Capítols de llibres

(pròximament) Bajgerová Verly, Markéta and Kirk A. Denton. “Exhibiting Medical Atrocities in China: Harbin’s Unit 731 Museum from In Situ to ‘Black Box’.“ In Memorialising the Ground Zero and its Images: Narrating Sites of Mass Crime and Genocide through the Camera Lens, Marcos Pablo Centeno Martin and Vicente Sánchez-Biosca, ed., Berlin: De Gruyter.
Blat, Antonio. "Iitoko dori": seña de identidad japonesa desde el siglo VII hasta la difusión del anime", in Anjhara Gómez (coord.) Japón y Occidente: El patrimonio cultural como punto de encuentro, Aconcagua Libros, 2016, 37-45.
Centeno, Marcos. “Mothers-turned-activists in Japanese documentary film. Tokieda Toshie and the pioneer ‘democratic motherhood’. In Susan Flynn and Deirdre Flynn (eds.) Routledge Companion to Motherhood On Screen. London: Routledge, 2024
Centeno, Marcos. “Creating the youth star system in Japan. Transnational and transmedia phenomena”, in Griseldis Kirsch and Forum Mithani (eds), Handbook of Japanese Media and Popular Culture in Transition, Amsterdam, Amsterdam University Press – MHM Limited, 2022, pp. 62-77. ISNB 9784909286055 and 4909286055 https://www.mhmjapandocuments.com/handbook-series
Centeno, Marcos.“The Ainu in Documentary Films: Promiscuous Iconography and the Absent Image”. In David Desser (ed.) Companion to Japanese Cinema. Hoboken, NJ : Wiley Blackwell, John Wiley & Sons, Inc, 2022, pp. 271- 293 https://www.wiley.com/en-us/A+Companion+to+Japanese+Cinema-p-9781118955321
Marcos Centeno “Haneda’s Transnational Cinema: From Diasporic Cinema to Mnemonic Journey Films. The case of The Japanese Settlers… (2008)”, in Centeno, Marcos and González, Irene, (eds), Japanese Documentary Filmmaker Haneda Sumiko: Authorship and Gender Discourses. London, New York: Routledge (pròximament).
Centeno, Marcos. “Narrating through Images the Hiroshima Peace Memorial Museum” in Centeno, Marcos and Sánchez-Biosca. Vicente (eds), Memorialising the Ground Zero. Narrating Sites of Mass Crime and Genocide through the Camera Lens. Museums and Narratives series. Berlin: De Gruyter, 2023 (pròximament)
Centeno, Marcos. “Cine documental japonés: de los orígenes a la Guerra del Pacífico (1897-1945)”. In Lorenzo Vilches Manterola (ed.), Diccionario de Teorías Narrativas II. Sevilla: Caligrama. 2021, pp. 119 - 130 ISBN 9788418152160
Centeno Marcos and Morita Nori. “Theorising Transnational Japanese Film and Media”. In Centeno Marcos and Morita Nori (eds.) Japan beyond its Borders: Transnational Approaches to Film and Media, Tokyo: Seibunsha, 2020, pp. 1-15
Centeno, Marcos. “Crónicas de Paisaje. Nuevas formas de subjetividad en la vanguardia documental japonesa”, Pedro Iacobelli and Claudia Lira (eds.), Memoria y paisaje en el cine japonés de posguerra. Santiago de Chile: Ediciones Universidad Católica, 2020, pp. 287-335. ISBN: 9789561427075 https://ediciones.uc.cl/index.php/memoria-y-paisaje-en-el-cine-japones-de-posguerra.html
Centeno, Marcos. “Comunicación visual de conflictos. La masacre de Nankín” (“Visual Communication of Conflicts. The Nanking Massacre”) in Alex Iván Arévalo Salinas, Griselda Vilar Sastre and Tamer Al Najjar (eds), Comunicación, paz y conflictos. Madrid: Dykinson, 2019, pp. 103-112. ISBN 978-84-606-8658-3 https://www.dykinson.com/libros/comunicacion-paz-y-conflictos/9788491489252/
Centeno, Marcos. “Postwar Narratives through Avant-garde Documentary: Tokyo 1958 and Furyō Shōnen” in Lozano, Artur; Martínez, Dolores and Guarné, Blai (eds.), Persistently Postwar. Media and the Politics of Memory in Japan. New York; Oxford: Berghahn Books, 2019, pp. 41-62. ISBN 978-1-78533-959-2. DOI https://doi.org/10.3167/9781785339592
Dastagir, Syada. Idealising India through the Tokyo Trials: Transnational Co-Production and Nationalist Narratives [book chapter] in Japan beyond Its Borders: Transnational Approaches to Film and Media. 2020.
Dueñas Mohedas, Sonia (2024). El cine surcoreano. Traspasando límites, superando barreras. En Farshad Zahedi, Alejandra Val Cubero y Sonia Dueñas Mohedas (eds.) Cinco miradas sobre el World Cinema. Un homenaje a Alberto Elena (pp. 125-156). Editorial Ocho y Medio.
Fortes-Guerrero, Raúl. “Invisibility, Ghostliness, Unreality, and Emptiness: Avatars of the Body in Nô Theatre.” In Körperinszenierungen im japanischen Film / Presentation of Bodies in Japanese Films, Darmstadt: Büchner-Verlag eG, 2016, pp. 265–98.
Fortes-Guerrero, Raúl. “La censura del cine japonés durante el franquismo: 1953-1976.” [“Censorship of Japanese cinema during Franco’s regime: 1953-1976”] In Japón, España e Hispanoamérica: identidades y relaciones culturales [Japan, Spain and Latin America: identities and cultural relations], Zaragoza: Prensas de la Universidad de Zaragoza, 2019, pp. 267–99.
Fortes-Guerrero, Raúl. “El cine de Hayao Miyazaki como modelo de innovación docente para el aprendizaje de la historia.” [“Hayao Miyazaki’s films as a model of teaching innovation for history learning”] In Nova Doctrina: Innovación docente en institutos y universidades [Nova Doctrina: Teaching innovation in colleges and universities], Cádiz: Universidad de Cádiz, 2020, pp. 8-44 [digital publishing].
González-López, Irene. “How to sell a remake: The Gate of Flesh media franchise.” In East Asian Film Remakes, eds. David Scott Diffrient & Kenneth Chan, Edinburgh: Edinburgh University Press, 2023, pag. 27-48.
González-López, Irene. "Red-Light Bases (1953), a Cross-temporal Contact Zone." In Handbook of Japanese Media and Popular Culture in Transition, eds. Griseldis Kirsch and Forum Mithani, Amsterdam: Amsterdam University Press, 2022, pag. 47-61.
Kim, Suzy. “The Korean War through Women’s Eyes: Beyond Positivism toward Dialogic Truth and Restorative Justice.” In Memorialising the “Ground Zero”: Narrating Sites of Mass Crime through the Camera Lens, eds. Vicente Sánchez-Biosca and Marcos Centeno-Martin, Berlin: De Gruyter, in progress
Kim, Suzy. “Marriage, Family, and Sexuality in North Korea.” In Routledge Handbook of Sexuality Studies in East Asia, eds. Vera Mackie and Mark McLelland, New York: Routledge, 2015, pag. 112-123
Lee, Hyun Kyung. and Shu-Mei Huang. “Asia’s Difficult Heritage-making between nationalism and transnationalism: colonial prisons in South Korea, Taiwan, and China.” In Kim, Jongil and Minjae Zoh (eds.) Asia’s Heritage Trend: examining Asia’s Present through its past, London: Routledge, 2023, pag. 145-167. https://www.taylorfrancis.com/chapters/edit/10.4324/9781003396765-9/asia-difficult-heritage-making-nationalism-transnationalism-hyun-kyung-lee-shu-mei-huang
Lee, Hyun Kyung. “From Offshore Heritage to Shared Heritage: Transnational Difficult Heritage Making and the Shanghai Provisional Government of Korea.” In Huang, Shu-Mei, Hyun Kyung Lee and Edward Vickers (eds.) Frontiers of Memory in the Asia-Pacific: Difficult Heritage and the Transnational Politics of Postcolonial Nationalism, Hong Kong: Hong Kong University Press, 2022, pag. 187-208. https://www.degruyter.com/document/doi/10.1515/9789888754939-012/html
Lee, Hyun Kyung. “Reconstructing Architectural Memories of the Japanese Empire in South Korea.” In Kushner, Barak. and Sherzod Muminov (eds.) Overcoming Empire in Post-Imperial East Asia: Repatriation, Redress, and Rebuilding, London: Bloomsbury Press, 2019, pag. 73-105. https://www.bloomsburycollections.com/monograph-detail?docid=b-9781350127081&tocid=b-9781350127081-chapter4
Lee, Hyunseon. “Revolutionary Opera Film – North Korean Cinema Hybrids.” In Travis Workman et al. (eds.): The Bloomsbury Handbook of North Korean Cinema. London: Bloomsbury, 2024, 120-139.
Lee, Hyunseon. “Jeju 4.3 – The Post-memory Aesthetics of Memorial Images.” In: Sánchez Biosca and Marcos Centeno (eds.): Memorialising the “Ground Zero”. Narrating Sites of Mass Crime through the Camera Lens, Berlin: De Gruyter (Museum and Narratives Series), 2024 (in progress).
Lee, Hyunseon. “Cinematic Battlefield of Memory, Imagination, and Narrative of the Past. A Preface to Korean Film and History.” in: Hyunseon Lee (ed.): Korean Film and History. London/New York et al., Routledge: Sep. 2023, 1-14.
Lee, Hyunseon. “Korean War Films: Generational Memory of North Korean Soldiers, Partisans, Brothers, and Women.” In: Hyunseon Lee (ed.): Korean Film and History, London/New York et al., Routledge: Sep. 2023, 133-160.
Lee, Hyunseon. “Exotismen der Madame Butterfly. Eine Internationale Affäre über Jahrhunderte – Oder doch eine Liebesgeschichte?.“ Madame Butterfly. Giacomo Puccini. Bregenzer Festspiele 2022 Programmheft, 36-42.
Lee, Hyunseon. A book review, The Korean War and Postmemory Generation: Contemporary Korean Arts and Films. By Dong-Yeon Koh. Oxfordshire: Routledge Publishing, 2021. 244 pp. ISBN 9781003008897 (eBook), The Journal of Asian Studies, 81.3 issue (August 2022) of JAS (Cambridge University Press).
Lee, Hyunseon. “Introduction: Korean Film and Festivals.” In: Hyunseon Lee (ed.): Korean Film and Festivals: Global Transcultural Flows. London/New York et al.: Routledge, 2022, 1-12.
Lee, Hyunseon. “From Festival Films to Film Festivals: Korean Cinema at European Film Festivals.” In: Hyunseon Lee (ed.): Korean Film and Festivals: Global Transcultural Flows, London/New York et al.: Routledge, 2022, 15-40.
Lee, Hyunseon. “A Minority among Minorities: Yang Yong-hi’s Zainichi Film Transcending Japanese and Korean Culture.” In: Marcos Centeno, Nori Morita (eds.): Japan beyond Its Borders: Transnational Approaches to Film and Media. Tokyo: Seibunsha, 2020, 249- 269. https://eprints.bbk.ac.uk/id/eprint/40885/8/40885.pdf https://seibunsha21.co.jp/works /index.html
Lee, Hyunseon. “Die Verfilmung der Revolutionsoper. Die Ästhetik des nordkoreanischen Films.“ In: Jörg Döring, Jörgen Schäfer, Ralf Schnell (Hg.): Wechselseitige Erhellung der Künste' - Möglichkeiten einer Allgemeinen Literaturwissenschaft. Siegen: Universi-Verlag, 2016, 139-152.
Lee, Hyunseon. “Introduction” - Opera, Exoticism and Visual Culture. In: Hyunseon Lee, Naomi Segal (ed.): Opera, Exoticism and Visual Culture. Oxford/Bern/New York u.a.: Peter Lang, 2015, 1-10.
Lee, Hyunseon. “Visual exoticism, or encountering visual 'Butterflies' in opera and film performance.” In: Hyunseon Lee, Naomi Segal (ed.): Opera, Exoticism and Visual Culture. Oxford/Bern/New York u.a.: Peter Lang, 2015, 131-162.
Lee, Hyunseon. “Vor Gericht. Kindsmord im Sturm und Drang und Heinrich Leopold Wagners Drama „Die Kindermörderin“ (1776).“ In: Hyunseon Lee, Isabel Maurer Queipo (Hg.): Mörderinnen: Künstlerische und mediale Inszenierungen weiblicher Verbrechen. Bielefeld: transcript, 2013, 89-109.
Lee, Hyunseon.“Eine japanische Ehe auf Zeit. Madame Butterfly im deutschsprachigen Raum.“ In: Michiko Mae, Elisabeth Scherer (Hg.): Nipponspiration. Japonismus und Japanische Populärkultur im deutschsprachigen Raum. Wien/Stuttgart/Weimar: Böhlau, 2013, 141-161.
Lee, Hyunseon. “Gender-Performanz als Kulturinszenierungen.“ In: Fernando Clara, Peter Hanenberg (Hg.): Aufbrüche/Kulturwissenschaften. Würzburg: Königshausen & Neumann, 2012,173-183.
Lee, Hyunseon.“Madama Butterfly und das Stummfilm-Kino. Zum Verhältnis von Oper und Film.“ In: Kayo Adachi-Rabe, Andreas Becker, Florian Mundhenke (Hg.): Japan – Europa. Wechselwirkungen zwischen den Kulturen im Film und den darstellenden Künsten. Darmstadt: Büchner Verlag, 2010, 80-95.
Lee, Hyunseon. “‘So wundersam exotisch dieses Lied“‘ Franz Lehárs Operettenmusik als Medium kultureller Identifikation.“ LiLi. Zeitschrift für Literaturwissenschaft und Linguistik 141 (2006): 100-119.
Morita, Norimasa. “Mimicry, Simulation and Pastiche in Early Novels of Haruki Murakami”. In Haruki Murakami and Mimicry; Haruki Murakami Study. New Taipei City: Tamkang University Publishing Services, 2024, 33-66.
Morita, Norimasa. “Existential Angst and Social Indignation: Murakami Haruki’s ‘Naya wo Yaku’ (Barn Burning) and Lee Chang-dong’s Boening (Burning)”. In Imsuk Jung, ed. Asian Community and Europe. Pisa: Pacini, 2022, 127-148.
Morita, Norimasa. “Die Entstehung der dritten Weltliteratur: Anmerkungen zum Gegenwartsroman in Japan und der Welt von den 199er Jahren bis heute”. In Giulia Radaelli and Nike Thurn, ed. Gegenwartsliteratur – Weltliteratur: Historische und theoretische Perspektiven. Bielefelt: Transcrkpt. 2019, 119-150.
Morita, Norimasa. “Hayakawa Sessue (1886-1973)”. In Hugh Cortazzi, ed. Britain and Japan: Biographical Portraits IX. Folkstone: Global Oriental, 2015, 258-270.
Morita, Norimasa. “Shimamura Hōgetsu (1871-1918): Pioneer of Shingeki (Western-Style Theatre) in Japan”. In Hugh Cortazzi, ed. Britain and Japan: Biographical Portraits IX. Folkstone: Global Oriental, 2015, 395-405.
Morita, Norimasa. “Yone Noguchi (1875-1947)”. In Cortazzi, Hugh. Britain and Japan: Biographical Portraits VIII. Folkston: Global Oriental 2013, 403-418.
Morita, Norimasa. “David Lean (1908-1991)”. In Cortazzi, Hugh. Britain and Japan: Biographical Portraits VIII. Folkston: Global Oriental 2013, 458-468.
Serrano, Jordi. (2022) “The Illegitimate Ally: The Hegemonic National Narrative of Japan in the US (1945-2020)“, in The End of Western Hegemonies?, edited by Marie-Josée Lavallée, Vernon Press, ISBN: 978-1-64889-468-8.
Sevela, Marie. “‘How could you fear or respect such an enemy?’ The end of WWII on Sakhalin Island.” In Edström, Brent, ed., The Japanese and Europe: Images and Perceptions. Richmond, Surrey: Japan Library-Curzon Press (2000): 172-192. (in English)
Edward Vickers. 2023. ‘Cure or Disease? History Education and the Politics of Reconciliation in East Asia’, in Helen Mu Hung Ting and Luigi Cajani, Negotiating Ethnic Diversity and National Identity in History Education: International and Comparative Perspectives. Switzerland: Palgrave Macmillan, 53-73.
Shu-Mei Huang, Edward Vickers and Hyun Kyung Lee (2022). ‘Introduction’, in Huang et al (eds), Frontiers of Memory in the Asia-Pacific: Difficult Heritage and the Transnational Politics of Postcolonial Nationalism. Hong Kong: Hong Kong University Press, 1-24.
Edward Vickers (2022). ‘Mapping Kyushu’s War-Related Heritage: Hard and Soft Frontiers of Memory in Japan’s “Asian” Gateway’, in Huang et al (eds), Frontiers of Memory in the Asia-Pacific: Difficult Heritage and the Transnational Politics of Postcolonial Nationalism. Hong Kong: Hong Kong University Press, 209-231.
Edward Vickers (2022). ‘Towards National Socialism with Chinese Characteristics? Schooling and Nationalism in Contemporary China’, in Tröhler, Pinar and Piattoeva (eds), World Yearbook of Education 2022. London and New York: Routledge, 46-65.
Edward Vickers (2021). ‘Three Faces of an Asian Hero: Commemorating Koxinga in contemporary China, Taiwan and Japan’, in Shei (ed), Taiwan: Manipulation of Ideology and Struggle for Identity. London and New York: Routledge, 157-182.
Mark Frost, Edward Vickers and Daniel Schumacher (2019). ‘Locating Asia’s War Memory Boom: National, Regional and Global Perspectives,’ in Frost, Schumacher and Vickers (eds), Remembering Asia’s World War Two. London: Routledge, pp. 1-24.
Edward Vickers (2019). ‘Capitalists Can Do No Wrong: Remembering and Forgetting War and Occupation in Contemporary Hong Kong,’ in Frost, Schumacher and Vickers (eds), Remembering Asia’s World War Two. London: Routledge, pp. 129-155.
Edward Vickers (2019). ‘Commemorating Comfort Women Beyond Korea: the case of China,’ in Frost, Schumacher and Vickers (eds), Remembering Asia’s World War Two. London: Routledge, pp. 174-207.
Edward Vickers (2018). ‘Remembering and Forgetting War and Occupation in the People’s Republic of China, Hong Kong and Taiwan,’ in Patrick Finney (ed.) Remembering World War Two. London: Routledge, 46-67.
Edward Vickers (2017). ‘Altered States of Consciousness: identity politics and prospects for Hong Kong-Taiwan-mainland relations’, in Annika Freiburg and Martin Chung (eds). Reconciling with the Past: Resources and obstacles in a global perspective. New York and London: Routledge, 122-137.
Krishna Kumar and Edward Vickers (2015). ‘Introduction,’ in Edward Vickers and Krishna Kumar (eds) (2015). Constructing Modern Asian Citizenship. London and New York: Routledge, 1-27.
Edward Vickers (2015). ‘A civilising mission with Chinese characteristics? Education, colonialism and Chinese state formation in comparative perspective,’ in Edward Vickers and Krishna Kumar (eds) (2015). Constructing Modern Asian Citizenship. London and New York: Routledge, 50-79.
Jiang Lei and Edward Vickers (2015). ‘Constructing Civic Identity in Shanghai’s Museums: heritage, ideology and local distinctiveness,’ in Edward Vickers and Krishna Kumar (eds) (2015). Constructing Modern Asian Citizenship. London and New York: Routledge, 217-239.