The group's objective is to study drama manifestations in Europe from the 18th century to the present day, combining a threefold perspective. Firstly, by following a classical critical methodology, focused on the thematic study of the dramatic genre. Secondly, by combining this with the study of the reception of genres, plays and authors based on the analysis of the cultural theatre industry (theatres, stages, actors, audiences, etc.). Thirdly, the aim of the group is to unite the two previous approaches under a transnational and comparative perspective, which will focus on different European countries.
- Study of contemporary European theatre from the perspective of reception, thematic criticism and transnationality.
Comparative studies of European drama productions from the 18th century to the present day, from the critical perspective of thematics, reception aesthetics and transnationality.
- RAMOS GAY, IGNACIO
- PDI-Catedratic/a d'Universitat
- Coordinador/a de Mobilitat
- Coordinador/a Curs
- FERNANDEZ-CAPARROS TURINA, ANA
- PDI-Titular d'Universitat
- Responsables de Gestio Academica
- Coordinador/a Titulacio de Grau
- TERUEL POZAS, MIGUEL
- PDI-Titular d'Universitat
- Coordinador/a Curs
- ALONSO RECARTE, CLAUDIA
- PDI-Titular d'Universitat
- Coordinador/a de Mobilitat
Partner
- Juan Ibeas Altamira - Universidad del País Vasco.
- ContraerExpandirRAMOS GAY, IGNACIOPDI-Catedratic/a d'UniversitatCoordinador/a de MobilitatCoordinador/a Curs
Ignacio Ramos Gay(2015)Naumachias, the Ancient World and Liquid Theatrical Bodies on the Early Nineteenth-Century British Stage'.Miranda, 11, pp. 1 - 30. ISSN: 2108-6559
Ignacio Ramos Gay(2016)'Black Blokes Who Spoke Like East Enders' : Nation, Class and Hooliganism in Cass.Journal of Postcolonial Writing, 52(1), pp. 13 - 25. ISSN: 1744-9855
Ignacio Ramos Gay(2016)Escenificar la ausencia : Shoah, de Claude Lanzmann.L'Atalante. Revista de estudios cinematográficos(22 (julio-dic)), pp. 46 - 54. ISSN: 1885-3730
Ignacio Ramos Gay(2015)Oscar Wilde's Spanish Friends.The Oscholars. ISSN: 2045-0753
Ignacio Ramos Gay(2016)Staging Absence: Shoah by Claude Lanzmann.L'Atalante. Revista de estudios cinematográficos(22), pp. 45 - 54. ISSN: 1885-3730
Ignacio Ramos Gay(2017)Un aztèque de vaudeville: "Le Prix Martin", d'Eugène Labiche.Studi Francesi(182), pp. 249 - 260. ISSN: 0039-2944
Ignacio Ramos Gay(2017)Jorge Semprún, o la literatura contra la memoria.Estudios Humanísticos. Filología.(39), pp. 25 - 38. ISSN: 0313-1329
Ignacio Ramos Gay(2017)Le mythe cervantin dans le théâtre du Second Empire : Don Quichotte, de Victorien Sardou (1864).Revue de littérature comparée, 1 (91), pp. 5 - 20. ISSN: 0035-1466
Ignacio Ramos Gay(2017)Indianos, exhibiciones etnológicas y freak show en el teatro francés de la Tercera República.Thélème. Revista de Estudios Franceses. Univ. Complutense. Madrid, 32(1), pp. 95 - 108. ISSN: 1139-9368
Ignacio Ramos Gay(2017)Ópera pre-trágica y representación animal: sobre la recepción de 'Moses und Aron' en el Teatro Real de Madrid.Miríada Hispánica(14), pp. 169 - 188. ISSN: 2171-5718
Ignacio Ramos Gay(2017)Sobre el espectáculo animal en la cultura occidental.Miríada Hispánica(14 ), pp. 13 - 27. ISSN: 2171-5718
Ignacio Ramos Gay(2017)Introduction: Performing, Translating and Adapting from the French in Victorian Britain.Cahiers Victoriens et Édouardiens(86), pp. 1 - 14. ISSN: 0220-5610
Ignacio Ramos Gay(2017)'What a perennial delight is in hearing the French language spoken!': Class, Language and Taste in the Maison de Molière's French Performances in London (1871-1893).Cahiers Victoriens et Édouardiens, 86, pp. 1 - 18. ISSN: 0220-5610
Teresa Grant; Ignacio Ramos Gay; Claudia Alonso Recarte(2018)Research Group on Contemporary European Drama (18th-21st centuries): Criticism, Reception and TransnationalityStudies in Theatre and Performance, 38(2), pp. 103 - 112. ISSN: 1468-2761
William Berloni; Ignacio Ramos Gay; Claudia Alonso(2017)Revisiting the history of the implementation of animal welfare policies in theater and film productions: an interview with William M. Berloni, leading animal trainer in Broadway shows.Revista General de Derecho Animal y Estudios Interdisciplinares de Bienestar Animal = Journal of Animal Law & Interdisciplinary Animal Welfare Studies(0), pp. 201 - 222. ISSN: 2603-8994
Ignacio Ramos Gay(2018)Research Group on Contemporary European Drama (18th-21st centuries): Criticism, Reception and TransnationalityStudies in Theatre and Performance, 38(2), pp. 130 - 148. ISSN: 1468-2761
Ignacio Ramos Gay(2018)Eugène Labiche dans l'Angleterre victorienne (1846-1900).Revue d'Histoire du Theatre, 277(1), pp. 131 - 148. ISSN: 1291-2530
Ignacio Ramos Gay(2018)Research Group on Contemporary European Drama (18th-21st centuries): Criticism, Reception and TransnationalityBaltic Journal of English Language, Literature and Culture, 8, pp. 89 - 100. ISSN: 1691-9971
Ignacio Ramos Gay(2018)'Partly American!': Sarah Bernhardt's Transnational Disability in the American Press.Atlantis-Journal Of The Spanish Association Of Anglo-American Studies, 40(2), pp. 63 - 80. ISSN: 0210-6124
Ignacio Ramos Gay(2019)Génétique textuelle, censure et sous-texte sexuel dans 'L'affaire de la rue de Lourcine'.French Studies, 74(1), pp. 35 - 54. ISSN: 0016-1128
Ignacio Ramos Gay(2019)Naturaleza muerta, de Juan Bravo.Barcarola. Albacete.(91), pp. 102 - 108. ISSN: 0213-0947
Ignacio Ramos Gay(2019)Homo-érotisme et homo-sociabilité dans les vaudevilles d'Eugène Labiche.Littératures (Toulouse)(81), pp. 75 - 88. ISSN: 0563-9751
Ignacio Ramos-Gay; Claudia Alonso Recarte(2020)Zoomasculinities: Animals, Animality and Masculinity.Men And Masculinities, 23(5). ISSN: 1097-184X
Ignacio Ramos-Gay; Claudia Alonso-Recarte(2020)"Zoomasculinities: At the Intersection Between Animals, Animality and Masculinity".Men And Masculinities, 23(5), pp. 807 - 813. ISSN: 1097-184X
Ignacio Ramos-Gay(2020)'Animality and Biblical Masculinities in Conflict: Moses and the Golden Calf'.Men And Masculinities, 23(5), pp. 814 - 832. ISSN: 1097-184X
Ignacio Ramos-Gay(2020)'L'Affaire de la rue de Lourcine dans la culture populaire française (1857-1901)'.Studi Francesi(190), pp. 53 - 66. ISSN: 0039-2944
Ignacio Ramos Gay(2020)' 'An Ingrained Antipathy': traduire et adapter le théâtre français en Angleterre, du pillage à la suprématie culturelle (1843-1886)'.Revue de littérature comparée, 2020(3), pp. 283 - 296. ISSN: 0035-1466
Ignacio Ramos Gay(2022)'Le 'singe de Nicolet': animalité, féminité et voyeurisme interspécifique dans le théâtre de la foire (1760-1768)'.Studi Francesi, 1(196), pp. 106 - 116. ISSN: 0039-2944
Ignacio Ramos Gay(2022)'Female Nudity, Interspecies Sexuality and 'Horseness' in Laetitia Dosch's Hate (2018)'.Theatre Research International, 47(2), pp. 1 - 22. ISSN: 0307-8833
Ignacio Ramos Gay(2022)'Performing Classical Masculinities and Old Age: Josep María Pou in Alberto Iglesias and Mario Gas's 'Sócrates. Juicio y muerte de un ciudadano' '.Romance Quarterly, 69(3), pp. 51 - 82. ISSN: 0883-1157
Ignacio Ramos Gay(2022)' 'Le bon ange de son maître': Mélodrame animalier et théâtre humanitaire en France (1815-1850)'.Nineteenth-Century French Studies, 51(3-4), pp. 210 - 230. ISSN: 0146-7891
Ignacio Ramos Gay(2022)' 'Le singe hors de sa cage': Mazurier-Jocko au théâtre de la Porte Saint-Martin'.Études Littéraires, 51(3), pp. 37 - 54. ISSN: 1708-9069
Claudia Alonso Recarte, Ignacio Ramos Gay e Irene Romera Pintor(2022)'El animal no humano en la narrativa contemporánea europea'. Dirección del número monográfico.Critica letteraria, IV(197). ISSN: 0390-0142
Ignacio Ramos Gay(2022)'Animal e infancia en 'La lengua de las mariposas', de Manuel Rivas'.Critica letteraria, IV(197), pp. 878 - 900. ISSN: 0390-0142
Claudia Alonso Recarte, Ignacio Ramos Gay e Irene Romera Pintor(2022)'L'animale non umano nella narrativa contemporanea europea'.Critica letteraria, IV(197), pp. 717 - 729. ISSN: 0390-0142
Claudia Alonso Recarte, Ignacio Ramos Gay e Irene Romera Pintor(2022)'The Nonhuman Animal in Contemporary European Fiction'.Critica letteraria, IV(197), pp. 742 - 754. ISSN: 0390-0142
Ignacio Ramos Gay(2023)Research Group on Contemporary European Drama (18th-21st centuries): Criticism, Reception and TransnationalityCuadernos del CEMYR [Centro de Estudios Medievales y del Renacimiento],(31), pp. 193 - 211. ISSN: 1135-125X
Ignacio Ramos Gay(2024)Research Group on Contemporary European Drama (18th-21st centuries): Criticism, Reception and TransnationalityRomance Quarterly, 71, pp. 11 - 24. ISSN: 0883-1157
Ignacio Ramos Gay(2024)Research Group on Contemporary European Drama (18th-21st centuries): Criticism, Reception and TransnationalityCahiers Victoriens et Édouardiens(100), pp. online - online. ISSN: 0220-5610
Journal Publications
Ignacio Ramos Gay,(2015).A sensible country.Curious about France: visions littéraires victoriennes.. (pp. 11 - 22)..
Ignacio Ramos Gay,(2015).Oscar Wilde, Français de sympathie.Curious about France: visions littéraires victoriennes.. (pp. 183 - 203)..
Ignacio Ramos Gay,(2015).Curious about France: visions littéraires victoriennes... (pp. 1 - 254)..
Ignacio Ramos Gay,(2015).El actor animalizado en las culturas parateatrales victorianas.Bestiarios y cultura clásica.. (pp. 175 - 187)..
Ignacio Ramos Gay,(2016).Beaumarchais à Londres (1784): Thomas Holcroft et le piratage théâtral anglais.Le théâtre français et anglais au 17 et 18e siècles. F. Marc, ed... (pp. 269 - 282)..
Ignacio Ramos Gay,(2016).Terrorismo, fragmentación y collage en la dramaturgia de Martin McDonagh: The Lieutenant of Inishmore.El arte frente al terror: el terrorismo en la literatura y el cine. Estudios para el recuerdo, María José Álvarez Maurín, et al. (eds.).. (pp. 24 - 32 )..
Carmen Manuel e Ignacio Ramos,(2015).Letras desde la trinchera : testimonios literarios de la Primera Guerra Mundial.Letras desde la trinchera : testimonios literarios de la Primera Guerra Mundial.. (pp. 7 - 432)..
Ignacio Ramos Gay,(2015).El teatro francés en el frente.Letras desde la trinchera: testimonios literarios de la Primera Guerra Mundial.. (pp. 9 - 19)..
Ignacio Ramos Gay; Stéphanie López,(2016).Yasmina Reza y el teatro invisible. A propósito de 'Une pièce espagnole'.texto, género y discurso en el ámbito francófono.. (pp. 527 - 536)..
Ignacio Ramos Gay,(2017).Oscar Wilde: Otherness, Foreignness and Exile.Gazes on the Other in Francophone and Anglophone Literature.. (pp. 307 - 317)..
Ignacio Ramos Gay,(2017).Animalisation et darwinisme dans Le prix Martin.Les mondes de Labiche.. (pp. 149 - 160)..
Ignacio Ramos Gay,(2018).Astrana y Shakespeare: de lo singular a lo universal.Astrana Marín, Cervantes y Shakespeare: paralelismos y convergencias.. (pp. 65 - 75)..
Ignacio Ramos Gay,(2019).Le singe sur scène au XVIIIe siècle: le cas de Turco.Le singe au XVIIe et XVIIIe siècles. Figure de l'art, personnage littéraire et curiosité scientifique.. (pp. 225 - 238)..
Teresa Grant; Ignacio Ramos-Gay; Claudia Alonso Recarte,(2020).Real Animals on the Stage.Real Animals on the Stage.. (pp. 1 - 109)..
Ignacio Ramos-Gay,(2020).'Eugène Labiche ou la morale 'zoocomique'.La morale en action au 19e siècle, Violaine Heyraud (ed.).. (pp. 63 - 76)..
Claudia Alonso-Recarte e Ignacio Ramos-Gay,(2020)." 'A passionate call for murder': Dying and Suffering in Spanish Film and Filmaking".Spanish Thinking about Animals, M. Carretero (ed.).. (pp. 67 - 84)..
Ignacio Ramos Gay,(2020).'Jean Anouilh'.Diccionario de la recepción teatral en España, Javier Huerta Calvo (ed.).. (pp. 41 - 50)..
Ignacio Ramos Gay; Claudia Alonso Recarte,(2021).'On Long-lasting Humanimal Companionships: Gayness, Aging and Disease in Steven Rowley's Lily and the Octopus'.Aging Masculinities in Contemporary U.S. Fiction.. (pp. 171 - 188)..
Claudia Alonso Recarte; Ignacio Ramos Gay,(2022).'Real Animals and the Problem of Anthropomorphism in Children's Film'.Oxford Handbook of Children's Films, Noel Brown (ed.).. (pp. 408 - 428)..
Ignacio Ramos Gay,(2022)."Labiche ou l'infirmité".Les mécanismes de l'écriture vaudevillesque. Ficelles, gags, clous, Violaine Heyraud, ed... (pp. en prensa - en prensa)..
Ignacio Ramos Gay,(2022)."Société et crime de classe dans L'Affaire de la rue de Lourcine".Eugène Labiche ou l'héritage du théâtre de boulevard, Ana Clara Santos (ed.).. (pp. en prensa - en prensa)..
Ignacio Ramos Gay,(2022).'Caraby, chien savant: Notes sur l'exhibition d'animaux dressés chez Nicolet'.Mélanges offerts à Pierre Frantz, Sophie Marchand (ed.).. (pp. en prensa - en prensa)..
Ignacio Ramos Gay,(2022)."Nudité, féminité et chevalité dans Hate, de Laetitia Dosch".La ménagerie théâtrale: écrire, incarner, mettre en scène l'animal en France (XVIII-XXI siècles), Ignacio Ramos-Gay (ed.).. (pp. en prensa - en prensa)..
Ignacio Ramos Gay,(2022)."Introduction: écrire, incarner, mettre en scène l'animal".La ménagerie théâtrale: écrire, incarner, mettre en scène l'animal en France (XVIII-XXI siècles), Ignacio Ramos-Gay (ed.).. (pp. en prensa - en prensa)..
Ignacio Ramos Gay,(2022).La ménagerie théâtrale: écrire, incarner, mettre en scène l'animal en France (XVIII-XXIe siècles).La ménagerie théâtrale: écrire, incarner, mettre en scène l'animal en France (XVIII-XXI siècles), Ignacio Ramos-Gay (ed.).. (pp. en prensa - en prensa)..
Ignacio Ramos Gay,(2021).'Cocottes et bourgeoises ensauvagées, Brésiliens et rastaqouères chez Labiche et Offenbach'.La femme sauvage dans les arts et les lettres, Christine Ferlampin et al. (eds.).. (pp. 191 - 206)..
Teresa Grant; Ignacio Ramos-Gay; Claudia Alonso-Recarte,(2020).Introduction: real animals on the stage.Real Animals on the Stage.. (pp. 1 - 10)..
Ignacio Ramos Gay,(2020).'Des singes, c'était le narcisse': class, imitation and performing monkeys in late-eighteneeth century Paris.Real Animals on the Stage.. (pp. 28 - 46)..
Ignacio Ramos Gay,(2020).La marioneta ecuestre en el teatro actual: autenticidad y etología dramática en War Horse (2007).Literatura, crítica, libertad: Estudios en homenaje a Juan Bravo Castillo.. (pp. 479 - 492)..
Ignacio Ramos Gay; Claudia Alonso Recarte,(2022).'Animal Voices: Equine Autobiography and Poverty in Nineteenth-century French and British Narratives'.Pauvretés esthétiques au XIXe siècle: regards croisés franco-britanniques.. (pp. 169 - 186)..
Ignacio Ramos Gay,(2022).Édition critique de 'L'Affaire de la rue de Lourcine', d'Eugène Labiche.Eugène Labiche. Théâtre Complet (I).. (pp. 937 - 1087)..
Ignacio Ramos Gay,(2022).'On Fans and Other Stage Props on the European Stage of the Eighteenth and Nineteenth Centuries'.Metodo e passione. Studi sulla modernità letteraria in onore di Antonio Lucio Giannone.. (pp. 45 - 58)..
Ignacio Ramos Gay,(2023).La Méngaerie théâtrale. Écrire, incarner, mettre en scène l'animal en France (XVIIIe-XXIe siècles)... (pp. 1 - 448)..
Ignacio Ramos Gay,(2023).Introduction: Penser l'animal au théâtre.La Ménagerie théâtrale. Écrire, incarner, mettre en scène l'animal en France (XVIIIe-XXIe siècles). Ignacio Ramos-Gay (ed.).. (pp. 1 - 7-47)..
Ignacio Ramos Gay,(2023).'L'amazone sur les planches, de nos jours'.La Ménagerie théâtrale. Écrire, incarner, mettre en scène l'animal en France (XVIIIe-XXIe siècles). Ignacio Ramos-Gay (ed.).. (pp. 359 - 377)..
Other publications
- ContraerExpandirFERNANDEZ-CAPARROS TURINA, ANAPDI-Titular d'UniversitatResponsables de Gestio AcademicaCoordinador/a Titulacio de Grau
Fernández-Caparrós, Ana(2024)Research Group on Contemporary European Drama (18th-21st centuries): Criticism, Reception and TransnationalityQuaderns de Filologia. Estudis literaris, 29, pp. 141 - 158. ISSN: 1135-4178
Ana Fernández-Caparrós(2023)Research Group on Contemporary European Drama (18th-21st centuries): Criticism, Reception and TransnationalityStudies in Theatre and Performance, 43(1), pp. 91 - 107. ISSN: 1468-2761
Ana Fernández-Caparrós(2023)Research Group on Contemporary European Drama (18th-21st centuries): Criticism, Reception and TransnationalityAsparkía. Investigació feminista, 43(2), pp. 295 - 298. ISSN: 1132-8231
Ana Fernández-Caparrós(2021)Research Group on Contemporary European Drama (18th-21st centuries): Criticism, Reception and TransnationalityCultura, Lenguaje y Representación, 25, pp. 119 - 133. ISSN: 1697-7750
Ana Fernández-Caparrós(2020)Research Group on Contemporary European Drama (18th-21st centuries): Criticism, Reception and TransnationalityNerter, 32-33, pp. 42 - 54. ISSN: 1575-8621
Ana Fernández-Caparrós Turina(2017)Research Group on Contemporary European Drama (18th-21st centuries): Criticism, Reception and TransnationalityRecherches (Strasbourg), 18 (2017), pp. 97 - 108. ISSN: 1968-035X
Ana Fernández-Caparrós Turina(2017)Research Group on Contemporary European Drama (18th-21st centuries): Criticism, Reception and TransnationalityCahiers Victoriens et Édouardiens, 86 (2017). ISSN: 0220-5610
Ana Fernández-Caparrós Turina(2017)Research Group on Contemporary European Drama (18th-21st centuries): Criticism, Reception and TransnationalityStudies in the Literary Imagination, 50(2). ISSN: 0039-3819
Ana Fernández-Caparrós; Anna M. Brígido-Corachán.(2017)Research Group on Contemporary European Drama (18th-21st centuries): Criticism, Reception and TransnationalityStudies in the Literary Imagination, 50(1), pp. v - xx. ISSN: 0039-3819
Anna M. Brígido-Corachán; Ana Fernández-Caparrós(2017)Imagining Crisis in 21st- Century American Literature and Media.Studies in the Literary Imagination, 50(2), pp. i - iv. ISSN: 0039-3819
Ana Fernández-Caparrós Turina(2016)Fool for Love y la estirpe de los fantaseadores en el teatro de Sam Shepard.Miscelanea. A Journal of English and American Studies, 54, pp. 51 - 67. ISSN: 1137-6368
Ana Fernández-Caparrós Turina(2016)The Rise and Fall of the Horse Dreamer in Sam Shepard's Drama.Atlantis-Journal Of The Spanish Association Of Anglo-American Studies, 38(1), pp. 109 - 127. ISSN: 0210-6124
Ana Fernández-Caparrós Turina(2015)Research Group on Contemporary European Drama (18th-21st centuries): Criticism, Reception and TransnationalityContemporary Theatre Review, 25(4), pp. 485 - 498. ISSN: 1048-6801
Ana Fernández-Caparrós; Noelia Hernando Real; Fabio Luis Vericat(2015)Research Group on Contemporary European Drama (18th-21st centuries): Criticism, Reception and TransnationalityComplutense Journal of English Studies, Special Issue(23), pp. 7 - 13. ISSN: 2386-3935
Ana Fernández-Caparrós(2018)Research Group on Contemporary European Drama (18th-21st centuries): Criticism, Reception and TransnationalityStudies in Theatre and Performance, 38(1), pp. 91 - 92. ISSN: 1468-2761
Journal Publications
Fernández-Caparrós, Ana,(2024).'Cómo leer una obra de teatro en el siglo XXI: Recursos digitales para la enseñanza de la literatura dramática.'.Géneros (meta)literarios digitales y creación audiovisual. Aplicaciones educativas y profesionales. Anna M. Brígido-Corachán, Rosanna Mestre Pérez and Nel.lo Pellisser Rossel (eds.).. (pp. 155 - 172)..
Ana Fernández-Caparrós,(2023).'Drawing New Circles: On Paula Vogel's Maieutics, Quiara Alegría Hudes's Broken Language and the Seeds of Boricuan Inspiration.'.The Theatre of Paula Vogel: Practice, Pedagogy and Influences, by Lee Brewer Jones... (pp. 140 - 154)..
Ana Fernández-Caparrós,(2022).Tragic and Post-tragic Representations of Precarity in 21st-Century U.S. Drama: Fractured Togetherness in Lynn Nottage's Sweat and Annie Baker's The Flick.Staging 21st Century Tragedies. Theatre, Politics and Global Crisis, edited by Avra Sidiroloupou... (pp. 108 - 120)..
Ana Fernández-Caparrós,(2021).On Sarah Ruhl's Theatre of Transformative Lightness.American Dramaturgies for the Twenty-First Century, edited by Julie Vatain-Cordfir... (pp. 65 - 88)..
Ana Fernández-Caparrós,(2020).Shepard, Sam.Diccionario de la recepción teatral en España, L-Z. Director Javier Huerta Calvo... Volume. 2 . (pp. 991 - 997)..
Ana Fernández-Caparrós,(2020).Mamet, David.Diccionario de la recepción teatral en España, L-Z. Director Javier Huerta Calvo... Volume. 2 . (pp. 583 - 589)..
Ana Fernández-Caparrós Turina,(2017).Otherworldly Transitions and Transformative Identities in Sarah Ruhl's Eurydice (2003).(Re)Thinking Literary Identities: Great Britain, Europe And Beyond. Ed. Laura Monrós.. (pp. 119 - 133)..
Ana Fernández-Caparrós Turina,(2017).Sam Shepard, See You Somewhere in the Landscape of Dream.Spanish Association of American Studies (SAAS) Bulletin no. 16.. (pp. 74 - 86)..
Ana Fernández-Caparrós Turina,(2016).Contemporary US Women Playwrights' Transatlantic Odes to Lightness: A Tribute to María Irene Fornés and Her Disciples.Estudios de género: visiones transatlánticas/ Gender Studies: Transatlantic Visions. Isabel Durán, Rebeca Gualberto, Noelia Hernando, Carmen Méndez, JoAnne Neff, Ana Laura Rodríguez (comps.).. (pp. 331 - 344)..
Ana Fernández-Caparrós,(2015).El teatro de Sam Shepard en el Nueva York de los sesenta... (pp. 1 - 226)..
Other publications
- ContraerExpandirTERUEL POZAS, MIGUELPDI-Titular d'UniversitatCoordinador/a Curs
Miguel Teruel; Paul Scott Derrick(2021)Research Group on Contemporary European Drama (18th-21st centuries): Criticism, Reception and TransnationalityLiburna(18), pp. 137 - 163. ISSN: 1889-1128
Journal Publications
Donald Wellman; Francisca González Arias; Miguel Teruel,(2015).'Remando de Noche: una interpretación'.Nicolás Estévez (Ed.) Remando de noche: la poesía de Donald Wellman.. (pp. 121 - 141)..
José Arnaldo Márquez; Miguel Teruel Pozas,(2016).Antonio y Cleopatra, de William Shakespeare.El mercader de Venecia; Antonio y Cleopatra, de William Shakespeare.. (pp. 119 - 334)..
Miguel Teruel Pozas,(2016).Edición digital de Endymion, de John Lily, para la Biblioteca Digital Artelope EMOTHE... (pp. 1 - xxx)..
Anne Frater; Miguel Teruel Pozas,(2016).Anns a' Chànan Chùbhraidh / En la lengua fragante Traducción del gaélico escocés al castellano de una selección de poemas de Anne Frater Lectura de poemas, por Anne Frater y Miguel Teruel (4/3/16) Salón de Grados, Facultat de Filologia, Traducció i Comunicació (UV)... (pp. 1 - xxx)..
Miguel Teruel,(2017).Anns a' Chànan Chùbhraidh/En la lengua fragante: Translating Scottish Gaelic Poetry.Re-Thinking Literary Identities: Great Britain, Europe and Beyond.. (pp. 21 - 39)..
Miguel Teruel Pozas,(2017).Edición digital de A Trick to Catch the Old One, de Thomas Middleton, para la Biblioteca Digital Artelope EMOTHE... (pp. 1 - xxx)..
Miguel Teruel Pozas,(2017).Edición digital de The Malcontent, de John Marston, en colaboración con Sonia Perelló Pigazos, para la Biblioteca Digital Artelope EMOTHE... (pp. 1 - xxx)..
Miguel Teruel Pozas,(2022).'Al oír a Olesya Zdorovetska cantando sus arreglos para poemas ucranianos' 'On hearing Olesya Zdorovetska singing her settings to Ukrainian poems' A poem for Ukraine in multiple translations... (pp. 1 - xxx)..
Donald Wellman; Francisca González Arias (Tr.); Murat Nemet-Nejat (Intro.); Miguel Teruel (Ed., Tr.); Nicolás Estévez (Ed., Tr.),(2024).Ejercicios Romanos... Number. 196 . (pp. 8 - 169)..
Other publications
- ContraerExpandirALONSO RECARTE, CLAUDIAPDI-Titular d'UniversitatCoordinador/a de Mobilitat
Claudia Alonso Recarte(2009)Research Group on Contemporary European Drama (18th-21st centuries): Criticism, Reception and TransnationalityEstudios Ingleses de la Universidad Complutense de Madrid(17), pp. 75 - 93. ISSN: 1133-0392
Claudia Alonso Recarte(2010)Research Group on Contemporary European Drama (18th-21st centuries): Criticism, Reception and TransnationalityMiscelanea. A Journal of English and American Studies(42), pp. 33 - 49. ISSN: 1137-6368
Claudia Alonso Recarte(2011)Research Group on Contemporary European Drama (18th-21st centuries): Criticism, Reception and TransnationalityAtlantis-Journal Of The Spanish Association Of Anglo-American Studies, 33(1), pp. 53 - 68. ISSN: 0210-6124
Claudia Alonso Recarte(2012)Research Group on Contemporary European Drama (18th-21st centuries): Criticism, Reception and TransnationalityL'Atalante. Revista de estudios cinematográficos(14), pp. 13 - 19. ISSN: 1885-3730
Claudia Alonso Recarte(2012)Research Group on Contemporary European Drama (18th-21st centuries): Criticism, Reception and TransnationalityInvestigaciones feministas, 3, pp. 85 - 98. ISSN: 2171-6080
Claudia Alonso Recarte(2013)Research Group on Contemporary European Drama (18th-21st centuries): Criticism, Reception and TransnationalityRevista Alicantina de Estudios Ingleses(26), pp. 195 - 212. ISSN: 0214-4808
Claudia Alonso Recarte(2014)Research Group on Contemporary European Drama (18th-21st centuries): Criticism, Reception and TransnationalityGender Place And Culture, 21(9), pp. 1125 - 1141. ISSN: 0966-369X
Claudia Alonso Recarte(2014)Research Group on Contemporary European Drama (18th-21st centuries): Criticism, Reception and TransnationalityAtlantis-Journal Of The Spanish Association Of Anglo-American Studies, 36(1), pp. 31 - 49. ISSN: 0210-6124
Claudia Alonso Recarte(2016)Research Group on Contemporary European Drama (18th-21st centuries): Criticism, Reception and TransnationalityCritical Studies on Terrorism, 9(2), pp. 247 - 268. ISSN: 1753-9153
Claudia Alonso Recarte(2016)Research Group on Contemporary European Drama (18th-21st centuries): Criticism, Reception and TransnationalityAtlantis-Journal Of The Spanish Association Of Anglo-American Studies, 38(2), pp. 103 - 121. ISSN: 0210-6124
Claudia Alonso Recarte(2017)Research Group on Contemporary European Drama (18th-21st centuries): Criticism, Reception and TransnationalityJournal for Critical Animal Studies, 14(1), pp. 4 - 36. ISSN: 1948-352X
Claudia Alonso Recarte(2017)Volvamos al 'perrito': sufrimiento, ética y libertad artística en Exposición #1 de Guillermo Vargas.Miríada Hispánica, 14, pp. 115 - 128. ISSN: 2171-5718
Claudia Alonso Recarte(2017)Research Group on Contemporary European Drama (18th-21st centuries): Criticism, Reception and TransnationalityCahiers Victoriens et Édouardiens, 86, pp. 1 - 18. ISSN: 0220-5610
William M. Berloni; Ignacio Ramos Gay; Claudia Alonso Recarte(2017)Research Group on Contemporary European Drama (18th-21st centuries): Criticism, Reception and TransnationalityRevista General de Derecho Animal y Estudios Interdisciplinares de Bienestar Animal = Journal of Animal Law & Interdisciplinary Animal Welfare Studies(0), pp. 201 - 222. ISSN: 2603-8994
Claudia Alonso Recarte(2018)Research Group on Contemporary European Drama (18th-21st centuries): Criticism, Reception and TransnationalityStudies in Theatre and Performance, 38(2), pp. 190 - 205. ISSN: 1468-2761
Teresa Grant; Ignacio Ramos Gay; Claudia Alonso Recarte(2018)Research Group on Contemporary European Drama (18th-21st centuries): Criticism, Reception and TransnationalityStudies in Theatre and Performance, 38(2), pp. 103 - 112. ISSN: 1468-2761
Claudia Alonso Recarte(2020)Research Group on Contemporary European Drama (18th-21st centuries): Criticism, Reception and TransnationalityMen And Masculinities, 23(5), pp. 852 - 871. ISSN: 1097-184X
Ignacio Ramos Gay; Claudia Alonso Recarte(2020)Research Group on Contemporary European Drama (18th-21st centuries): Criticism, Reception and TransnationalityMen And Masculinities, 23(5), pp. 807 - 813. ISSN: 1097-184X
Claudia Alonso Recarte(2021)Research Group on Contemporary European Drama (18th-21st centuries): Criticism, Reception and TransnationalityMELUS, 46(2), pp. 87 - 110. ISSN: 0163-755X
Claudia Alonso-Recarte(2022)Research Group on Contemporary European Drama (18th-21st centuries): Criticism, Reception and TransnationalityJournalism and Media, 3(1), pp. 99 - 114. ISSN: 2673-5172
Claudia Alonso Recarte(2022)Research Group on Contemporary European Drama (18th-21st centuries): Criticism, Reception and TransnationalityBulletin of Spanish Studies, 99(4), pp. 619 - 639. ISSN: 1475-3820
Claudia Alonso Recarte(2022)Research Group on Contemporary European Drama (18th-21st centuries): Criticism, Reception and TransnationalityCritica letteraria, L - IV(197), pp. 815 - 830. ISSN: 0390-0142
Claudia Alonso Recarte, Ignacio Ramos Gay e Irene Romera Pintor(2022)'El animal no humano en la narrativa contemporánea europea'. Dirección del número monográfico.Critica letteraria, IV(197). ISSN: 0390-0142
Alonso-Recarte, Claudia; Ramos-Gay, Ignacio; Romera Pintor, Irene(2022)Research Group on Contemporary European Drama (18th-21st centuries): Criticism, Reception and TransnationalityCritica letteraria, L(197), pp. 717 - 754. ISSN: 0390-0142
Claudia Alonso Recarte (Ed.)(2023)Coordinadora del dossier 'Los animales no humanos y la cultura'.Pasajes(68), pp. 71 - 182. ISSN: 1575-2259
Claudia Alonso Recarte(2023)Introducción: los animales no humanos y la cultura.Pasajes(68), pp. 71 - 76. ISSN: 1575-2259
Jo-Anne McArthur; Claudia Alonso Recarte(2023)'Les debemos visibilidad': Entrevista a Jo-Anne McArthur, líder en el fotoperiodismo animalista.Pasajes(68), pp. 167 - 182. ISSN: 1575-2259
McArthur, Jo-Anne; Alonso Recarte, Claudia(2023)Research Group on Contemporary European Drama (18th-21st centuries): Criticism, Reception and TransnationalityRevista General de Derecho Animal y Estudios Interdisciplinares de Bienestar Animal = Journal of Animal Law & Interdisciplinary Animal Welfare Studies(11), pp. 139 - 152. ISSN: 2603-8994
Claudia Alonso Recarte(2024)Research Group on Contemporary European Drama (18th-21st centuries): Criticism, Reception and TransnationalityRomance Quarterly, 71(1), pp. 25 - 37. ISSN: 0883-1157
Alonso Recarte, Claudia(2025)Research Group on Contemporary European Drama (18th-21st centuries): Criticism, Reception and TransnationalityRevista Canaria de Estudios Ingleses(90), pp. 119 - 136. ISSN: 0211-5913
Journal Publications
Claudia Alonso Recarte,(2008).Teaching Literature through Music: The Case of Jazz.New Trends in English Teacher Education.. (pp. 357 - 366)..
Claudia Alonso Recarte,(2008).In that gumbo mud: constructing an aesthetic tradition through jazz writing and the blues idiom.Periphery and Centre.. Volume. IV . (pp. 11 - 19)..
Claudia Alonso Recarte,(2009).Mythistory? Women's blues and feminism.Identidad, migración y cuerpo femenino.. (pp. 193 - 201)..
Claudia Alonso Recarte,(2010).Adirondack writing and the wilderness aesthetic.Adirondack writing and the wilderness aesthetic.. (pp. 1 - 192)..
Claudia Alonso Recarte,(2011).Rompiendo las barreras entre realidad y ficción: La influencia del Quijote en Jack Kerouac y en John Clellon Holmes.Don Quijote en su periplo universal. Aspectos de la recepción internacional de la novela cervantina.. (pp. 313 - 335)..
Rebeca Gualberto Valverde; Rebeca Cordero Sánchez; Noelia Malla García; María Colom Jiménez; Claudia Alonso Recarte,(2012).Reading Nature: Cultural Perspectives on Environmental Imagery. Actas de congreso.Reading Nature: Cultural Perspectives on Environmental Imagery. Actas de congreso.. (pp. 1 - 283)..
Claudia Alonso Recarte,(2013).'Is it happy cats or is it an Ireland free we're after?': Animal Rights, Terrorism and American Audiences' Response to Martin McDonagh's The Lieutenant of Inishmore.Adaptations, versions and perversions in modern British drama.. (pp. 154 - 172)..
Claudia Alonso Recarte,(2014).The Vivisection Controversy in America.The Vivisection Controversy in America.. (pp. 1 - 132)..
Claudia Alonso Recarte,(2015).Sentiment anti-français, vivisection victorienne, et Frances Power Cobbe.'Curious about France': visions de la France dans la littérature victorienne.. (pp. 195 - 208)..
Claudia Alonso Recarte,(2015).De Caballos, perros y palomas: el animal en la cultura militar de la Primera Guerra Mundial y su reflejo en la literatura.Letras desde la trinchera: testimonios literarios de la Primera Guerra Mundial.. (pp. 387 - 404)..
Teresa Grant; Ignacio Ramos Gay; Claudia Alonso Recarte,(2020).Introduction: real animals on the stage.Real Animals on the Stage.. (pp. 1 - 10)..
Claudia Alonso Recarte; Ignacio Ramos Gay,(2020).A passionate call for murder: dying and suffering animals in Spanish Film and Filmmaking.Spanish Thinking About Animals.. (pp. 67 - 84)..
Ignacio Ramos Gay; Claudia Alonso Recarte,(2021).'On Long-lasting Humanimal Companionships: Gayness, Aging and Disease in Steven Rowley's Lily and the Octopus'.Aging Masculinities in Contemporary U.S. Fiction.. (pp. 171 - 188)..
Claudia Alonso Recarte; Ignacio Ramos Gay,(2022).'Real Animals and the Problem of Anthropomorphism in Children's Film'.Oxford Handbook of Children's Films, Noel Brown (ed.).. (pp. 408 - 428)..
Ignacio Ramos Gay; Claudia Alonso Recarte,(2022).'Animal Voices: Equine Autobiography and Poverty in Nineteenth-century French and British Narratives'.Pauvretés esthétiques au XIXe siècle: regards croisés franco-britanniques.. (pp. 169 - 186)..
Claudia Alonso Recarte,(2023).Bartabas et la question du sens équin dans Mazeppa (1993).La ménagerie théatrale - Écrire, incarner, mettre en scène l'animal en France (XVIIe-XXIe siècles).. (pp. 237 - 258)..
Other publications
Blasco Ibáñez Campus
Av. Blasco Ibáñez, 32
46010 València (Valencia)
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- PDI-Catedratic/a d'Universitat
- Coordinador/a de Mobilitat
- Coordinador/a Curs
