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María del Mar Bernabé Villordre
  • María del Mar Bernabé Villordre: maria.mar.bernabe@uv.es

  • Didactics of music in multicultural contexts. Research into the influence of the musical education process on functional diversity.

  • Music education as a therapeutic process in Primary Education.

  • Music and Movement in Preschool Education.

  • Didactics of wind instruments.

  • Methodological innovation in Preschool and Primary Education.

Jose Salvador Blasco Magraner
  • Jose Salvador Blasco Magraner: j.salvador.blasco@uv.es

  • Psychoeducational processes in music education.

  • The music education curriculum: study of the different curricular levels in the different educational stages.

  • History of music and learning resources for its teaching.

  • Scenic music and its possibilities as artistic resources to promote interdisciplinary work in the different educational stages.

  • Educational innovation, interdisciplinarity and digital technology.

Ana María Botella Nicolás
  • Ana María Botella Nicolás: ana.maria.botella@uv.es

  • Research into musical processes in the history of music and learning resources for its teaching.

  • Gender, music and education.

  • Didactics of music through listening.

  • Teacher training and teaching practice: Innovation methodologies in the music classroom.

Guillem Escorihuela Carbonell
  • Guillem Escorihuela Carbonell: guillem.escorihuela@uv.es

  • Music education through the analysis of performance.

  • Performative education of musical instruments and singing.

  • Communication and dissemination of music (reception and criticism).

  • Didactics in Conservatories and Music Schools.

  • Study of the audiences of musical performances and their repercussion in and from music education.

Vicente Galbis López
  • Vicente Galbis López: vicente.galbis@uv.es

  • Didactics of the history of music through listening.

  • Didactics of music through audiovisual media.

  • Teaching resources based on popular urban music (jazz, pop, rock, etc.).

  • Analysis of teaching practice in music education: from historical contributions to current contributions.

Rosa María Isusi Fagoaga
  • Rosa María Isusi Fagoaga: rosa.isusi@uv.es

  • Educational innovation: active methods, interdisciplinarity, audiovisuals and digital technology.

  • Optimisation of vocal and instrumental teaching.

  • Teaching of musical heritage, transfer and social dissemination.

  • Contribution of music to social innovation and sustainable development goals.

  • Music education and gender studies.

Pablo Marín Liébana
  • Pablo Marín Liébana: pablo.marin-liebana@uv.es

  • Recognition of students' musical identities, curricular participation and development of critical thinking.

  • Identification and deconstruction of hegemonic devices in music education: the role of western academic music and its teaching-learning procedures.

  • Critical and historical studies of the official curriculum (educational legislation), published (textbooks) and taught (teaching beliefs and practices).

  • Musical diversity and de-essentialism essentialisation: complexity and intersectionality versus ethnocentrism and nationalism.

  • Didactics of music listening through ICT and audiovisual language.

Remigi Morant Navasquillo
  • Remigi Morant Navasquillo: remigi.morant@uv.es

  • Research on the Music Schools of the Valencian Music Societies.

  • Formal, non-formal and informal approaches in Music Education.

  • Research on the soundtrack in the audiovisual media from educational perspectives.

  • Training of Music Education teachers.

Adolf Murillo Ribes
  • Adolf Murillo Ribes: adolf.murillo@uv.es

  • Musical creativity, creation and collaborative learning.

  • Contemporary languages for multidisciplinary creation.

  • New technologies.

  • Learning based on collaborative artistic creation.

Jesús Tejada Giménez
  • Jesús Tejada Giménez: jesus.tejada@uv.es

  • Educational processes in Conservatories and Music Schools.

  • Technology in music education and design of educational software.

  • Musical teacher training processes.

  • Ways of presenting musical information.