After graduating in Hispanic Philology at Universitat de València, I received my PhD in Spanish Philology at the same center in 2008. The excellence of the academic training received earned me the obtaining the Extraordinary Prize for Bachelor and the Extraordinary Prize for Doctorate. I received a Collaboration Scholarship and a FPU Research Scholarship in 2001-02 and 2002-2006, respectively. At the present, I am Associate Professor at the Universitat de València. The quality of my research has been recognized with two sexenios from the Spanish CNEAI agency (covering the period of 2006-2018). Moreover, the teaching experience carried out has enabled me to obtain “Excellent” in two periods evaluated according to the DOCENTIA program appraisal.

The main line of my research studies has been the Spanish classical theater, which I have approached from four complementary perspectives:

1. Studying handwritten transmission of classical theatrical texts, the theatrical genres and the metric in the Spanish Golden Age dramaturgy. My monograph on the theatrical collection of the Count of Gondomar (Iberoamericana, 2014) addressed, for the first time, in a comprehensive way the study of a set of 36 profane manuscript comedies, essential to historicize the formative stage of the Comedia Nueva. The results of the research are a relevant contribution to the panoramic understanding of the dramatic production of the period 1580-1590 and have become a reference for the numerous subsequent works performed by other researchers.

2. Critical edition of classical theatrical heritage. I have edited dramatical texts from Lope de Vega, Mira de Amescua, María de Zayas or Juan Pérez de Montalbán, published in the prestigious Gredos or Reichenberger.

3. Digital Humanities applied to Spanish classical theatre. In this sense, I specifically highlight the line of research on distant readings and visualization as an opportunity for data mining on the early modernity performance practice. I have addressed this investigation line in my recent publications.

4. Research about didactics heritage and digital approaches, which has materialized in transference activities within and outside the classroom. I have participated in four teaching innovation projects and I have directed two teaching innovation research projects elected for funding at public competitive calls.

From the beginning of my career, I am member of scientific team in several research projects with public funding, among them CATCOM/DICAT (PI Teresa Ferrer Valls) and TC/12 macroproject (Coord. Joan Oleza), Consolider program.

I have extensive experience in organizing congresses (more than five are international) and I regularly participate as a reviewer of articles in relevant national and international journals. Between 2016 and 2021, I directed Diablotexto Digital scientific journal and I am currently co-director of the DTD_iLAB Social Innovation Laboratory.

I have participated as a member of the evaluating committee of more than ten doctoral thesis and I co-direct a doctoral thesis by PhD Bernardita Domange (2022).

During the last years, I have assumed university management tasks, of progressive responsibility, carrying out the positions, among which are: Secretary of the Department of Spanish Philology from 2016 to 2019; member of Coordinator’s Team of the Degree in Hispanic Studies from 2014 to October 2016 and from 2019 to 2022. From 2022, I am Director of the Master's in Advanced Hispanic Studies.

[ Automatic translation ]

Antonio Briz is a professor of Spanish Language in the Department of Spanish Philology of the Faculty of Philology, Translation and Communication of the University of Valencia (Spain), as well as director of the research group Val.Es.Co. (www.valesco.es), dedicated to the study of spoken language and corpus linguistics. He works in Spanish linguistics and Spanish pragmatics, and his main line of research is the study and analysis of colloquial conversation (Colloquial Spanish in conversation. Esbozo de pragmagrammática, Barcelona, Ariel, 1998; Briz and Val.Es.Co.,How to comment on a colloquial text, Barcelona, Ariel Practicum, 2000, and Corpus of colloquial conversations, Annex of the Magazine Oralia.Madrid, Arco/Books, 2002). His latest publications deal with topics related to conversation units, discourse markers, verbal courtesy and legal language (Briz, coord., 2018, Style manual for lawyers, Valencia, Tirant lo Blanch). He is coordinator of an interuniversity project titled Dictionary of Spanish discursive particles (www.dpde.es), the corpus of conversations from Spain and America (AMERESCO) and a study on theattenuation in Spanish and Portuguese (ES.POR.ATENUACIÓN): http://esvaratenuacion.es/

His teaching activity focuses, above all, on syntax, Spanish pragmatics and colloquial Spanish. In postgraduate studies, he teaches courses at several Spanish and foreign universities on the aforementioned topics, as well as linguistic advice and expertise. Participates in training programs for teachers of Spanish as a foreign language (E/LE). In relation to this area of Spanish teaching, he is director of the online diploma of“Training of teachers of Spanish as a foreign language”, title from the University of Valencia and co-director of the “E/LE Forum” at the aforementioned university. To date, he has been a representative of SICELE on behalf of the University of Valencia. He has supervised 32 doctoral theses.

Among other merits, it should be noted that he is a member of the advisory, editorial, management or scientific committee of different magazines and collections (Cuadernos de Filología , University of Valencia; Oralia and Current Spanish Linguistics, Madrid, Arco-Libros; Chimera Romance Corpora and Linguistic Studies, Autonomous University of Madrid. ; Onomázein, Pontificia Universidad Católica de Chile; Cuadernos AISPI (Associaziones Ispanisti Italiani); a, EUNSA, University of Navarra; coordinator of the EDICE International Program (Courtesy Studies in Spanish), based in Stockholm.

He has been a member of the National Commission for the Evaluation of Research Activity in Spain: years 2010 and 2011; evaluator of the Aragón University Quality and Prospective Agency, years 2012 and 2013; member of the National Commission for the evaluation of the Juan de la Cierva and Ramón y Cajal scholarships, 2012; collaborator of the coordination, evaluation and scientific-technical monitoring division of the Ministry of Economy and Competitiveness for the evaluation and granting of research projects: years 2016 and 2017.

He was a founding partner of the company spin-off Tecnolingüística S.L., created in 2008 with the aim of transferring linguistic research to society: rhetoric and public speaking courses, linguistic expertise, specialized translations, transcriptions, labeling... (https://tecnolinguistica.com/).The Style manual for lawyers mentioned above, as well as other works, Know how to speak(2008),Non-sexist communication guide (2011)< em>, published by the Instituto Cervantes, Editorial Aguilar, are results of this transfer work.

He has recently been named corresponding member of the Cuban Academy of Language.

Xelo Candel Vila is Professor of Spanish Literature in the Department of Spanish Philology at the University of Valencia. She has been a contract professor at Bucknell University (USA), Ohio University (USA) and Saint Louis University (Madrid).

As a guest lecturer, she has given lectures and seminars for undergraduate and postgraduate courses at national and international universities, including: Texas State University (USA), Universitatea Stefan cel Mae (Romania), Universidad Nacional de Mar del Plata (Argentina), Universidad de La Plata (Argentina), Postdam Universität (Germany), Kentucky University (USA), Rholand Island University (USA), Bucknell University (USA), Mary Washington University (USA), Montclair University (USA), Università degli Studi di Bergamo (Italy), Instituto Cervantes de Sao Paulo (Brazil), Växjö Universitet (Sweden), Universidad Complutense de Madrid, Universidad de La Rioja, Universidad de Cádiz, Universidad de Córdoba and Universidad Autónoma de Madrid.

Within the Docentia programme, his teaching evaluation has been rated as excellent.

The lines of research to which he has devoted his scientific production focus on literary modernity, Republican exile, Franco's censorship, the publication of epistolaries and post-war Spanish poetry, the Dictatorship and the Transition. The vast majority of articles in indexed journals are listed in Arts&Humanities Citation Index, SCOPUS, WoS/JCR, ERIH, ISOC, ICYT , MIAR , CIRC, CARHUS+, Latindex, RESH, Mla or DICE. As for book chapters, they are placed in the first level in the SPI ranking, qualified in the index elaborated by the CSIC with a ‘HIGH VALUE’ as Iberoamericana Vervuert, Peter Lang, Renacimeinto, Visor, Ediciones Clásicas, EUDEM, PUV, Trafo Verlag, etc. She is the author and/or editor, among others, of the books: Victoriano Crémer y José García Nieto. Epistolario inédito (1944-1976) (2023); Mi lado izquierdo de Rafael Fombellida (2021); Entresiglos: Del siglo XX al XXI. Estudios en homenaje al profesor Joan Oleza (2019), Versiones y Subversiones de Max Aub (2016); Los Sesenta. Revista literaria. México, 1964-1965 (2015); Epistolario entre Max Aub y Vicente Aleixandre (2014); El libro de las baladas y Romances de colorido (2012); Luis Rosales, memoria encendida de un poeta (2012); Luis Rosales. El contenido del corazón (2010); El romántico ilustrado. Imágenes de Luis García Montero (2009); De lo vivo a lo pintado. La poética realista de Max Aub en el ámbito de la Modernidad literaria (2008); Luis Rosales después de Luis Rosales (2005); El realismo dialéctico en las poéticas de Luis Rosales, Ángel González y Luis García Montero (2003); La casa encendida, by Luis Rosales (2022 and 2002); Versiones y subversiones, in Obra Completa de Max Aub (2001) and Diario de Djelfa, by Max Aub (1998). He is currently preparing the edition of Verbo. Cuadernos literarios, Alicante, 1949-1963 and is coordinating the edition of Volume XIII of Obras Completas de Max Aub. Epistolario entre Max Aub y los poetas españoles.

            She was curator of the literary exhibition Luis Rosales. El contenido del corazón, held in Madrid from 29 April to 6 June 2010, on the occasion of the centenary of the birth of the Granada poet Luis Rosales. The exhibition was subsidised by the Government of Spain. Ministry of Culture, La Casa Encendida-Obra Social Caja Madrid and the Sociedad Estatal de Conmemoraciones Culturales (SECC) in collaboration with the Archivo Histórico Nacional and the Centro Andaluz de las Letras.  The exhibition toured twice: once to the Hospital Real in Granada and once to the Fundación Gonzalo Torrente Ballester in Santiago de Compostela.  He edited and coordinated the book Luis Rosales. El contenido del corazón (Ministry of Culture, 2010) with all the unpublished material found in the Historical Archive. This volume was a finalist for the ‘Top Applications Award 2010’ at the Milan Triennale for the best book published in Europe that year (www.fedrigoni.es).

            She has directed the research project for consolidated research groups AICO Escrituras de la identidad en tiempos de conflicto: Max Aub y la memoria generacional, funded by the Generalitat Valenciana, Consellería de Innovación, Universidades, Ciencia y Sociedad Digital (Valencian Regional Government, Department of Innovation, Universities, Science and Digital Society) which involved 11 researchers from national and international universities. She has also participated as a researcher in the R&D projects: ‘Poéticas de la Transición (1973-1982)’ REF. FFI2017-84759-P (AEI/FEDER, EU), funded by the Ministry of Science, Innovation and Universities; ‘Proyecto Prometeo 2016/1333 para grupos de investigación de excelencia Max Aub y las confrontaciones de la memoria histórica’, Consellería d'Educació, Investigació, Cultura i Esport; ‘Proyecto Poéticas del 50 proyecciones y diversificaciones’ (2013-2016) of the Ministry of Economy and Competitiveness; ‘Poetas del 50, textos y contextos’, Ministry of Science and Innovation; ’Fuentes archivísticas para el estudio del exilio republicano de 1939: State of the question’, Ministry of the Presidency of the Spanish Government (grants for activities related to the victims of the civil war and Francoism); “The second generation of the 1939 Republican exile in Mexico through the film En el balcón vacío”, Ministry of the Presidency of the Spanish Government (grants for activities related to the victims of the civil war and Francoism); ‘Mujeres que escriben, mujeres que leen’, The Swedish Foundation for International Cooperation in Research anf Higher Education (STINT); Växjo Universitate (2005-2009) or ’Estudio y edición del teatro hispánico del siglo XVI (Generalitat Valenciana) as well as several research projects granted by Saint Louis University in 2006 and 2008. He has participated in 6 teaching innovation projects: Disabilities Services; WEB CT; Blackboard Learning System; Student Learning Outcomes Committee Responsibilities; Voces y letras contra la violencia: imaginarios literarios y creación en videoarte and the digital edition project of the comedy La traición en la amistad by María de Zayas.Teatro clásico: creación de materiales docentes multimedia, 2012.

As a lecturer, she has participated in more than 70 conferences, most of them as an invited speaker, and has been Director, Member of the Executive Committee or of the Organising Committee in 21 national and international conferences, among them: Civil conflict and historical memory: rewriting the past, (2019); Entresiglos. Literature and History. Cultura y Sociedad, (2016); Los otros nombres del 50; Luis Rosales. Memoria Encendida de un Poeta; Correspondencias en Arte, Literatura y Pensamiento: 70 años después del exilio republicano español de 1939 (2009); Antonio Gamoneda. La palabra dañada (2009); Fuentes archivísticas para el estudio del exilio republicano de 1939 (2008); Escritoras y compromiso. Literatura española e hispanoamericana de los siglos XX y XXI (2008); Realismo y compromiso en la poesía de los años 80. Homenaje a Luis García Montero (2008); La joven poesía del fragmento y otras poéticas (2007); Jornadas de Poesía en torno a Luis Rosales (2004); Género y Géneros. Escritura y escritoras iberoamericanas (2004); Poesía y cuento españoles: dos géneros en minoría (2004, 2005 and 2006); Al filo del Milenio. Jornadas sobre creación literaria y práctica crítica en la España de los 90s (1993).

     From October 2018 to December 2022 he co-directed Diablotexto Digital. Revista de crítica literaria, a period in which 11 volumes were published.                                                                                                                                                                                                                                                                                                        He is on the editorial board of 7 quality journals: Quaderns de Filologia. Estudis Literaris, Universitat de València since 2016; El Correo de Euclides. Anuario científico de la Fundación Max Aub, since 2011; Astorica. Revista de estudios astorganos, Universidad Complutense de Madrid, since 2012; Lingue e Linguaggi de la Università del Salento (Italy) since 2012; Revista Migraciones&Exilios. Cuadernos de AEMIC since 2008; Diablotexto Digital. Revista de Crítica literaria; Cuadernos de Investigación Filológica de la Universidad de La Rioja, since 2015. He collaborates in the regular activity of evaluating articles in journals of recognised quality: Revista de estudios poéticos Prosemas, Universidad de Oviedo; Ámbitos. Revista de Estudios de Ciencias Sociales y Humanidades, Universidad de Córdoba; Cuadernos de Investigación Filológica de la Universidad de La Rioja; Revista Lingue e Linguaggi at Università del Salento in Italy.

As a poet he has published the books Mientras las nubes arden, Renacimiento, 2018; Hueco. Mundo solo, Renacimiento, 2013 (Valencian Critics' Prize, 2014); La arena, Madrid, Torremozas, 2007 and A destiempo, Zaragoza, 2003 (Miguel Labordeta Prize, 2002).

He currently coordinates the Aula de Poesía at the Universitat de València.

Full professor at the University of Valencia since 2024, specializing in Spanish pragmatics, oral and conversational Spanish, and interaction. She obtained a degree in Hispanic Philology in 2002, and a PhD in Spanish Language in 2009, both recognized with extraordinary awards for her academic performance.

Her research career has focused on the pragmatics of spoken Spanish, addressing the study of discourse markers from diachronic and synchronic perspectives. She has explored the grammaticalization of discourse markers and constructions with discursive value, as well as broader phenomena such as the structure and units of conversation, evidentiality, mitigation, prosody, and corpus linguistics. She is the coordinator, along with Marta Albelda, of the Ameresco corpus of colloquial conversations in America and Spain, and of the ESPRINT corpus of conflictive communication among intimates in Spanish, which contains domestic conversations and couple therapies collected in Spain and Latin America.

She has published numerous articles in high-impact journals such as the Journal of Pragmatics, Journal of Politeness Research, Pragmatics and Society, Corpus Pragmatics, RILCE, Oralia, and others, and book chapters with prestigious publishers such as Peter Lang and John Benjamins. Additionally, she has been actively involved in international conferences and symposia, often as an invited speaker at renowned institutions like the University of Cambridge, Universiteit Antwerpen, and Universität Heidelberg.

She has continuously participated, from the beginning, in funded research projects, and has been linked to more than eight projects throughout her career, two of which she has led as principal investigator. Moreover, she has conducted pre and postdoctoral research stays at prestigious international universities, including UNAM in Mexico and KU Leuven in Belgium.

She is the editor of the journal Borealis and the journal RESLA and regularly performs review duties for several renowned academic journals. Her interdisciplinary approach to research has allowed her to collaborate on projects that cross boundaries between pragmatics, historical semantics, and linguistic variation and change, contributing to the advancement of knowledge in her field.

[Biography, english version]

Teresa Ferrer Valls is a Spanish literature professor at the Department of Spanish Philology of the Universitat de València, where she has been teaching since 1986. Her research activity has been awarded six six-year periods by the CNEAI and her projects have been funded uninterruptedly to this day and have facilitated the training and incorporation into the professional career of several generations of fellows. His evaluation of teaching within the Docentia program has earned the qualification of Excellent.

Professor Ferrer’s research focuses on the Spanish theatre of the Golden Age. One of his lines of work is related to the study of courtesan scenic practice and gave rise to a book and a series of articles, highly cited, that appear among the reference publications in theatre stories and specialized bibliographies. The book La práctica escénica cortesana: de la época del emperador a la de Felipe III (1991) contributed to the rethinking of courtesan theatrical activity prior to the reign of Philip IV, a period previously neglected by critics. Another of his lines of research is linked to the theatrical patronage of the nobility and had its origin in the discovery of the complete documentation, unpublished at the time, related to the assignment to Lope de Vega of a dramatic work, documentation published in Nobleza y espectáculo teatral 1535-1622: estudio y documentos (1993). In this line of work, he has published articles and book chapters related to the genre of genealogical dramas and the patronage of the nobility and the relationship between history and theatre. Another of her lines of work has focused on theatre written by women in the 17th century. His contributions began when Spain had not yet aroused interest in gender studies and contributed to giving a global vision of the work of a small, but significant, group of playwrights and are today part of the specialized repertoires. He has carried out studies on different authors (Cristóbal de Virués, Lope de Vega, Calderón, Luis Vélez de Guevara, Juan Pérez de Montalbán, Rodrigo de Herrera...), editing some of the most representative works of the period. He also works in the field of Digital Humanities and since 1995 he has directed the theatrical research group DICAT, which has been a pioneer in the development of databases applied to the study of classical Spanish theatre as DICAT. Diccionario de actores del teatro clásico español (2008), a large database published in 2008 after fifteen years of work and published in 2023 in open, or CATCOM. Base de datos de comedias mencionadas en la documentación teatral (1540-1700). His research group was one of the twelve that integrated the Consolider TC/12 project. Classical Spanish theatrical heritage. Texts and research instruments, coordinated by Joan Oleza. He participated, with a group of researchers and ant engineers, led by Joan Oleza, in the virtual reconstruction of the old Corral de La Olivera in Valencia. In 2019, it promoted the ASODAT. Bases de datos integradas del teatro clásico español, a database federation that brings together groups from various universities to date. It has also obtained funding for educational innovation projects that have served to disseminate research within and outside the classroom by digital means. The result of this line was the electronic edition of the comedy La traición en la amistad by María de Zayas, the archive La práctica escénica en imágenes or the teaching tool El teatro clásico español: materiales docentes multimedia.

She is regularly required as an expert in the evaluation of research by different agencies nationally and internationally, and has been part of the National Commission for the Evaluation of Research Activity. He is a member of several scientific committees of journals and publishers of excellence. He has been a member of juries that have awarded prizes to literary creation and research. She was director of the Official Master's Degree in «Máster Oficial Estudios hispánicos: Aplicaciones e Investigación» (2007-2010), linked to the doctoral program, which obtained quality mention. She has been director of the Department of Spanish Philology (2010-2013 and 2016-2019) and since 2020 she is director of Publications of the Universitat de València. He has been a member of the Faculty Board (2012-2019) and of the Senate of the Universitat de València (2014-2017).

Professor of the Department of Spanish Philology, Universitat de València. Her research focuses on Latin American literature, Cultural Studies and Gender Studies.

   Marta Haro Cortés is Professor of Spanish Literature at the University of Valencia, attached to the Department of Spanish Philology.

   Medieval Spanish Literature is the central focus of my research and teaching career: the history and criticism of Medieval Literature in the field of Hispanic Literatures, the study and edition of texts, the analysis of their physical form (manuscripts, incunabula, printed editions, documents), as well as the history and evolution of the medieval mentality and its close relationship with the literary and cultural sphere both in the gestation of the works and in their reception. And, from this perspective, research interests also include the field of action of new technologies in the research and teaching of Spanish Literature.

   Principal researcher of the project Parnaseo (Spanish Literature Web Server), reference FFI2017-82588-P (AEI/FEDER, EU), granted by the Ministry of Economy, Industry and Competitiveness.

   Director of the journal Memorabilia: Boletín de Literatura Sapiencial [ISSN 1579-7341].

   Director and coordinator of the academic portal Aul@Medieval and Portal Celestinesco.

   Coordination of the Colección Biblioteca de Literatura Sapiencial of the Instituto de Literatura y Traducción del Centro Internacional de Investigación de la Lengua Española (Cilengua), San Millán de la Cogolla (La Rioja, Spain).

   Publications by Marta Haro Cortés

Dorota Kotwica is a lecturer at the University of Valencia. She is part of the Val.Es.Co. research group and participates in the ESPRINT research project.

Her main lines of research are pragmatics, discourse analysis, the categories of mitigation, intensification and evidentiality, and Spanish as a foreign language. 

PhD in Philology and Associate professor of Spanish Literature in the Department of Spanish Philology at the University of Valencia, where he is a member of the Research Group Escrituras Literarias: Patrimonio y Actualidad – ELITE-PAC (UV).

Previously, her teaching and research activity was developed in Verona, La Plata, São Paulo, Madrid, Venice and, above all, at the University of Bologna. According to the report of the Teaching Activity Evaluation Committee, the qualification obtained is Excellent at the advanced level (Docentia program, period 2018-2023). In the field of research, recognized with three “sexenios de investigación” (last in 2019), he has participated in several R+D+i projects in France, Italy and Spain. His work is developed in these lines of research: literary and cultural history of contemporary Spain; memory studies, Republican exile; Hispano-American cultural relations; publishing history; textual criticism and genetic criticism. He is the author, editor and coordinator of monographs, critical editions, collective volumes, book chapters, articles, reviews and profiles, as well as publications such as Escrituras de la memoria: la Guerra Civil española y sus consecuencias (2022, with L. C. Souto); Campo del Moro, by Max Aub (2020); "Se ha ocupado el km. 6..." (Contestación a Remarque), by C. Benítez de Castro (2017); Vicente Blasco Ibáñez: Bibliografía comentada / An annotated Bibliography (2003-2015) (2016, with C. Anderson and P. Smith); Las batallas del cómic. Perspectivas sobre la narrativa gráfica contemporánea (2016, with J. Martínez and L. C. Souto); ‘En el balcón vacío’. La segunda generación del exilio republicano en México (2012); El escritor en la sociedad de la comunicación (2011, with P. Fernández); El limpiabotas del Padre Eterno y otros cuentos ciertos: la mirada del narrador testigo (2011, with E. Nos); En el taller del escritor. Génesis textual y edición de textos (2010, with M. J. Olaziregi y A. Arcocha); Galería de personajes de ‘El laberinto mágico' (2010); Max Aub - Ignacio Soldevila. Epistolario: 1954-1972 (2007); Obras Completas de Max Aub (vols. III-A y IV-B, 2002 y 2006) y Vicente Blasco Ibáñez: 1898-1998. La vuelta al siglo de un novelista (2000, with J. Oleza).

He has participated in many national and international professional meetings in Europe and America. He has extensive experience in tutoring students (doctoral theses, dissertations, TFG, TFM, training practices), coordination of teaching staff and academic management, organisation of conferences and seminars, dissemination activities and social transfer of knowledge.

[ Automatic translation ]

José Martínez Rubio is a titular professor in the Department of Spanish Literature at the University of Valencia . Previously, he developed his teaching and research activity in the University Degli Studi Di Bologna (2013-2016) and the University Jaume I (2017-2020).

its field of specialization is the Spanish and Latin American novel between the twentieth and twenty-first centuries in the field of historical memory. It has dealt in particular the forms of representation of memory (non -fiction, dusfiction, self -fiction, hybrid genres and journalistic and political discourse) in the Spanish and Latin American novel, intergenerational debates on the traumatic past in the twentieth and twenty -first century, decolonization processes in Africa and its literary representation, queer literature in Spanish literature throughout the 20th century.

is the author of the books :

• Francoism against Álvaro Retana. Unpublished writings (Renaissance, 2024)
• while the war lasts. Miguel de Unamuno and historical memory as a human right (Tirant lo Blanch, 2021)
• las forms of truth. Investigation,DOCUFICTION AND MEMORY IN THE HISPANIC Novel (Anthropos, 2015)
• The future was this. Crisis and rematerialization of modernity (Orbis tertius, 2014)

in addition, has published more than thirty works in international magazines or collective books , as can be consulted below,

As a writer he published in 2019 his first novel White women (smuggled editions) .  In the field of journalism he has published articles on politics and culture in the newspaper El País , Levante Emv and Throughout these years and in the different universities in which he has developed his teaching and researcher work, he has played tasks of research i + d + i in the following research groups:

• mnlab-advance. Development of digital tools for the investigation of novels on war (UV-INV-AE-3672384). Research and Technology Promotion Program. Research Service of the University of Valencia. (2025.2026)
• emerging project.  subjectivities in crisis in contemporary Spanish literature (1914-1975) (CIGE/2023/74), financedfor the Department of Innovation, Universities, Science and Digital Society of the Generalitat Valenciana. (2024-2025)
• emerging project. Memory Lab. Digital Laboratory of novels on Spanish historical memory (GV/2021/183), funded by the Department of Innovation, Universities, Science and Digital Society of the Generalitat Valencian. (2021-2022)
• Prometheus Project. Max Aub and the confrontations of historical memory (Prometau/2016/133), funded by the Generalitat Valenciana. (2016-2019)
• project Emothe. European Theater of the 16th and 17th centuries: Heritage and database (FFI2016-80314), funded by the Ministry of Science and Innovation. (2016-2019)
• European project. Tempus-Idele. Innovation and Development in Spanish as a Second Language (530459-Tempus-1-2012-1-ES), financed by the European Commission. (2015-2016)
• project artelope. Database and arguments of the Theater of Lope de Vega (FFI 2009-12730 (2010-2012), FFI 2012-3434). (2013-2016)
• microcluster culture and society in the digital age of the VLC Campus. (2013-2016)
• Consolider project. Tc/12. Spanish classic theater heritage. Research texts and instruments (CSD2009-00033), funded by the Ministry of Science and Innovation. (2009-2014)

Clara Monzó Ribes (1990) holds a PhD in Advanced Hispanic Studies (2019) and a degree in Hispanic Philology (2008-2013) from the University of Valencia. Her main lines of research focus on the literature of the Golden Age, mainly from three perspectives: the theatre of the sixteenth and seventeenth centuries, the dramaturgy of Calderón de la Barca (staging and acotations) and the generic transversality between the golden classics (Cervantes, El Lazarillo) and modernity. She advocates a multidisciplinary approach that combines theoretical-critical analysis with the editing and exploration of stage language. Her doctoral thesis on stages directions on calderonian theater, directed by Evangelina Rodríguez Cuadros and carried out thanks to an FPU grant from the Ministry of Education, obtained the qualification of ‘Sobresaliente Cum Laude’ and international mention and was awarded the Extraordinary Doctorate Prize (2023). She also holds the Extraordinary Master's Prize in Advanced Hispanic Studies (2013-2014). She has taught at the Universitat de València and the Universidad Complutense de Madrid. Previously, she held a postdoctoral research contract at the University of Vienna, where she carried out her scientific activity as part of the international project ‘Sound and Meaning in Spanish Golden Age Literature’ (FWF Austrian Science Fund P32563-G), funded by the Austrian government.

Her publications include several critical editions of Lope de Vega for the Partes de comedias, coordinated by Prolope group and published by Gredos, as well as an annotated didactic edition of Calderón's El alcalde de Zalamea. To date, he has numerous publications, including book chapters and articles, which have appeared in indexed journals and publishers included in the SPI index. In addition, she occasionally writes articles on classics as a contributor to the journal Contexto (ctxt).

In terms of internationalisation, she has undertaken research stays, supported by two FPU grants for pre-doctoral mobility: the University of Virginia (2016) and the Università Ca'Foscari in Venice (2017). In recent years, she has participated in several international conferences, seminars and research meetings and has been a speaker on other occasions.

She is part of the CATCOM research team, led by Teresa Ferrer Valls, and of the teaching innovation project ‘Mujeres y escritoras no canónicas de la literatura española e hispanoamericana: Fuentes bibliográficas para su didáctica e investigación en formato digital’ (Women and non-canonical writers in Spanish and Latin American literature: Bibliographic sources for teaching and research in digital format), led by Isabel Díez Ménguez (UCM). In the past, she has taken part in different research projects, including the macro-project ‘TC/12’ (the only one in philology in the Consolider programme of the National R+D+i Plan), the transversal project ‘Observatorio de Espacios Escénicos’ of the Universitat Politècnica de Catalunya (which is part of the R+D+i Projects ‘Retos investigación’ of the Ministry of Science and Innovation) and the project based at the University of Vienna, mentioned above.

She is the author of the book of poems Llevar la casa (Isla Elefante, 2024).

Professor of Latin American Literature and Culture at the University of Valencia, in the Department of Spanish Philology. He was previously a professor for two years at the Université d'Antananarivo (Madagascar).

His main field of research has been the forms and representations of political violence in Latin America and Spain, as well as the construction of social and cultural memory in post-dictatorial societies. He has dedicated several studies to testimonial literature and to contemporary memory cultures. He has published the books La imposible voz. Memoria y representación de los campos de concentración en Chile (2005, Cuarto Propio) e Historia del testimonio chileno. De las estrategias de denuncia a las políticas de memoria (2008, Quaderns de Filologia). He has also studied the relationship between literature and the revolutionary imaginaries in Latin America in the sixties and seventies, from which different publications about the work of Julio Cortázar have emerged, focused on the crossroads between aesthetic autonomy and political revolution. He is currently investigating the relationship between culture and political imagination in Latin America and Spain, with special attention to the dystopian imagination and its relationship with contemporary critical cultures. He has coordinated the collective book Cultura e imaginación política (2018, Rilma2/ADELH).

He is the director of Kamchatka. Revista de análisis cultural, edited by the Department of Spanish Philology of the Universitat de València. In that journal he has published a special issue on "Avatares del testimonio en América Latina: tensiones, contradicciones, relecturas", a dossier on "Creación colectiva, sinautoría y cooperativismo en la cultura contemporánea" and a mongraphic issue "La vía cultural al socialismo. Políticas de la cultura en el Chile de la Unidad Popular", with Loreto López. He has also coordinated the volume "Ficciones inmunitarias. Relatos culturales del contagio y la amenaza" in Papeles del CEIC. International Journal On Collective Identity Research. 

MERCEDES QUILIS MERÍN is Professor of Spanish Language in the Department of Spanish Philology at the Universitat de València (Spain) where she has been teaching continuously since 1989. She graduated from the Universitat de València in Hispanic Philology in 1987 and obtained her PhD in Philology from the same university in 1997 with the thesis Perspectivas actuales para el estudio de la protohistoria del español. The problem of the initial F-: between orality and writing. She has five five-year teaching periods and three six-year research periods. She is a member of the research group HISLEDIA, Historia e historiografía de la lengua española en su diacronía (GIUV2013-080) of the Universitat de València and of the LINGUALITARIAS research and transfer group.

She has directed four doctoral theses in the Department of Spanish Philology: Estudio de aspectos gramaticales relacionados con la concordancia y su didáctica en la Educación Primaria, by Eduardo España, 2010, co-directed with M. Aleza; El lenguaje de la práctica teatral,  by Guillermo Abad Canós, 2016, co-directed with Antoni Tordera; El paisaje lingüístico chino-español en la ciudad de Valencia y su aplicación a la enseñanza de ELE a sinohablantes,  by Yujing Ma, 2019 and El cambio de la F etimológica en oralidad y escrituralidad desde las perspectivas de la lingüística románica, by Yohei Mishima, 2020, co-directed with Adela García Valle. She is currently supervising four doctoral theses.  
She has taken part as a researcher in several funded research projects on the history and historiography of the Spanish language in the Department of Spanish Philology, under the direction of M. Teresa Echenique and M. José Martínez Alcalde, from 1989 to the present day. She is currently a researcher on the project La lengua y su enseñanza en la prensa española: de la Ley Moyano al fin de la II República (1857-1939), M. José García Folgado as IP (Universitat de València). 

Her research has focused on the history of the Spanish language: she is the author of Orígenes históricos de la lengua española (1999), a review of the linguistic state of the Peninsula in the period not addressed by Menéndez Pidal, from which studies have been derived devoted to orality and writing in the period of origins, especially on the evolution of the Latin initial F in the early stages of Spanish (‘La F- inicial latina en los orígenes de la lengua española I y II,  Anuario de Filología Vasca Julio de Urquijo). She has worked in the field of the linguistic historiography of Spanish together with María José Martínez Alcalde (problems of periodisation of the language, the status of American Spanish in grammatical and historical treatises on Spanish, lexicographical projects in the 18th century, contrastive historiography of the peninsular linguistic varieties). Her main activity has been the historiographical treatment of the historical lexicography of Spanish, both monolingual and multilingual, with studies on Nebrija, Covarrubias, Terreros or Salvá among others, and in particular on the aspects of historical phraseology and orthography in dictionaries, as well as the linguistic ideology in these works. The main part of her research focuses on the general lexicography of the 19th century, both academic and non-academic, and in particular on the dictionaries of Ramón Joaquín Domínguez and Luisa Lacal de Bracho.

She has dealt with current issues on the norm and use of Spanish and is co-author with Antonio Hidalgo of Fonética y Fonología españolas (2002, 2004) and La voz del lenguaje (2012) and co-editor of El estudio de la prosodia en España en el siglo XIX: perspectivas y ámbitos (2011). As co-editor, together with Julia Sanmartín, she has prepared the volumes Historia e historiografía de la lexicografía del español  (2019) and Retos y avances en lexicografía: los diccionarios del español en el eje de la variación lingüística (2019). In relation to the current norms of Spanish, he has collaborated in the volume Normas y usos correctos en el español actual (2013). Together with M. Albelda and M. Josep Cuenca, she has written the University of Valencia's Guías de uso para un lenguaje igualitario (2012, spanish and valencian), and the recent Guías de igualdad en el lenguaje (2024, spanish and valencian). She has been part of the drafting team for the Cervantes Institute's Guide to non-sexist communication (2011) and other materials for the Valencian Administration and teaching with the LINGUALITARIAS group. She has given lectures and courses on non-sexist language in the academic and administrative fields. Among other publications in journals (RFE, BHH, BSEHL, ASJU, Beiträge zur Geschichteder Sprachwissenschaft, Neuphilologische Mitteilungen Gramma-Temas, Quaderns de Filologia, RAHL, Orillas, Revista de Occidente.... ), she has collaborated in various collective volumes:Lengua romance en textos latinos de la Edad Media (2003), Historia de la lexicografía (2007), El primitivo romance hispánico (2008), Fronteras de un diccionario: las palabras en movimiento (2009), La Lingüística como reto epistemológico y como acción social. (2009), Los diccionarios a través de la historia (2010), Lexicografía en el ámbito hispánico (2010), Modelos latinos en la Castilla Medieval (2010), Historia de la pronunciación de la lengua castellana (2013), Estudios de lingüística e ideología (2014), Métodos y resultados actuales en Historiografía de la Lingüística (2014), Fraseología española: diacronía y codificación (2016), La Historiografía Lingüística como paradigma de investigación (2016), Cómo se “hacen” las unidades fraseológicas: continuidad y renovación en la diacronía del espacio castellano (2018), Nebrija en Bolonia (2019), Creencias y actitudes ante la lengua en la España y América de los siglos XVIII y XIX (2020), El español y las lenguas peninsulares en su diacronía (2020), Noventa años de Orígenes del Español (2020), Lazos entre lingüística y ideología desde un enfoque historiográfico (2020), Investigaciones léxicas. Estados temas y rudimentos (2021), Antonio de Lebrixa, grammatico en su medio milenio (2022), The architecture of grammar (2021), Homo botanicus (2023), De Estepa a Salamanca: miradas en torno a la lengua (2023). 

She has carried out teaching and research stays at the Universities of Mainz (Germany, 1992), Ghent (Belgium 1996), Virginia (USA 1998), Paris 8-Saint Denis (France 2005), Strasbourg (France 2012), Bologna (Italy 2014) and Lausanne (Switzerland 2014) and has participated in more than seventy international and national conferences.  
She has been Vice-Dean in the area of Culture and Academic Organisation of the Faculty of Philology, Translation and Communication for two terms (2006-2009; 2009-2012) and Secretary of the Department of Spanish Philology (2001-2004). Currently (2023-) she is Vice-Director of the Doctoral School of the Unversitat de València. From 2016 to 2020 she was Coordinator of the Doctoral Programme in Advanced Hispanic Studies at the Universitat de València. She was Director of the journal Quaderns de Filologia of the Universitat de València between 2006 and 2012 and co-director from 2014 to 2021 of the Boletín de la Sociedad Española de Historiografía Lingüística (BSEHL). She is a member of several linguistic societies: SEL, AHLE, AELex (Asociación Española de Lexicografía), of whose board of directors she has been a member since 2024, and has been vice-president and extraordinary member of the SEHL (Sociedad Española de Historiografía Lingüística). 

Doctor in Hispanic Philology (November 1996) with a thesis that deals with The Valencian Focus at the dawn of the modern novel.  The research has continued to expand with works on the narrative work of Pablo de Olavide, Pedro Montengón, Antonio Eximeno, Vicente Martínez Colomer, Luis Gutiérrez, Francisco Brotons, Pascual Pérez Rodríguez, Juan Arolas and Vicente Boix. The reflection on contemporary Spanish literature has materialized in studies on Melchor Gaspar de Jovellanos, Leandro Fernández de Moratín, Joaquín Lorenzo Villanueva, José Cadalso, José Marchena, Mariano José Larra, Gertrudis Gómez de Avellaneda, Leopoldo Alas, Pío Baroja, Luis Landero and Jorge Semprun. Other regular spaces for analysis have been that of Valencian writers, booksellers and editors: Brusola, José de Orga, Mariano Cabrerizo, Venancio Oliveres, Domingo y Mompié, Manuel Fuster y Membrado, Pedro Sabater. He has published in accredited international magazines (Olivar, Dieciocho, ehumanista) and national magazines (Cuadernos de Estudios del Siglo XVIII, Cuadernos de Illustration y Romanticismo, diablotexto, Quaderns de Filologia, Stichomythia).

Participation in different funded research projects has materialized in different articles on the first peninsular theater, the theatrical figure of the rustic pastoral, the theater of the 18th century (Nicolás and Leandro Fernández de Moratín, Olavide and Manuel Lassala) and the theater of the Triennium Liberal.

The latest publications are dedicated to examining the concerns of the 18th century Spanish literati on the bench of the Inquisition: Olavide, Father Isla, Samaniego, Moratín. In addition to reviewing the classic interpretations of Miguel de la Pinta Llorente, the ideological similarity of the Inquisition and Franco's censorship has also been highlighted, represented by the Augustinian Miguel de la Pinta, whose vicissitudes in the civil war marked the guidelines of the reactionary ideological model.

Santiago Vicente Llavata is Associate Professor at the Department of Spanish Philology at the University of Valencia. He holds two sexenios recognized by the CNEAI-ANECA agency and he has received a positive evaluation with an “Excellent” rating (200/200) for the quinquenal teaching period 2015-2020, in accordance with the parameters of the DOCENTIA UV program. He is Principal Investigator, together with Francisco P. Pla Colomer, of the Research Project Variación y codificación fraseológica en la historia del español (siglos XIII-XVIII) [CODIFRAS], with reference PID2023-152770NB-I00, funded by the Ministerio de Ciencia, Innovación y Universidades. He has co-advised the doctoral dissertation "La comunicación emocional en español y en chino: estudio diacrónico contrastivo de la fraseología generada en torno al amor"), written bt the student Junlan Huang, and read at November, 25, 2024. He is currently co-advising four doctoral dissertations, one of them with funding through a predoctoral contract. He has obtained the second award in the "Premios Educa Abanca al Mejor Docente 2024", statewide, in the University category.

He holds a degree in Hispanic Philology and Catalan Philology from the Universitat de València, and a PhD in Hispanic Philology (2010) from the same University with the thesis Estudio histórico de la fraseología en la obra literaria de don Íñigo López de Mendoza, directed by Dr. M.ª Teresa Echenique Elizondo. He was awarded in three consecutive internships (2004, 2005 and 2006) a lexicography, terminology and toponomastics scholarship at the Acadèmia Valenciana de la Llengua. Apart from this philological training, he has specialized in the field of language and literature teaching with the completion of a Master's Degree in Language and Literature Didactics Research at the University of Barcelona.

Prior to his current professional activity, he entered by competitive examination in 2007 (career civil servant [BOE 10.11.2008]) to the Corps of Teachers of Secondary Education and Baccalaureate in the specialty of Spanish Language and Literature, and deployed his teaching activity in different schools in Mallorca and Valencia. Simultaneously to his work in secondary education, he worked as an part-time professor in the Department of Spanish, Modern and Latin Philology at the Universitat de les Illes Balears (2010-2011), as well as in the departments of Spanish Philology (2011-2012, 2012-2013, 2016-2017 and 2017-2018) and Didactics of Language and Literature (2014-2015 and 2015-2016) at the Universitat de València. From the 2019-2020 academic year, he is involved in a teaching innovation group of interdisciplinary nature Expanding diversities through GRUPal, developed at the Universitat de València. During 2023-2024 academic year, he has coordinated the teaching innovation project Active methodologies for an immersive learning of the history of the Spanish language, with results in the form of dramatized sequences of medieval and classical textual heritage: Dramatis Personae [Historia de la lengua española & Patrimonio textual]. He currently coordinates the teaching innovation project History and historiography of the Spanish language in its didactic innovation (HISLEDIDAC).

He is part of the research group HISLEDIA (Historia e historiografía de la lengua española en su diacronía [GIUV2013-080]), directed since its foundation by Dr. M.ª Teresa Echenique Elizondo and, currently, directed by Dr. María José Martínez Alcalde, in whose framework he has participated in different competitive research projects (see, below, the section referring to projects). One of the most relevant scientific results of the HISLEDIA group is the elaboration of the lexicographic work DHISFRAES. Diccionario histórico-fraseológico del español. Tarea lexicográfica del siglo XXI. Combinaciones de carácter locucional prepositivo y adverbial. MUESTRA ARQUETÍPICA (Peter Lang, 2021). In the framework of this scientific group, he also participated in a multitude of congresses and academic forums at national and international level (Spain, Germany, France, Israel, Peru, Italy, Portugal, Austria, Switzerland, etc.), both by means of oral communications and invited conferences. He has also been a member of the Organizing Committee of different scientific initiatives. He has completed teaching and research stays at the Hogeschool Van Utrecht (Holland, 2001), at the Università degli Studi di Modena e Reggio Emilia (Italy, 2019) at the Alma Mater Studiorum - Università di Bologna (Italy, 2019), at the Universität Leipzig (Germany, 2023) and at the Instituto Politécnico do Porto (Portugal, 2024). He has recently collaborated with different University Research Institutes such as the IULCE-UAM (Instituto Universitario “La Corte en Europa” - Universidad Autónoma de Madrid), the INULAB (Instituto Universitario de Lingüística Andrés Bello - Universidad de La Laguna), the IALT (Institute of Applied Linguistics and Translatology - University of Leipzig) or the ISIC-IVITRA (Institut Superior d'Investigació Cooperativa IVITRA - Universitat d'Alacant / Universidad de Alicante), as well as with other scientific organizations such as the Institución Fernando el Católico (Excma. Diputación de Zaragoza) or CILENGUA (Centro Internacional de Investigación de la Lengua Española - Fundación San Millán de la Cogolla - Gobierno de La Rioja).

He is the sole author of the monograph Estudio de las locuciones en la obra literaria de don Íñigo López de Mendoza (marqués de Santillana). Hacia una fraseología histórica del español (Universitat de València, 2011), and co-author, together with Francisco P. Pla Colomer, of the book La materia de Troya en la Edad Media hispánica. Historia textual y codificación fraseológica (Iberoamericana/Vervuert, 2020). In addition, he participated as a writer in the preparation of the Diccionari de sinònims, antònims i idees afins (Edicions Bromera, 2007). His scientific production is completed with the publication of articles and reviews in different high impact journals (Paremia, Dicenda. Estudios de lengua y literatura españolas, Revista de Filología Románica, Revista de Literatura Medieval, Vox Romanica, Nueva Revista de Filología Hispánica, Zeitschrift für Romanische Philologie, Verba: Anuario galego de Filoloxía, Romanische Forschungen, Círculo de Lingüística Aplicada a la Comunicación, Anuario de Estudios Filológicos, Revista de Filología de la Universidad de La Laguna or Edad de Oro), as well as book chapters in publishers of excellence (Cilengua, CSIC, Tirant Lo Blanch, Peter Lang, Reichenberger, etc. ). He also maintains a regular activity as an external evaluator in different scientific journals from Spain, Italy, United States, Chile, Mexico, Costa Rica and Poland.

His main lines of research are:

• The history of the Spanish language in contact with other peninsular languages and linguistic modalities (with a special incidence in the domains of Occitan, Catalan and Aragonese).
• Historical phraseology and phraseography.
• Historical paremiology and paremiography.
• Historical lexicology and lexicography.
• The integral philological study of the work of Don Íñigo López de Mendoza (Marquis of Santillana) within the broad framework of medieval Hispanic literature.

In terms of academic management, he has been coordinator of the Spanish Language Teaching Unit, as well as coordinator of the first year of the Degree in Hispanic Studies: Spanish Language and its Literatures for three consecutive academic years (2019-2020, 2020-2021 and 2021-2022). He has been a specialist of the subject of Spanish: Language and Literature II for the EVAU exams during the academic year 2022-2023, and currently is responsible for the subject of Spanish for the University entrance exams for those over 25, 40 and 45 years old.