GIUV2013-139
This research group is oriented towards the study of several specific fields of Italian Philology. It adopts an open, multidisciplinary orientated, methodologically varied, rich and syncretic approach. Texts are the starting point, generally written texts, sometimes oral, and their interpretation. Texts in Italian, possibly with dialectal variants. Chronologically, without excluding other periods, it focuses on contemporaneity (20th and 21st century) and on the literature of the past (17th, 18th and 19th century). From the viewpoint of genres, it not only deals with classical literary genres (poetry, narrative, essays) but also includes theatre, to which it pays great attention, considering the spectacular and musical component. The study of the relationship between Italian literature (especially narrative) and cinema is not neglected. The comparative front, particularly with Spanish and Valencian-Catalan literature, is always a background reference in many of these Italian studies, some of whose corpus are especially rooted in the Valencian territory (musical dramaturgy). Attention is also paid to the translation of Italian texts. The works of certain authors have been studied...This research group is oriented towards the study of several specific fields of Italian Philology. It adopts an open, multidisciplinary orientated, methodologically varied, rich and syncretic approach. Texts are the starting point, generally written texts, sometimes oral, and their interpretation. Texts in Italian, possibly with dialectal variants. Chronologically, without excluding other periods, it focuses on contemporaneity (20th and 21st century) and on the literature of the past (17th, 18th and 19th century). From the viewpoint of genres, it not only deals with classical literary genres (poetry, narrative, essays) but also includes theatre, to which it pays great attention, considering the spectacular and musical component. The study of the relationship between Italian literature (especially narrative) and cinema is not neglected. The comparative front, particularly with Spanish and Valencian-Catalan literature, is always a background reference in many of these Italian studies, some of whose corpus are especially rooted in the Valencian territory (musical dramaturgy). Attention is also paid to the translation of Italian texts. The works of certain authors have been studied with emphasis, for instance, Giraldi Cinthio, Vicenzo Consolo or Dacia Maraini. Studies are carried out and published mainly in Italian and Spanish, in Italy and Spain, but also in English, etc. and in other countries.
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- Hermeneutica de obras literarias
- Teatro y sociedad
- Corpus dramaturgicos, musicales o literarios
- Ediciones y traducciones de textos
- Contemporary Italian literature.Analysis, interpretation, commentary (and translation) of Italian texts from the 20th and 21st century: poetry, narrative, theatre, essays, etc. Literature and cinema.
- 20th century Italian literature. Language and textual criticism.Editing (criticism) of contemporary Italian literary texts. Literary language studies.
- Italian musical dramaturgy from the 17th to the 19th century.Studies of musical dramaturgy, edition of plays, dramatic literature.
- Ancient and modern Italian theatre genres.Study and edition of theatre texts from the 16th century: tragedy, drama, comedy. Studies of drama precepts. Study and translation of contemporary plays.
| Name | Nature of participation | Entity | Description |
|---|---|---|---|
| JUAN CARLOS DE MIGUEL CANUTO | Director | Universitat de València | |
| Research team | |||
| IRENE ROMERA PINTOR | Member | Universitat de València | |
| ANDREA BOMBI | Member | Universitat de València | |
| NICOLO MESSINA | Member | Universitat de València - Estudi General | UVEG honorary professor |
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- French and Italian
- contemporary Italian poetry, contemporary Italian prose, contemporary Italian theatre, Italian cinema and literature
- Ecdótica, crítica textual, critica de variantes
- Opera lírica italiana, teatro musical italiano, drama italiano en música, melodrama italiano, siglos XVII a XIX
- ancient Italian theatre, modern Italian theatre, Italian theatre precepts
