The intervention is part of a wider research based on generating communication spaces which invite to reconsider the impossibility of the contemporary individual’s communication and it takes spontaneous spaces that can be found in the outskirts, fields or industrial estates and city surroundings as reference.
 

Pablo Bellot

San Vicente (Alicante), 1976. In Pablo Bellot’s work, we find the minimum’s maxim as principle: he develops a process of elimination and reduction of what’s superfluous, using direct and forceful methods, where the creative process is particularly relevant thanks to simplicity, immediateness and spontanoeusness. His painting is known for the use of black, with energetic, spontaneous, prejudice-free and fully-free strokes.  In the last years, he made video installations, sound installations, ceramics and concrete actions such as communication acts, where he codifies and decodifies various universal media to contrast and highlight the impossibility of the contemporary individual’s communication. All this is attached to other obsessions he accumulated throughout the years such as violence, tragipardia, good & evil, the joke, the minimum, absence, saturation, the anti-visual or the human being’s miseries to discover the contemporary moment. His artwork was recognised by calls for research and art production support such as Centre del Carme Cultura Contemporània’s ESCLETXES and the Museo de Arte Contemporáneo de Castilla y León’s Grant. He also received awards such as, for example, at the Biennal Internacional de Ceràmica de Manises, the Bienal Artes Plásticas Ciudad de Pamplona or the Reial Acadèmia de Belles Arts de Sant Carles