Articles:

• Article Abstracts.
• Trevor Nunn's Twelfth Night: Contemporary Film and Classic British Theatre. [1] Nicholas R. Jones, Oberlin College.
• Surpassing Glass: Shakespeare's Mirrors. [2] Philippa Kelly, University of New South Wales.
• Common-words frequencies, Shakespeare's style, and the Elegy by W. S. [3] Hugh Craig, University of Newcastle, New South Wales.

Theatre Reviews:

• Twelfth Night, performed by the Company of Shakespeare's Globe at the Middle Temple Hall, London, February 2002. [10] David Nicol, University of Central England.
• Othello. Adapted for television by Andrew Davies. [11] Lisa Hopkins, Sheffield Hallam University.
• Richard III. Directed by Michael Grandage at the Crucible Theatre, Sheffield, 13 March - 6 April, 2002. [12] Annaliese Connolly, Sheffield Hallam University.
• The Taming of the Shrew at the Nottingham Playhouse, February-March 2002. [13] Chris Hopkins, Sheffield Hallam University.
• Macbeth. Northern Broadsides, directed by Barrie Rutter. At the West Yorkshire Playhouse, Leeds, April, 2002. [14] Lisa Hopkins, Sheffield Hallam University.

New and of Note (May 24, 2002):
- EMLS Special Issue 9: Constructions of the Early Modern Subject | Reviews | Readership statistics | Postprint of Cambridge Companion to Milton bibliography -

Early Modern Literary Studies (ISSN 1201-2459) is a refereed journal serving as a formal arena for scholarly discussion and as an academic resource for researchers in the area. Articles in EMLS examine English literature, literary culture, and language during the sixteenth and seventeenth centuries; responses to published papers are also published as part of a Readers' Forum. Reviews evaluate recent work as well as academic tools of interest to scholars in the field. EMLS is committed to gathering and to maintaining links to the most useful and comprehensive internet resources for Renaissance scholars, including archives, electronic texts, discussion groups, and beyond.

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© 2001-, Lisa Hopkins (Editor, EMLS; L.M.Hopkins@shu.ac.uk).