The purpose of this line is to investigate educational processes in relation to musical performance, improvisation and creation, in particular the types and processes of memory involved in performance and improvisation, study strategies, stage fright, motivation, the role of ways of presenting information, differences between formally trained musicians and non-formally trained musicians (self-control, self-esteem, discipline, trainable skills such as the number and size of saccades or saccadic movements through eye-tracking, etc.).

improvisation, interpretation, musical creation

• Education