Fitxa persona

Silvia Guillamón Carrasco holds a PhD in Audiovisual Communication (Extraordinary Award, 2014), a Bachelor's degree in Audiovisual Communication and in Hispanic Philology, and a Master's degree in Language Sciences and Human Relations. She is an Associate Professor of Audiovisual Communication at the University of Valencia. She has taught at the International University of Valencia and the University of Buenos Aires (Argentina) and has been a visiting researcher at UCSC (University of California, Santa Cruz), UMASS (University of Massachusetts, Amherst), Università di Bologna (Italy), Leipzig Universität (Germany), Universidad Nacional del Litoral (Santa Fe, Argentina), and Universidad Nacional de Tres de Febrero (Buenos Aires, Argentina). Number of five-year teaching periods: 2. Number of CNEAI six-year research periods: 3.

Her research focuses on the intersection between semiotics, feminism, gender theory, and Spanish cinema.

Research Projects 

• "Gender Technologies in Spanish Audiovisual Culture of the New Millennium" (PID2022-138974NA-I00), funded by the Ministry of Science and Innovation. Principal Investigator. 01/09/2023 - 31/12/2026.

• "Trans.Arch. Archives in Transition: Collective Memories and Subaltern Uses (Trans.Arch)" (European Union's Horizon 2020). Role: member of the research team. 01/09/2020 - 31/08/2025.

• "Gender Representations in 21st Century Spanish Cinema. Film Imaginary and Social Discourses" (GV/2021/086), funded by the Regional Ministry of Innovation, Universities, Science and Digital Society. Principal Investigator. 01/01/2021 - 31/12/2022.

• "Interculturality, Biopolitics and Gender Technologies" (AICO/2017/123), funded by the Regional Ministry of Culture, Education and Sport. Generalitat Valenciana.

Teaching Innovation Projects

• "Videos for Equality: Collaborative Learning with a Gender Perspective". Member of the team. 01/09/2023 - 31/08/2024. University of Valencia.

• "Innovating for the Training of Researchers in LGBTIQ+ Studies in the Field of Communication: Methodologies, Academic Writing, Indexing, Publishing and OJS/PKP Management in Scientific Journals". Member of the team. 01/09/2023 - 31/08/2024. Complutense University of Madrid.

• "Referents II: Multimedia Innovation Project for Teaching Diversity and Inclusion in the Thematic Agenda of Journalism". Member of the team. 01/09/2023 - 31/08/2024. University of Valencia.

• "Promoting a Gender Perspective in University Teaching, Student Learning and Research". Member of the team. 01/09/2022 - 31/08/2023. University of Valencia.

• "Referents: Multimedia Innovation Project for Teaching Diversity and Inclusion in the Thematic Agenda of Television Journalism". Member of the team. 01/09/2022 - 31/08/2023. University of Valencia.

• "Innovation in Open Educational Resources, Virtual Teaching, Digital Competences and Internationalisation of Teaching in Communication and Culture in the Master's Degree in LGBTIQ+ Studies for a Diverse University (Agenda 2030)". Member of the team. 01/09/2021 - 31/08/2022. Complutense University of Madrid.

Publications

Among the articles published in recent years, the following are worth highlighting: Guillamón Carrasco, S. y Belmonte Arocha, J. (2024) "Significación y subjetivación femenina: hábitos del cuerpo, educación de género y biopoder en 'Las niñas' (Pilar Palomero, 2020)". Signa; Guillamón Carrasco, S. y Belmonte Arocha, J. (2024) "Discursos en los márgenes. Testimonio, activismo y disidencia sexual en el documental español contemporáneo". I/C. Revista Científica de Información y Comunicación; (2020) “Haptic Visuality and Film Narration. Mapping New Women’s Cinema in Spain”, Communication & Society, Vol. 33(3); Guillamón Carrasco, S. y Belmonte Arocha, J. (2020) “Sexualidad, política del cuerpo y función socioeducativa del cine en Touch Me Not (Adina Pintilie, 2018)”, Fotocinema. Revista científica de cine y fotografía, Nº 21; Guillamón Carrasco, S. y Belmonte Arocha, J. (2020) “Figuraciones de lo siniestro en Parents (Bob Balaban, 1989)”, Tropelías. Revista de teoría de la literatura y literatura comparada, Nº 34; (2018) “El monstruo femenino. Lo siniestro y la construcción de lo materno en Furtivos, Fonseca. Journal of Communication, nº 17; (2017) “Gender Discourse & National Reconstruction. The Narrative of Historic Debt in Raza”, Communication & Society, 30 (2); (2017) “La representación de la femme fatale en el universo narrativo de Muerte de un ciclista (Juan Antonio Bardem, 1955)”, Área Abierta. Revista de comunicación audiovisual y publicitaria, Vol. 17 (3); (2016) “The Doll in the Imaginary of the Late Francoist Period: an Analisys of No es bueno que el hombre esté solo”, L’Atalante. Revista de estudios cinematográficos, nº 21.