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Objectives

  • Analyse the visual representation of the figure of the slave and emancipated slave in photography.
  • Analyse the representation of colonisers and colonised subjects in colonial propaganda photography and vernacular photography.
  • Analyse the legacy of visual representations of slavery, the slave-like work conditions post abolition, and modern-day colonialism.
  • Propose museum strategies that enable symbolic restitution of a colonial past that has so far been narrated by the colonisers.
  • Develop curated projects and exhibitions that invite viewers to think about the links between the past and the present from the perspective of decolonisation.