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Vice-Chancellor's Office for Culture

A representation of  the city: Valencia 1563-1931

A representation of the city: Valencia between 1563 and 1929

From May 19st to October 16th 2005

Estudi General exhibition room - La Nau

From Tuesday to Saturday, from 10 to 13.30 and from 16 to 20 h.

Sunday, from 10 to 14 h.

 

MAP OF VALENCIA and its outskirts (1883). Army Corps General Staff. Four signatures can be seen at the bottom corresponding to Francisco Ponce de León (Commander Lieutenant Colonel – General Staff), Jesús Tamarit (Lieutenant Colonel, General of the Army), Pedro Bentabol (Commander Lieutenant Colonel – General Staff) and Antonio González Samper (Staff Lieutenant).

 

Like any other perception, perceiving a city is a cultural phenomenon. As such, the representation of this cognitive experience is always linked to values deemed primordial by the dominant culture at each moment in its own history.

 

VALENCIA EDETANORUM aliis CONTESTANORUM / vulgo DEL CID. ICHNOGRAPHICE DELINEATA / a Dre Thoma Vincentio Tofca Congreg- Oratorij Prefbytero. Anno 1704. (1704). Tomás Vicente Tosca

VALENTIA EDETANORUM vulgo DEL CID, DELINEATA A Dre. THOMA VENCENTIO TOSCA CONGR. ORATORIJ PRESBYTERO (1738 ca.). Tomás Vicente Tosca

 

This exhibition summarises -graphically and visually- the transformation experienced by Valencia between the second half of the 16th century and the first third of the 20th century. A long process spanning from the small, conventual and desired town depicted by Antoon van den Wijngaerde (the city painter) in 1563 and the topographer Antonio Manceli in 1608 to the large, unfinished and overwhelmed city drawn by cartographers from Instituto Geográfico y Catastral between 1929 and 1944 and faithfully portrayed by army photographers in the first aerial pictures.

 

MAP OF VALENCIA / Under attack by Marshal Moncey in 1808 (1808 r.). Anonymous work

Geometric plan of Valencia and its surroundings including contemporary fortresses; elevation and drawings by Captain Francisco Cortés y Chacón (Engineering Corps) following an order by Commander Luis Alexandro de Bassecoúrt (1811). Francisco Cortés y Chacón

 

The exhibition illustrates the city idea in its different representation forms, which requires the previously existing city to be interpreted, as it conditions the either fulfilled or unfulfilled project of the subsequent one to a great extent.

 

MAP OF VALENCIA / Asfiegée et prise le 9 janvier 1812 par l’Armée Française d’Aragon Aux Ordres de S.E. LE MARECHAL SUCHET, Duc d’Albufera. (1812 r.). Dumoulin

Map including topographical description of the city of Valencia del Cid -before the Edetanians- hamlets, orchards, the Turia river and its dams, and irrigation channels, covering up to one league; also including details of distinguished citizens within city walls and outside the town. (1821). Cristóbal Sales

 

Based on a small selection of original documents, the exhibition uses digital reproductions of the best printed drawings between 1608 and 1929. Although they do describe the city’s singular geometry, the large-format pictures need to be supported by other representations (etchings, perspectives, overviews, photographs, etc.) to adequately define the city’s unique personality.

 

GEOMETRIC MAP OF VALENCIA DEL CID / dedicated to THE ROYAL ECONOMIC SOCIETY by Mr Francisco Ferrer, member of the Architecture Department of San Carlos Fine Arts Royal Academy, 1831. (1828). Francisco Ferrer

NOBILIS AC REGIA CIVITAS VALENTIE IN HISPANIA. (1608). Antonio Manceli

 

 


 

Additional information: cultura@uv.es