Animals in Literary and Visual Cultures - CULIVIAN

Reference of the Group:

GIUV2020-486

 
Description of research activity:
The group is structured around the research and study of the non-human animal in European and North American literature, as well as in different visual media (cinema, theatre, television, photography, painting, sculpture, etc.), with the aim of advancing in the field of (Critical) Animal Studies which, especially in the Anglo-Saxon sphere, have re-oriented both the philosophical conceptualisation of the animal and the interpretative mechanisms suggested by its aesthetic representation as otherness. Taking as a starting point the most recent philosophical and scientific theories related to animal subjectivity (from studies of consciousness and sentience to the ethical consequences that derive in legislation and/or regulations on animal welfare, or the also derived principles of animal rights and animal liberation), the aim is to study and compare how the works of certain authors, artists and other types of creators can offer an aesthetic treatment that questions anthropocentric parameters, while responding to current concerns about animal nature. This largely revisionist treatment allows us to further explore the semiotics that intertwine the literary and visual cultures of...The group is structured around the research and study of the non-human animal in European and North American literature, as well as in different visual media (cinema, theatre, television, photography, painting, sculpture, etc.), with the aim of advancing in the field of (Critical) Animal Studies which, especially in the Anglo-Saxon sphere, have re-oriented both the philosophical conceptualisation of the animal and the interpretative mechanisms suggested by its aesthetic representation as otherness. Taking as a starting point the most recent philosophical and scientific theories related to animal subjectivity (from studies of consciousness and sentience to the ethical consequences that derive in legislation and/or regulations on animal welfare, or the also derived principles of animal rights and animal liberation), the aim is to study and compare how the works of certain authors, artists and other types of creators can offer an aesthetic treatment that questions anthropocentric parameters, while responding to current concerns about animal nature. This largely revisionist treatment allows us to further explore the semiotics that intertwine the literary and visual cultures of different nations with the ethical conceptualisation of the animal as a subject-of-a-life that, beyond the more traditional and historically rooted allegorical systems to which it has been subjected, questions the conceptual and artistic boundaries between species, within the framework of the "animal turn" in the age of the anthropocene.
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Web:
 
Scientific-technical goals:
  • Estudiar la representacion animal en la literatura y en las artes y medios visuales y audiovisuales occidentales.
  • Incorporar las mas recientes teorias sobre etica y conciencia animal en la interpretacion de obras literarias y artisticas.
  • Comparar el tratamiento del animal y de la animalidad en las culturas literarias y visuales de distintos paises dentro del contexto del antropoceno.
  • Revisar y ofrecer interpretaciones alternativas de la representacion del animal en obras a lo largo de la historia.
 
Research lines:
  • Animal representation in literature .Study, analysis and reflection on the representation of the animal in contemporary Western literature (narrative, poetry, theatre).
  • Animal representation in audiovisual media .Study, analysis and reflection on the representation of animals in the visual and audiovisual media (cinema, television, advertising, etc.).
  • Animal representation in the plastic arts .Study, analysis and reflection on the representation of the animal in contemporary Western visual arts (painting, sculpture, drawing, architecture, photography, etc.).
  • Animal ethics and animal representation.Study and analysis of the ethical implications intrinsic to or derived from the representation of the animal in Western literary and (audio)visual cultures.
 
Group members:
Name Nature of participation Entity Description
CLAUDIA ALONSO RECARTEDirectorUniversitat de València
Research team
LAURA MIÑANO MAÑEROMemberUniversitat de València
ESTHER IGUAL LAFUENTEMemberUniversitat de València
IGNACIO RAMOS GAYCollaboratorUniversitat de València
LUIS VIVES-FERRANDIZ SANCHEZCollaboratorUniversitat de València
LYDIA MARIA TIENDA PALOPCollaboratorUniversidad Complutense de Madridfull-time trainee professor (doctor)
VICENT CUCARELLA RAMONCollaboratorUniversitat de València
AGUSTIN REYES TORRESCollaboratorUniversitat de València
MARIA TERESA LAJOINIE DOMINGUEZCollaboratorUniversitat de València
ESTEL AGUILAR MIROCollaboratorUniversidad de Zaragozafull-time trainee professor (doctor)
MARGARITA CARRETERO GONZALEZCollaboratorUniversidad de Granadatenured university professor
SOFIA DUARTECollaboratorUniversitat de València - Estudi GeneralUVEG PhD student
SARA MARTINEZ GUILLENCollaboratorUniversitat de València - Estudi GeneralUVEG PhD student
NURIA MAXIMO BOCANEGRACollaboratorUniversidad Rey Juan Carlostenured university professor
BRETT MILLSCollaboratorEdge Hill University (Reino Unido)visiting researcher
Olimpia Mailat GurghianCollaboratorUniversitat de València - Estudi GeneralUVEG PhD student
Beatriz Cimadevilla AlonsoCollaboratorUniversidad de Oviedoadjunct professor
Paula Antuñano LlanaCollaboratorUniversitat de València - Estudi GeneralUVEG PhD student
BETLEM PALLARDO AZORINCollaboratorUniversitat de València
PATRYCJA CHUSZCZCCollaboratorUniversity of LodzPhD student from other entities
LINWEI YANCollaboratorUniversitat de València - Estudi GeneralUVEG PhD student
LORENA LAPREBENDECollaboratorUniversidad Siglo 21researcher
MICHAL MATUSZEWSKICollaboratorUniversidad de Varsoviaresearcher
 
CNAE:
  • -
 
Associated structure:
  • English and German
 
Keywords:
  • animal; animalidad; literatura; Europa; Estados Unidos
  • animal; animalidad; cine; televisión; publicidad; Europa; Estados Unidos
  • animal; animalidad; artes plásticas; Europa; Estados Unidos
  • animal; animalidad; ética; filosofía; literatura; artes plásticas; medios de comunicación; Europa; Estados Unidos