In line with the work on perpetrators of mass violence and their cultural representations, the object of this research project consists in analyzing the narrative and iconographic representation of emblematic sites of mass violence, as well as the resignification of these sites through memory politics, historical pedagogy, judicial trials and Human Rights culture. The research line of this project focuses on a comparative perspective on seven sites of perpetration located in four substantially different areas and contexts: Spain, Germany, Cambodia, and Latin America’s Southern Cone.
This comparative perspective allows us to study the role played by microspaces, the material artifacts, the museum’s layout and narrative (audioguides), the peripheral rooms and activities, the literary production (memoirs and testimonies, as well as the imaginary evocations, such as novels, poems, and so forth) and the iconography and its migration through the iconosphere, both synchronically (that is, between the media) and diachronically (that is, over time), stressing the moments of change.