projects such as "Odyssey," "Haggadah," and "Liberty's Taken," a wild and earthy take of the American Revolution.

More and more, Taymor became known for what Eileen Blumenthal calls "braiding together of global stage forms." In 1986 she directed and designed William Shakespeare's "The Tempest." In this production, the sprite Ariel was portrayed by only a ghostly mask, manipulated by an actor dressed all in black. The audience could plainly see the actor. On one level they could see the puppeteer and appreciate the  innovation of the craft and the actor's skill. But on a more imaginative level, they could forget the actor and just see the spirit, floating through the air. This is the essence of Taymor's theater: Do not fool the spectators, but spark their imaginations by creating the story with them.

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Photo of Julie Taymor ©Len Irish

Adapted from "The Lion King: A Study Guide" by Peter Royston.
All photographs from the original Broadway production: Joan Marcus 
(unless otherwise credited). 

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