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Psychiatric art in Spain, 1917-1990

Psychiatric art in Spain, 1917-1990

 

From 22 October 2009 to 24 January 2010

 

Estudi General Room – La Nau

 

From Tuesday to Saturday, from 10 to 13.30 and from 16 to 20 h.

Sunday, from 10 to 14 h.

Nota de prensa [+]

 

 

Project and organisation by Universitat de València

Also sponsored by SECC, Sociedad Estatal de Conmemoraciones Culturales, Caja Madrid, Ayuntamiento de Elche and DKV Seguros. 

Curator: Dr. Ana Hernández Merino 

 

Scientific justification and proposal  

Since the beginning of the 20th century, paintings of the mentally ill in Spain have been for psychiatry an instrument supporting diagnosis, an occupational activity or a way of psychotherapy, largely in line with the theses of the Italian forensic doctor Lombroso (1909) and those of Herman Simon (1928), contributions from Hans Prinzhorn (1922) and the collection of Heidelberg Hospital. 

The emergence of the European avant-garde extended the influence of psychiatric painting beyond the walls of madhouses. Insane individuals could be artists and so they could show their works not only as a reflection of their morbid processes but also as works of art able to move others from the originality of shapes and contents. Their art evidenced the subtle boundaries between the creations of healthy or sick artists, becoming a cultural fact that overcame the commonly pejorative labels imposed by psychiatric diagnoses.

 

 

In Spain we have seen marginal painting exhibitions like "Parallel Visions" in the Reina Sofia Museum of Madrid, in 1992. The exhibition showed the confluence of perspectives between artists who had done most of their work confined in an institution and avant-garde artists. Many of these works came from the Art Brut Museum of Lausanne. The thesis of the show encouraged a gaze exchange that went beyond formal influences and raised among visitors and researchers multiple questions about art, madness, avant-garde movements, psychiatry or simply anguish, pain and psychic suffering, transcending from the beauty of the works exhibited. In 2001, we also saw in Barcelona’s MACBA a show on the Prinzhorn collection, from the psychiatric clinic of Heidelberg. 

In both exhibitions, the Madrid and Barcelona one, the origin of the works was England, France, Germany or Austria, but there were no paintings by artists from our country. The debate did not take into consideration either the role of psychiatric painting in Spain. These facts could actually cause us to draw the conclusion that no such experience took place in Spain and that in psychiatric hospitals in our country patients did not paint, or that there were no painting collections, but this was not the case. Indeed, paintings were collected although it was not a priority concern for psychiatrists. Works were collected out of an artistic interest and analysed for psychopathological reasons. Specific museums were set up but they disappeared during the civil war, such as the of the Institute Pere Mata of Reus; and exhibitions were held in 1935 at the Ateneo de Madrid, or in the 4th World Psychotherapy Congress organised by the Teaching Hospital of Barcelona in 1858, where art therapy was discussed for the first time, or at the Casón del Buen Retiro in Madrid in 1966 on the occasion of the 4th World Conference on Psychiatry, with more than 700 artworks exhibited. These exhibitions were always organised, on an exclusive basis, within the field of psychiatry and for psychiatric professionals.

 

 

This exhibition aims to show, from today’s perspective, relevant psychiatric paintings from the 20th century in Spain, with works that have been borrowed – for the purpose of this exhibition project - from several Spanish hospitals and different private collections. 

Presenting more than three hundred works and original documents, the exhibition is divided into 8 thematic sections: 

1: Primitivism

2: Identifying insanity, the head as an allegory

3: Passions

4: Angels and demons

5: Machines and other inventions

6: The all-seeing eye

7: Melancholy

8: the sinister and the monstrous

 

 

Works and documents borrowed from (institutions and private collectors):  

Collection, Dr. Joan Obiols (Barcelona)

Collection, Dr. Gonzalo R. Lafora (Madrid)

Collection, Piguem (Lleida)

Collection, Pérez Villamil (Vigo)

Collection Asociación de Artístas Plásticos Línea Paralela,  Sevilla

Fundación Andaluza para la Integración Social del Enfermo Mental (Faisem),  Sevilla

Collection, Dr. Sarró (Barcelona)

Colección Orden Hospitalaria de San Juan de Dios, Ciempozuelos (Madrid)

Hospital Psiquiátrico de Cabaleiro Goas (TOEN), (Ourense)

Hospital Psiquiátrico de Conxo (Santiago de Compostela)

Museo de Historia de la Medicina y la Ciencia, Universitat de València

Diputación de Valencia

 

 

 

 

 

 

Additional information: cultura@uv.es