Fitxa persona

Víctor Huertas Martín studied English Philology (Universidad Autónoma de Madrid), a Master's Degree in Literary and Theatrical Training and Research in the European Context (UNED), a Master's Degree in Audiovisual Scriptwriting (UNIR) and a PhD in Linguistic and Literary Studies (UNED). To date, he has published on Shakespeare on British Television and Shakespeare in American television seriality in journals such as Sederi Yearbook, Atlantis, Literature/Film Quarterly, Shakespeare Bulletin, Cahiers Élisabéthains, Journal of Comparative Literature and Aesthetics, Nerter, Epos: Revista de Filología, Revista Española de Estudios Norteamericanos, International Journal of English Studies, Hipogrifo: Revista de Literatura y Cultura del Siglo de Oro, The International Journal of Transmedia Studies, Romanian Shakespeare Journal, Shakespeare en Devenir, etc. He has written book chapters for Eating Shakespeare: Cultural Anthropohagy as Methodology (Bloomsbury Publishings, 2019) and The Palgrave Handbook of Intermediality (2023). She has been Visiting Scholar at University College London, University of Birmingham/Shakespeare Institute, Franklin Institute/Universidad Alcalá de Henares, Universitat Pompeu Fabra de Barcelona, British Film Institute (London), German National Library (Frankfurt), Consorcio Patronato de la Ciudad Monumental, Mérida, Universidad Complutense de Madrid, Pontificia Universidad Javeriana de Bogotá and, soon, at Consejo Superior de Investigaciones Científicas (CSIC). He has been a member of several research projects, including “Spanish and European theatre of the 16th and 17th centuries: heritage and databases” (2020-2023), ”Spanish and European theatre of the 16th and 17th centuries: heritage and databases” (2017-2019), “Aglaya. Innovation Strategies in Cultural Mythocriticism” (2020-2023) and the Knowledge Transfer Project “Viceversa: The magazine to see, hear, tell and touch science” (2019-2020). He is Principal Investigator of the Research Project "CIRCE: Early Modern Theatre on Screen" (CIGE/2021/086), funded by the Conselleria d'Innovació, Universitats i Ocupació de la Generalitat Valenciana. He has co-edited Television Series as Literature (Palgrave, 2021) and El relato mítico: sus nuevas materialidades y dimensiones en las culturas contemporáneas (Editorial Comares, 2023). He is the author of La tragedia de Mariam, la hermosa reina de los judíos, a critical bilingual edition, with codicological analysis, introduction, critical apparatus and translation into Spanish of the work by Elizabeth Cary (1613), published by Publicacions de la Universitat de València. He has organised the conferences Ethos, Pathos, Mythos: Myth and Trauma Narratives (Universidad Complutense de Madrid, 2022), First CIRCE Conferences (Universitat de València, 2022), XXXIII Sederi Congress: Early Modern English Culture in European Perspective (Universitat de València, 2023) and I International CIRCE Congress: Early Modern Theatre on/and Screen (Universitat de València, 2023). He has coordinated the issue Comparative Approaches: Renaissance and Baroque Theatre on Screen, published in Transfers between Literature and Film (2023). He co-edited the bilingual volume Miradas a las tradiciones del teatro europeo de los siglos XVI y XVII y/en la pantalla / Glimpses on the traditions of European Theatre of the 16th- and the 17th-Centuries and/on the Screen, to be published by Editorial Comares in 2024. He has coordinated two editions of the popular science magazine Viceversa: la revista para ver, oír, tocar y contar la ciencia (University of Extremadura). He has been Guest Lecturer at the Universidad Nacional de Educación a Distancia, the Universidad Complutense de Madrid, the Universidad de Sevilla, the Universidad de Extremadura and the Universitat Jaume I de Castelló.