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Articles

  • Bajgerová Verly, Markéta. “Survivors, victims and soldiers as figures of nationalism: Representations of women in the War of Resistance against Japan museums in mainland China.” East Asian Journal of Popular Culture 8, no. 2 (2022): 291-309. https://intellectdiscover.com/content/journals/10.1386/eapc_00080_1
  • (acceptat) Bajgerová Verly, Markéta. “Internationalization of the Chinese War of Resistance Museums in the Xi Era: China as ‘Guarantor of Peace’ and ‘Rescuer of Jews.” Holocaust and Genocide Studies (Estimated 2024).
  • (acceptat) Bajgerová Verly, Markéta. “Replicas, Dioramas, and Artworks as Authenticators of Chinese “Historical Truth”: Custom-Made Objects in Museums on War of Resistance against Japan,” History & Memory (Estimated 2024).
  • Blat, Antonio. Diplomacia y estudios sobre el Japón en la España del siglo XIX. Mediterranean World: Journal of Social Sciences. 35-36, . OOK-PRESS, 2016, pp. 5 - 26.
  • Blat, Antonio. Enrique Dupuy de Lôme: sus estudios sobre el Japón (1895) y el Imperialismo decimonónico. Revista de Historia Autónoma. 10, 2017, pp. 105 - 122.
  • Blat, Antonio. La Historia Contemporánea de Asia en España. Estudios de Área, Historia Global y Jóvenes Investigadores. Hispania Nova. 1, 2023, pp. 19 - 45.
  • Centeno, Marcos. “1968 And Rural Japan as A Site of Struggle. Approaches to rural landscapes in the history of Japanese documentary film”, The Sixties. A Journal of History, Politics and Culture, 28 Nov 2021, vol. 14, issue2, pp. 151-168. https://doi.org/10.1080/17541328.2021.1996790
  • Centeno, Marcos. Vacíos de la bomba atómica. El Memorial por la Paz de Hiroshima como lugar de ritual”, en special issue Lugares de Memoria en Pasajes: Revista de pensamiento contemporáneo, no 62, 2021 pp. 49-70 ISSN: 1575-2259 https://puv.uv.es/pasajes.html
  • Centeno, Marcos. Re-editing the War in Asia. Japanese Newsreels in Spain (1931-1945), in Special Issue “El Impacto del Audiovisual Japonés y Surcoreano Contemporáneo”, L´Atalante. Revista de Estudios Cinematográficos no.29, 2020, 101-119. http://revistaatalante.com/index.php?journal=atalante&page=article&op=view&path%5B%5D=765&path%5B%5D=596
  • Centeno, Marcos. “Legacies of Hani Susumu’s Documentary School”. In Centeno, Marcos and Raine, Michael (eds.), Special Issue "Developments Japanese Documentary Mode", Arts 8 (3), 3 July 2019, pp. 53-64 Online https://doi.org/10.3390/arts8030082
  • Centeno Marcos and Morita Nori. Editorial Paper. “Japan and the ‘Transnational Cinema’, Special Issue Japanese Transnational Cinema, Arts, 7(4), 87 (1.04.2020), pp. 1-7 https://doi.org/10.3390/arts9020050
  • Centeno, Marcos. 'The Limits of Fiction: Politics and Absent Scenes in Susumu Hani’s Bad Boys (Furyōshōnen, 1960). A Film Re-reading through its Script'. Journal of Japanese and Korean Cinema, vol.10, 2018, pp 1-15. https://doi.org/10.1080/17564905.2018.1437659
  • Centeno, Marcos. “Transnational Circulation of Images of the Pacific War (1941-1945): The Japanese Empire Seen through Spanish Newsreels”, Irish Journal of Asian Studies (IJAS), vol. 3, 2017, pp. 1-13. https://irishjournalofasianstudies.org/current-issue-vol-3-2017/
  • Dastagir, Syada. Representations of South Asians in Japanese animation. Diss. Birkbeck, University of London, 2023.
  • Dueñas Mohedas, Sonia; Martínez Pérez, Natalia y Cuenca Orellana, Nerea (2024). La representación de la inteligencia emocional a través de la serie de ficción surcoreana Yumi’s Cells (TVN: 2021-). Con A de Animación, 19, 74-93. https://doi.org/10.4995/caa.2024.21015
  • Dueñas Mohedas, Sonia y Martín Machín, Luis Miguel (2024). Transnational Film Relationships Between Korea and Europa (2005-2018). En Lee Sang Joon (ed.) The South Korean Film Industry (pp. 253-274). University of Michigan Press. https://doi.org/10.3998/mpub.12248862
  • Dueñas Mohedas, Sonia; Martínez Pérez, Natalia y Sarmentera Vázquez, Bárbara (2024). Artivismo mediático y subversión de género en Corea del Sur. La tecnología de la imaginación de Siren Eun Young Jung. Artnodes, 33 (1). https://doi.org/10.7238/artnodes.v0i33.417845
  • Fortes-Guerrero, Raúl. “Creaciones y recreaciones espacio-temporales: realidad y ficción en los mundos de Miyazaki.” [“Space-time creations and recreations: reality and fiction in Miyazaki’s worlds”] Montajes. Revista de análisis cinematográfico 7 (July – December 2018): 7-24.
  • Kim, Suzy, ed. "Cold War Feminisms in East Asia," positions: asia critique 28, no. 3 (August 2020)
  • Kim, Suzy. “From Violated Girl to Revolutionary Woman: The Politics of Sexual Difference from China to North Korea.” positions: asia critique 28, no. 3 (August 2020): 631-657
  • Lee, Hyun Kyung. and Dacia Viejo-Rose. “The Eclectic Heritage-Scape of a Tense Border in the Paju DMZ, South Korea.” Korea Journal 63, no. 2 (2023): 46-93. https://doi.org/10.25024/kj.2023.63.2.46
  • Lee, Hyun Kyung. “Who archives the city? Place-making at Gwanghwamun Square: Power struggles between political authority and civil power,” Inter-Asia Cultural Studies 24, no. 2 (2023): 208-222. https://doi.org/10.1080/14649373.2023.2182936
  • Lee, Hyun Kyung, Marie Louise Stig Sørensen, and Yujie Zhu. “The UNESCO Memory of the World Programme and claims for recognition of atrocities: the nominations of Documents of Nanjing Massacre and Voices of the ‘Comfort Women’.” Memory Studies 16, no. 4 (2023): 894-911. https://doi.org/10.1177/17506980221150889
  • Lee, Hyun Kyung. and Shu-Mei Huang. “The ‘commodified’ colonial past in small cities: shifting heritage-making from nation-building to city branding in South Korea and Taiwan.” International Journal of Cultural Policy 28, no. 5 (2022): 546-565. https://doi.org/10.1080/10286632.2021.1979532
  • Lee, Hyun Kyung. “Beyond “imagined” nostalgia: Gunsan’s heritagization of Japanese colonial architecture in South Korea.” International Journal of Asian Studies 20, no. 1 (2021): 1-23. https://doi.org/10.1017/S1479591421000243
  • Jang, Seong-Gon, Hyun Kyung Lee, and Dong-Jin Kang. “Sustainable Conservation of Difficult Heritage in South Korea: Mapping the Conservation Resources of Sorok-do Island, Hansen’s Disease Site.” Sustainability 12, no. 17 (2020): 6834. https://doi.org/10.3390/su12176834
  • Huang, Shu-Mei. and Hyun Kyung Lee. “Difficult heritage diplomacy? Re-articulating places of pain and shame as World Heritage in Northeast Asia.” International Journal of Heritage Studies 25, no. 2 (2019): 143-159. https://doi.org/10.1080/13527258.2018.1475410
  • Lee, Hyun Kyung. “Recreating Dongdaemun Stadium in South Korea: Beyond Japanese colonial memories and towards a global city.” Seoul Journal of Korean Studies 31, no. 1 (2018): 99-128. https://doi.org/10.1353/seo.2018.0005
  • Bowe, Meghan, Liz Cohen, and Hyun Kyung Lee. “Finding Homelands: Excavating myth and identity from East to West.” Archaeological Review from Cambridge 30, no. 2 (2015): 115-132. https://arc.soc.srcf.net/issues/30-2
  • Lee, Hyunseon. “Shamanism in Korean Cinema and Popular Culture: The Korean shaman narrative, shaman films, and women.” ChungAng Saron 54 (2021): 191-221.
  • Lee, Hyunseon. “Opera goes to the Cinema Zur Ästhetik des nordkoreanischen Films.“ Rabbit Eye - Zeitschrift für Filmforschung 008 (2016): 122-134.
  • Lee, Hyunseon. “The South Korean Blockbuster and a Divided Nation.” International Journal of Korean History 21, No.1 (Feb. 2016): 259-264.
  • Lee, Hyunseon. “Martial-Body in Akira Kurosawas frührn Filmen”, in: Kayo Adachi-Rabe, Andreas Becker (Hg.): shintai/soma. Körperinszenierungen im japanischen Film, Darmstadt: Büchner Verlag, 2016
  • Lee, Hyunseon. “Vorwort“, Marcus Stiglegger: Akira Kurosawa. Ästhetik des langen Abschied. München: edition text + kritik, 2014, 9-15
  • Lee, Hyunseon. “Einleitung“ - Mörderinnen, in: Hyunseon Lee, Isabel Maurer Queipo (Hg.): Mörderinnen: Künstlerische und mediale Inszenierungen weiblicher Verbrechen. Bielefeld: transcript, 2013, 11-16
  • Lee, Hyunseon. “Martial Arts Film as Global Cinema”, Technology Imagination Future. Journal for Transdisciplinary Knowledge Design 4, no.1 (2010): 23-37.
  • Morita, Norimasa. “J for J-Horror?: National and Transnational Specificities of Japanese Horror Films”. Transcommunication, vol. 11, no. 2 (2024): 121-139.
  • Morita, Norimasa. “Seeking Republicanism in Japan: ‘The Ezo Republic’ (1868-1869) in History and Fiction”. History of Political Thought XLIII (Special Issue, 2022): 81-104.
  • Morita, Norimasa. “Tokyo Tower: Semiotic Analysis of the Tokyo Landmark”. Global Forum, no. 10 (2013): 129-147.
  • Morita, Norimasa. “Is Tragedy Dead? An Inquiry into Terry Eagleton’s Sweet Violence’. New Perspective, vol. 195, no. 1 (2012): 5-11.
  • Morita, Norimasa. “Colonialist Films of the Manchuko Film Association”. Global Forum, no. 9 (2012): 177-194.
  • Porta, Alberto. Ludomusical boomerang. Narrative-musical reconversions in «Final Fantasy VII Remake». JOURNAL OF SOUND, SILENCE, IMAGE AND TECHNOLOGY. Num. 6. pp. 49-68. 2023. Científico. [EN] [ES]
  • Porta, Alberto. La supradiégesis musical en el sistema de combate de los JRPG. TO DIGRA. Num. 6 (1). pp. 35-60. 2022. Científico. [ES] [Videoensayo]
  • Serrano, Jordi. (2021) “Closure in Dystopia: Projecting Memories of the End of Crises in Speculative Fiction,” Memory Studies 14 (6): 1347-1361, 2021. (artículo) DOI: 10.1177/17506980211054340
  • Serrano, Jordi. (2015) “‘Droplets,’ by Medoruma Shun: Personal Guilt as Collective Responsibility,” Stanford Journal of East Asian Affairs, 15:1, 112-122. (artículo)
  • Sevela, Marie. “Objects and their collectors. Ainu and Nivkh in Parisian museums.” Iz Veka v Vek, Sakhalin Regional Museum (2017): 48-53. (in Russian)
  • Sevela, Marie. “An incident with a plate of soup. Paul Labbé, ‘Souvenirs de Sakhaline. Superstitions de Guiliaks’.” Izvestia instituta naslediia Bronislava Pilusdskogo, n° 20 (2016): 123-128. (in Russian)
  • Sevela, Marie. “Bronisław Piłsudski, portrait d’un ethnographe.” Gare de l’Est, vol. 5 (2016): 201-210. (in French) (also online: http://www.sorosoro.org/2017/12/bronislaw-pilsudski-portrait-dun-ethnographe/)
  • Sevela, Marie.“‘Cher camarade Staline !’ : Rééducation des prisonniers de guerre japonais à la manière soviétique (1945-1956).” Réseau Asie online (October 2008). (in French)
  • Sevela, Marie. “Dmitrii N. Kriukov, Civil Administration on South Sakhalin and the Kurile Islands, 1945-1948 (Memoirs).” Introduction & annotated translation. Monumenta Nipponica 56, n°1 (2001): 39-91. (in English)
  • Edward Vickers & Sicong Chen (2024). ‘The politics of education on China’s periphery: “Telling China’s Story Well” – or honestly?’, Comparative Education, 60:1, 1-21, DOI: 10.1080/03050068.2023.2299907
  • Michelle Tan & Edward Vickers (2024). ‘Thailand: sufficiency education and the performance of peace, sustainable development and global citizenship’, Compare: A Journal of Comparative and International Education, DOI: 10.1080/03057925.2024.2310129
  • Edward Vickers. 2023. The motherland’s suffocating embrace: schooling and public discourse on Hong Kong identity under the National Security Law, Comparative Education, DOI: 10.1080/03050068.2023.2212351
  • Yan, F. and Edward Vickers. 2023. ‘Balancing unity and diversity? Shifting state policies and the curricular portrayal of China’s minority nationalities’, Comparative Education, DOI: 10.1080/03050068.2023.2213139
  • Edward Vickers and Tzu-Bin Lin (2022). ‘Introduction: Education, Identity and Development in Contemporary Taiwan’, International Journal of Taiwan Studies, 5: 5-18. DOI:10.1163/24688800-20211302
  • Edward Vickers and Paul Morris (2022). ‘Accelerating Hong Kong’s reeducation: “mainlandisation”, securitisation and the 2020 National Security Law’, Comparative Education, 58:2, 187-205.
  • Edward Vickers (2022). ‘Smothering Diversity: Patriotism in China’s School Curriculum under Xi Jinping’, in The Journal of Genocide Research, Forum on Patriotic History and the (Re)nationalization of Memory, 24:2, 158-170. https://doi.org/10.1080/14623528.2021.1968142
  • Mark Frost and Edward Vickers (2021). ‘Introduction: “Comfort Women” as Public History - Scholarship, Advocacy and the Commemorative Impulse’, Asia-Pacific Journal: Japan Focus Vol. 19, Issue 5, No. 3, Article ID: 5555.
  • Edward Vickers (2021). ‘Slaves to rival nationalisms: UNESCO and the politics of “comfort women” commemoration’, Asia-Pacific Journal: Japan Focus Vol. 19, Issue 5, No. 5, Article ID: 5546.
  • Su Zhiliang (translated from Chinese with an introduction by Edward Vickers) (2021). ‘Reconstructing the History of the “Comfort Women” System: The Fruits of 28 Years of Investigation into the “Comfort Women” System in China’, Asia-Pacific Journal: Japan Focus Vol. 19, Issue 5, No. 7, Article ID: 5548.
  • Miki Dezaki (in conversation with Mark Frost and Edward Vickers) (2021). ‘Debating Shusenjo - The Main Battlefield of the Comfort Women Issue: Miki Dezaki in Conversation with Mark Frost and Edward Vickers’, in Asia-Pacific Journal: Japan Focus Vol. 19, Issue 5, No. 11, Article ID: 5554.
  • Yan Fei and Edward Vickers (2019). ‘Politics and the changing representation of minority ethnic groups in Chinese History Textbooks, 1990s-2000s’, in Asia-Pacific Journal of Education, Vol. 39, No. 2, 190-208.