Logo de la Universitat de València Logo Memòries Transnacionals a la Cultura Visual de l'Àsia (TRAMEVIC) Logo del portal

Esdeveniments

 

  1. Symposium Series TRAMEVIC (Transnational Memories in East Asian Visual Culture).  Universitat de València, 23 May - 26 June 2025. Programa (pdf).

    -Symposium 4: Relationship between Visual Culture and Memorial Sites,  24 June.

    -Symposium 3: Gender perspective to transnational memories, 13June.

    -Symposium 2: Transnational and Transcultural identities,  6 June.

    -Symposium 1 Representations of Victims & Perpetrators , 23 May.

  2. Centeno, Marcos. Lecture series coordinator TRADIASIA (Transculturality and Diversity in East Asia), fundedy by Eurasia Founation (from Asia), Univesrity of Valencia, 19/04/2024-21/06/2024 https://tradiasia.com/
  3. Centeno, Marcos. Panel coordination “Panel 3. Narrating Crimes from the Museum´s Layout and Narratives”, 5th International Conference on Perpetrators of Mass Violence, University of Valencia 22-24 November, 2023. https://repercrirg.com/en/conference-2023/
  4. Centeno, Marcos. Symposium coordinator: International symposium “Documentalista japonesa Haneda Sumiko: perspectivas de género y autoría”, University of Valencia, 11th November 2022.
  5. Centeno, Marcos. Coordinator of research seminar Memorial Sites. Acts of remembering through media and visual culture, BIRMAC, Birkbeck, University of London Sept 2022 – July 2023 http://www7.bbk.ac.uk/birmac/memorial-sites/
  6. Centeno, Marcos. Panel coordination “Repersenting Perpetrators in Documentary Film”, Memorias privadas, discursos públicos: la perpetración de crímenes de masas y sus huellas. 4º congreso internacional sobre perpetradores de violencias de masas, Universitat de Valencia, 19-21 octubre 2022
  7. Centeno, Marcos. Panel coordination “Memory and Mobility: Realigning the Sino-Japanese Connections in Documentary Film", Visible Evidence Conference, University of Gdansk, 10-14th August 2022 https://2022.visibleevidence.org/programme-2/
  8. Centeno, Marcos.Organising committee member of the Geografías del crimen. De espacios de perpetración a lugares de memoria: representaciones sociales y culturales conference, Universitat de València, 29 Nov- 2nd Dec 2021
  9. Centeno, Marcos. Symposium coordinator: “Japanese Documentary Filmmaker Haneda Sumiko. Authorship and Gender Discourses” Part I at SOAS Japan Research Centre, 22nd July 2021. Part II at Meiji Gakuin, 10th Sept 2021.
  10. Choi, Ryan. ‘From Sakura to Crap: Lu Mengshu's Kuso Realism and the Unmasking of Occupied Hong Kong’, British Postgraduate Network for Chinese Studies Annual Conference, University of York, 5 June 2024.
  11. Choi, Ryan. 〈日占香港時期文學的合作通敵：論葉靈鳳《書淫艷異錄》〉，第三十屆「金聲研討會」，台灣：國立中央大學，2023 年10 月21 日。(‘Collaboration and Collusion: A Study of Ye Lingfeng’s Bibliophile’s Erotic and Strange Records’, National Central University, Taiwan, 21 October 2023.)
  12. Choi, Ryan. ‘Collaborationist Literature in Wartime Hong Kong: Ye Lingfeng’s Role as a Literary Producer under Japanese Occupation (1941–1945)', British Association for Chinese Studies Annual Conference, King’s College London, 8 September 2023.
  13. Dastagir, Syada. The Homogenisation of South Asianness in Japanese Animation. World in Westminster Festival. February2024.
  14. Dastagir, Syada. Eastenders and Muslim Representation. Westminster Conversations: Lights, Camera, Inclusion: Muslims in TV and Film November 2023
  15. Dastagir, Syada. Minority representation in animation. March 2023. World In Westminster – Fitting in, Making a Difference: Minority Representation in Arts and Academia. University of Westminster. 
  16. Dastagir, Syada. Tonari no Masala – A shift in Nepalese visibility in Japanese media? June 2022. Food Culture and Development, Observatorio Universitario Internacional de Cultural Inmaterial y Aldea Global. Valencia University. 
  17. Dastagir, Syada. South Asian representation in manga and anime – national identities and cultural homogeneity. October 2022. International Conference Teaching with Comics. 
  18. Dastagir, Syada. Japanese rap and cultural authenticity. December 2017. Inter-Asia Popular Music Studies. Monash University.
  19. Denton, Kirk. Advisory Board for Globalized Memorial Museums: Exhibiting Atrocities in the Era of Claims for Moral Universals
  20. Dueñas Mohedas, Sonia (2024). 20 años de un hito del cine surcoreano: Oldboy de Park Chan-wook y el Festival de Cannes. K-Lab GREGAL UAB – Casa Asia. https://k-lab.online/20-anos-de-un-hito-del-cine-surcoreano-oldboy-de-park-chan-wook-y-el-festival-de-cannes/ 
  21. Dueñas Mohedas, Sonia (2024, 11 y 12 de mayo). Influencias de las industrias culturales surcoreanas en el videojuego Stellar Blade [Ponencia]. XV edición del Festival CREANDO 2024, Universidad de Burgos.
  22. Dueñas Mohedas, Sonia (2024, 26 de abril). La revisión de la memoria histórica en el cine surcoreano contemporáneos [Ponencia invitada]. Curso Tradiasia (Transculturality and Diversity in East Asia, Universitat de València.
  23. Fortes, Raúl. Transculturalidad en las artes escénicas japonesas: el teatro nô y su revisión occidental [Transculturality in Japanese performing arts: nô theatre and its Western revision]. “Transculturality and Diversity in East Asia” lecture series, University of Valencia, 24 May, 2024.
  24. Fortes, Raúl. El anime como repositorio de la tradición nipona. Costumbrismo, ecología y nostalgia en el cine de Isao Takahata [Anime as a repository of Japanese tradition. Manners, ecology and nostalgia in the films of Isao Takahata]. XVI Congreso nacional y VII Internacional de la Asociación de Estudios Japoneses en España: «La imagen de Japón y el Japón de la imagen», Pontevedra, 26 September, 2024.
  25. Fortes, Raúl. East Wind, West Wind: Transculturality, Intertextuality, and Temporal and Spatial (Re)Creations in the Cinema of Hayao Miyazaki. IAFOR – The International Academic Forum, The 5th Barcelona Conference on Arts, Media & Culture, Barcelona, 13 November, 2024.
  26. Fortes, Raúl. El arte como instrumento privilegiado en la educación (Art as a privileged tool for education) [PIEE 2736770], academic year 2023-2024, University of Valencia, grant: 100€
  27. Fortes, Raúl. Kabuki y cine japonés (Kabuki and Japanese cinema), 20 hours, University of Valencia, 7 February – 24 April, 2024
  28. Lee, Hyunseon. Metamorphosen der Madame Butterfly. Interkulturelle Liebschaften zwischen Literatur, Oper und Film (2020). Heidelberg: University Press Winter, 2020. https://www.winter-verlag.de/de/detail/978-3-8253-6267-6/Lee_Metamorphosen_der_Mme_Butterfly/
  29. Lee, Hyunseon. North Korean Defectors in Memoirs and Screen,  Beyond Boundaries: Interdisciplinary Communication in Korean Studies, The 12th World Congress of Korean Studies, Vietnam National University, Hanoi - University of Languages and International Studies, October, 16-18, 2024
  30. Lee, Hyunseon. North Korean Diaspora – Gendered Migration in ‘Defector Memoirs’ and Autobiographical Screen Media  8th Konferenz der Vereinigung für Koreaforschung, Universität Wien, 27-28 September 2024
  31. Lee, Hyunseon. North Korean defectors’ narratives in the Korean Wave – K-dramas and films. Emergencies. Media in an unpredictable world, The NECS 2024 conference, 27–29 June 2024, İzmir University of Economics, İzmir, Turkey
  32. Lee, Hyunseon. North Korean Cinema Intermedial: Revolutionary Opera Film.  Intermedial Connections: Impurity in the Arts. 7th Conference Narrative, media and cognition, 8-10 May 2024, Lisbon Polytechnic Institute, Theatre and Film School, Portugal
  33. Lee, Hyunseon. Shamanism and Korean Popular Culture, V&A Museum South Kensington in London, V&A Academy Online Course The Arts of China and Korea (Modern and Contemporary Arts in Korea), 25. March 2024 
  34. Porta, Alberto. Narrative-musical puzzle. Reading the media mix effects through music. 2023年度第7回定例研究会. Kyoto (Japan). 25-10-2023. Científico. 2023. [Link]
  35. Porta, A. y Navarro, V. Mis vacaciones de verano en el mediterráneo y en Japón. Infancias y slow gaming. II Congreso Internacional de DiGRA España (DIGRAES23). Madrid (España). 28-04-2023. Científico. 2023. [Libro de actas]