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   GLASSAC - 05

 

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Carlos Muñoz de Pablos: glassworking painter

 

WITH THE COLLABORATION OF MAVA

(Museo Municipal de Arte en Vidrio de Alcorcón-Madrid

Director: Mª Luisa Martínez García)

    Carlos Muñoz de Pablos was born in Segovia the 24th of July 1938. From 1951 to 1955 he studied in the Fine Arts School at Segovia. During the following 3 years, he worked and studied with the equipment of designers of the casa Maumejean, stained glass windows workshop. Subsequently, he studied at Applied Arts and Artistic crafts School of Madrid. He studied drawing with the master Amadeo Gisbert Roca. Bachelors degree in Arts by the San Fernando Fine Arts School of Madrid.

    He is an Academic of the Real Academy of History and Art of San Quirce, member of the Spanish Committee of the Corpus Vitrearum Medii Aevi for the defense and conservation of the European medieval stained glass windows, President of the Spanish Committee of the International Society of History of Glass and Academic of the Real Academy of Fine Arts of San Fernando.

    Currently, he is one of the best Spanish glassworkers. In fact, in 2005 he was awarded the “Restauración y Patrimonio de Castilla y León” prize. The president of the awards jury emphasized “his outstanding work in the art of the stained glass window, as much in the conservation and restoration of some of the more important stained glass window of Spain, as well as his work in the contemporary creation”.

    Muñoz de Pablos has taken part in the restoration of very important Spanish Heritage buildings as: la Cartuja de Miraflores of Burgos, the church of Támara (Palencia), the Monastery of Nuestra Señora de Prado of Valladolid, the cathedrals of Avila, Burgos, Burgo de Osma, Cadiz, Castellón, Guadalajara, Leon, Palencia, Salamanca, Segovia, Sigüenza, Toledo and Vitoria, in addition to being founding of the Centro Nacional del Vidrio de La Granja (Segovia).

Additional information:   

  • El segoviano Carlos Muñoz de Pablos, premio Castilla y León de Restauración y Patrimonio 2005. (1, 2).

  • La vidriera juega con la luz y se puede sentir de espaldas. (3)

  • Correos dedica un sello a la Catedral Vieja. Muñoz de Pablos, autor del diseño. (4, 5)

  • La imaginería en las vidrieras de Valpuesta. (6)

  • Las vidrieras descubiertas en Palencia, la escuela castellana. (7)

  • El problema de las vidrieras es que deambulan en el limbo de la indefinición. (8)