SSMM
The variety of objectives, the diversity of resources transferred as well as the multiplicity of areas of reference and negotiation (board of directors, associative core, local and regional administrations, collaborating and financial entities, etc.) give the management process great complexity.
In 2010, a study was carried out by this same research unit in the context of the celebration of the 40th anniversary of the Federation of Musical Societies of the Valencian Community. This federation is in the process of preparing a WHITE BOOK OF MUSICAL SOCIETIES, with the intention of approaching the dimension and socioeconomic relevance of the Valencian musical associative movement, which represents one of the three most unique of the Valencian idiosyncrasy.
The links between musical societies and the territories in which they are created not only reinforce the feeling of identity and social cohesion, but also produce clear externalities for local economies. An economic approach to musical societies carried out in 1999 in collaboration with the economist and musician José Antonio Estrems indicates that the global budget of these groups, for 1991, was around 3,500 million pesetas (around 21 million euros), although later estimates place it at 5,000 million pesetas (more than 30 million euros). In 2008, the total budget had reached 50 million euros. In 2009, already with the notable effect of the crisis, musical societies had income of €46,606,518 and expenses of €45,284,899, figures that marked the end of a period of expansion characterized by growth rates greater than 4%. By province, Valencia, where 60% of the musical societies are based, concentrated 65.45% of the budget, while Alicante took 22% and Castellón took 12.6%, proportionally with the number of musical societies (26% and 14%, respectively). In terms of income, 77% came from the provision of services, while only 21% (9.5 million euros) corresponded to subsidies from the Generalitat, provincial councils and city councils. The percentage calls into question the widespread belief that the survival of musical societies depends largely on aid from different levels of government.
- Rausell Koster, Pablo Francisco
- PDI-Titular d'Universitat
- Perez Gimenez, Virgilio
- PDI-Ajudant Doctor/A
- Vicedega/Vicedegana / Vicedirector/a Ets
- Abeledo Sanchis, Raul
- PDI-Prof. Permanent Laboral Ppl
- Cap de Seccio-Servei
- Cap Iniciatives del Observatori Cultural.
- Felipe Campillo, Francesc Andreu
- PIT-Tecnic/a Sup Uv
- Alvarez Teresa, Fernando
- PDI-Substitut/A
