Photo | Name and surname | Address | + info | Biography |
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BURGOS RAMIREZ, ENRIC ANTONI |
Biography | |||
Enric Burgos holds bachelor’s degrees in Philosophy (1998) and in Audiovisual Communication (2002) from the Universitat de València and a PhD in Communication Science from the Universitat Jaume I (2017). His doctoral thesis investigates modern scepticism through the study of Lars von Trier’s The Idiots (1998) and the creative project in which the film is framed. He was an Associate Professor in the Department of Audiovisual Communication, Documentation and History of Art at the Universitat Politècnica de València (2007-2020). He is an Associate Professor in the Department of Philosophy and Sociology (UJI) since 2010 and in the Department of Language Theories and Communication Sciences (UV) since 2020. His research interests include subversive cinema and TV series, the reciprocal exploration of moving image and philosophy and the thought of Stanley Cavell. Among his latest publications are: Papers: Burgos, Enric (2021). La reivindicación de la corporeidad como transgresión en Los idiotas. Área Abierta, 21(1), 77-92. Burgos, Enric (2021). We Will Not Recover from Scepticism unless We Aim to the Existential: Emotional Engagement and Popular Music in The Leftovers. Cinema: Journal of Philosophy and the Moving Image, 13, 41-60. Burgos, Enric (2020). Stanley Cavell y el círculo escéptico del medio cinematográfico. Revista De Filosofía, 37(95), 123-138. Burgos, Enric (2018). Pi, fe en el caos o cómo suenan las fisuras del orden. Cuadernos de Etnomusicología, 11, 189-202. Burgos, Enric (2018). Hacia otras geografías fílmicas. De lo audiovisual como fuente y como recurso didáctico. Giramundo. Revista de Geografia do Colégio Pedro II, 3 (6), 19-29. Burgos, Enric (2015). Rescuing the Last Grains of Truth: On Metacinematic Elements in The Idiots. L’Atalante. Revista de estudios cinematográficos, 20, 101-108.
Books: Burgos, Enric (2021). Guía para ver y analizar Los idiotas. Nau Llibres.
Chapters: Burgos, Enric (2021). Una videodansa es defineix pel seu èmfasi en el cos: Dogma Dance i la seua defensa de la hibridesa de la videodansa. In B. Payri (ed.), Videodance Studies. Analysis and Evolution of Videodance (pp. 59-74). Editorial Universitat Politècnica de València. Burgos, Enric (2016). Sombras y luces de la interculturalidad en el cine. Sobre la dificultad de afrontar el diálogo intercultural entre modelos cinematográficos. In S. París & I. Comins (eds.), La interculturalidad en diálogo: estudios filosóficos (pp. 207-216). Thémata Editorial. Burgos, Enric (2015). Explorando otra manera cinematográfica de abordar el perfeccionismo moral de Stanley Cavell. In C. Ortega, A. Richart, V. Páramo & C. Ruiz (eds.), El mejoramiento humano: avances, investigaciones y reflexiones éticas y políticas (pp. 362-370). Comares. Burgos, Enric (2015). En torno a la aportación filosófica de un cine no domesticado. In REF, Los retos de la filosofía en el siglo XXI, Vol. 3 (pp. 37-48). Publicacions de la Universitat de València (PUV). Burgos Enric (2014). De la ciencia al arte. Fotografía, cinematógrafo e historia. In B. De las Heras (ed.), El fotógrafo como testigo de la historia. Su retrato en la pantalla (pp.37-67). Ocho y medio. |
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CABRERA GARCIA-OCHOA, YOLANDA Coordinador/a Curs |
Biography | |||
Doctor and Licentiate in Audio-visual Communication for the University of Valencia. It has developed his professional activity in television, radio and agencies of advertising for different companies. And it has developed his labor life in the areas of production and accomplishment. It possesses wide educational experience and of management in the university area. In his scientific activity stands out the participation in 5 projects of Investigation of the Department of Economy, Industry and Competitiveness, 1 European Project and 5 internal projects of different universities. His scientific production and lines of investigation approached centre on questions of kind, stereotypes, advertising, cientific communication and education innovation. At present it is educational in the Universitat of Valencia in the University master in Contents and Audio-visual Formats and in the Degree of Audio-visual Communication and is the coordinator of external practice in enterprise. In addition he reconciles this educational activity with the development of audio-visual projects and organization of events. |
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CENTENO MARTIN, MARCOS PABLO |
Lecturer in Audiovisual Communication and Japanese Studies. Faculty of Philology, Translation and Communication. Office 37, Av Blasco Ibáñez, 32, 5th Floor 46010 València |
Biography | ||
Introduction Marcos Centeno is a Japanese Studies and Visual Culture scholar. His main research interests revolve around documentary film, image studies, transculturality, memory and the representation of minorities, particularly the Ainu people, for which he uses contributions from visual anthropology and ethnograpic studies. Once he arrived at the University of Valencia, he was involved in creating the first certificate of Japanese Studies. Dr. Centeno is also honorary research fellow at Birkbeck, University of London, where he was the Japanese Studies Programme director, and established a single honours BA Japanese Studies with a great emphasis on diveristy and minorities, which became one of the most popular of this kind in the UK in terms of student numbers. At Birbeck, he is director of the research seminar Memorial Sites. Acts of Remember through Media and Visual Culture too. Centeno is also Council on East Asian Studies grant holder at Yale University (2022/23) and Research Associate for the JRC (Japan Research Centre) at SOAS (School of Oriental and African Studies), University of London, where had been lecturer for the Department of Japan and Korea and coordinated the MA Global Cinemas and the Transcultural. He has experience leading projects that have been funded by British,Japanese and Spanish institutinos such as Sasakawa Foundation, the Japan Foundation, Daiwa foundation, the Japanese Ministry of Education and the Spanish Ministry of Universities. Centeno is an active member of the research group GREGAL: Cultural Circulation Japan-Korea-Catalonia since its inception for which he has studied the transnacional circulation of Japanese culture. His research on the representation of Ainu people in early ethnographic documentaries received a prize from the extinct Kokoro Journal for the dissemanation of Japanes Culture in Spain and during his PhD studies as a Research Associate at Waseda University, Tokyo, Centeno studied Ainu language and culture, and shot his full-length documentary, Ainu. Pathways to Memory, which received several prizes from international film festivals and other institutions. Among his professional activities, Centeno is currently a board member for the AEJE (Asociacion de Estudios Japoneses en España), and external examiner for the Japanese Studies degree programmes at Oxford Brookes University (2021-2025), editorial board member for Mirai. Revista Estudios Japoneses, has been jury member for ICAS/SEPHIS prize for the best books on Asian Studies written in Spanish and Portuguese, Ivan Morris Memorial Prize on Japanese Studies (awarded by the British Association for Japanese Studies), DAAD. German Academic Exchange Service (research fellowwhip applications) and was convenor for EAJS (the European Association for Japanese Studies) Visual Arts section (2019-2023). Also, Centeno has served as a guest lecturer at the Centre for Japanese Studies at Nanzan University, Nagoya, fellow for the Summer Institute for East Asian Studies at Pittsburgh University, guest lecturer for the Summer Programme of Ochanomizu University, and has delivered 51 presentations by invitation at events mainly in the UK and Japan, but also in Europe, Latin America and the US. He held grants and fellowships to carried out his undergraduate and postgraduate studies between Spain (graduated from Universitat de València in 2006 with the School´s Extraordinary Award) and Japan (on a Waseda University scholarship), with periods in France (Université Sorbonne Nouvelle Paris 3) and Germany (Goethe Universität Frankfurt). Teaching -Film Direction and Production. BA Audiovisual Communication and BE Multimedia Engineering -Japanese Cinema. Certificate in Japanese Studies -Japanese culture and diversity. Certificate in Japanese Studies -Japanese contemporary society. Certificate in Japanese Studies Supervision Marcos Centeno welcomes students interested in research in the fields related to Japanese/Asian Cinemas, ethnographic visual culture, documentary films, transculturality, diversity, representation of minorities and memory. Selected Publications Centeno, M. and Raine, Michael, eds. (2021) "Developments in the Japanese Documentary Mode", Arts, 9 (3). Centeno, M. and Morita, Nori eds (2020). Japan beyond its Borders: Transnational Approaches to Film and Media, Tokyo: Seibunsha Centeno, M. and Morita, Nori, eds. (2020), "Japanese Transnational Cinema", Arts 7(4). Centeno, M., González, I. and Armendáriz, A. (eds) (2024), The Japanese Documentary Cinema of Haneda Sumiko. Art, Gender, Society, and Culture. London, New York: Routledge (forthcoming). Centeno, M. and Torres, L. eds, (2023). ReFocus: The Films of Teshigahara Hiroshi. ReFocus: The International Directors Series. Edinburgh: Edinburgh University Press (forthcoming) Sánchez-Biosca. V. and Centeno, M., eds (2023) Memorialising the Ground Zero. Narrating Sites of Mass Crimes and Genocide through the Camera Lens. Museums and Narratives series. Berlin: De Gruyter (forthcoming) Centeno, M. (2022). “The Ainu in Documentary Films: Promiscuous Iconography and the Absent Image”. In David Desser (ed.) Companion to Japanese Cinema. Malden, Mass.: Blackwell, 2022, pp. 271- 293. Centeno, M. (2021). "1968 And Rural Japan as A Site of Struggle. Approaches to rural landscapes in the history of Japanese documentary film”, The Sixties. A Journal of History, Politics and Culture, 28 Nov 2021, vol. 14, issue2, pp. 151-168. Centeno, M. (2019). “Postwar Narratives through Avant-garde Documentary: Tokyo 1958 and Furyō Shōnen” in Lozano, Artur; Martínez, Dolores and Guarné, Blai (eds.), Persistently Postwar. Media and the Politics of Memory in Japan. New York; Oxford: Berghahn Books, 2019, pp. 41-62. Centeno, M. (2018). "Deceiving ‘Primitivism’. Ainu people in 1910s Travelogues”, Annals of Dimitrie Cantemir Christian University, vol. 18, no1, June 2018. Centeno, M. (2018).”The Limits of Fiction in the Japanese Avant-Garde Documentary. The Case of Hōryūji”, Kokoro, no. 27, 2018, pp. 11-19 (Kokoro Journal Prize for the Dissemination of Japanese Culture 2018, awarded by a panel of professors from Japan, Europe and Latin America) Centeno, M. (2018). 'The Limits of Fiction: Politics and Absent Scenes in Susumu Hani’s Bad Boys (Furyōshōnen, 1960)'. Journal of Japanese and Korean Cinema, vol.10, 2018, pp 1-15. Centeno, M. (2018). “Contextualising N. G. Munro’s filming of the Ainu Bear Ceremony”, Japan Society Proceedings, no 154, 2018, pp. 90-106. Centeno, M. (2017). “Gazes outside the Representation. Early Film Portrayals of the Ainu People", Orientalia Parthenopea, issue 17, 2017, pp. 189-210. Centeno, M. (2017). “The Fight for the Self-Representation: Ainu Imaginary, Ethnicity and Assimilation”, Aphaville. Journal of Film and Screen Media, issue 13, 2017, pp. 69-89. No overlap. Centeno, M. (2015). “Forms of otherness: Representation of Ainu people in Benjamin Brodsky’s travelogues (1918-1919)”, Kokoro, Revista para la difusión de la cultura japonesa, nº 17, 2015, pp.14-22 (Kokoro Journal Prize for the Dissemination of Japanese Culture 2015 by a panel of professors from Japan, Spain and Latin America). Centeno, M. (2015). Ainu. Pathways to Memory (2014, 82min). Documentary on the history of cultural assimilation of the Ainu people. Prizes: Best Full-length Documentary by National Museum of Anthropology and CSIC (The Spanish National Research Council, 2015); Best Film category of “Human Rights”, FICVI México 2014; Best Film category “Interculturality”, Cine Invisible Bilbao, Spain 2014; Best Foregin Director, Zlatna Ethnographic Film Festival, Romania, 2014; Audience Award Clam Festival, Barcelona, 2014; Special Mention Intimate Lens Film Documentary, Italy 2014.Selected in fifty international film festivals. Centeno, M. (2011). “Discovering Minorities in Japan: First Korean Representations in Japanese Cinema” in ACCS. The Asian Conference on Cultural Studies. Osaka, IAFOR, 2011, pp. 125-13 |
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CIVERA JORGE, MIRIAM |
963864264 |
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COLAIZZI, GIULIANA |
Facultad de Filología, Traducción y Comunicación Avda. Blasco Ibáñez, 32 Valencia 46010 (9638) 64285 |
Biography | ||
[Biography, english version] |
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FUENTE SOLER, MANUEL DE LA Cap de Seccio-Servei Cap d'Iniciatives d'Activa Musica |
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DIAZ MARTI, JOSE CARLOS |
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EL KETITI YAHMEDI, AOUATEF |
(9638) 64451 |
Biography | ||
Awatef Ketiti Yahmedi is PhD in audiovisual communication with a specialisation in gender from the Universitat de València. Graduate in Journalism and Communication Sciences from the Université de Tunis, postgraduate in the Women and Development programme at the Institute of Women's Studies of the University of Valencia. She is currently a lecturer in audiovisual communication at the University of Valencia. She has been a guest lecturer in six editions of the Mediterranean Chair of the Patronat Sud/nord at the University of Valencia since 2000, a collaborating lecturer at the University of Alicante from 2005 to 2008 and has carried out several research and teaching stays at the International Development Research Center in Canada (2001), the Institut of Global Studies in Geneva, Switzerland (2004), the University of Valdivia, Chile (2015), the Pontificia Universidad Católica de Perú, PUCP (2016) and the Institut de Presse et des Sciences de l'Information de Tunis (2021). Her research interests focus on communication and gender studies, representation, interculturality and cinema. She was awarded the 2013 Manuel Castillo Research Prize by the General Foundation of the University of Valencia. She has been principal investigator of the project "Social movements and civil society in North Africa after the revolutions" (2013). Funded by the Spanish Agency for International Cooperation and Development (AECID). She has participated as a researcher in three European projects "Cultural Narratives of Crisis and Renewal", European Project (H2020-MSCA-RISE-2014). Marie Skłodowska-Curie Actions; "Archives in Transition: Collective Memories and Subaltern Uses Acronym: rans.Arch (Code: 8772299, Horizon 2020 / MSCA-RISE). "Trans-making. Art, Culture, Economy to democratize society (C.1/2017-12/2020 Horizon 2020 / MSCA-RISE)". She has been a member of the research team of the national research projects: 'Interculturality, Biopolitics and Gender Technologies' (2017-2019), directed by Dr. Giulia Colaizzi and "Terrorism and fictional cinema: from a historical perspective to global issues" (2012-2013), directed by Manuel de la Fuente. Some publications (2020) Colonialidad de la mirada y crísis del orden visual en el Islam, Filosofi(e)Semiotiche, Vol. 7, N. 2, 2020 ISSN 2531-9434; (2019) "Tiranía de la imagen y crisis del sujeto en la sociedad del espectáculo" en De la Fuente, M. (ed.) Cine, imagen y representación en Guy Debord. Valencia: Tirant Lo Blanch; (2018) "Feminismo, identidad y religión en el Mundo Árabe", Clepsydra. Revista Internacional de Estudios de Género y Teoría Feminista, Vol 17, pp 65-82; (2016) "Body, Gender, and Power in the Arab World". Al-Raida Journal,VOl. 139-150 pp. 8-19; (2015) Cuerpos sin rostros, mujeres árabes en la economía de la guerra global, En Quesada, F. (Ed.), Guerra, imaginario y género: cuerpos, territorio y conexiones (pp.36-55). Madrid: Biblioteca Nueva; (2015) "Género y revolución en el Mundo Árabe". Revista: El nuevo pensamiento (Original en árabe). Vol. 4 pp. 11-24. ISSN: 2382-2783. Ed: Abwab Editions. Túnez; KETITI, A. (2014) Ironie et subversion dans le dessin humoristique numérique post-révolutionnaire en Tunisie, En Communication électronique, cultures et identités, (pp. 447-454) France : Klog. ISBN : 979-10-92272-02-4. Awatef Ketiti Yahmedi is PhD in audiovisual communication with a specialisation in gender from the Universitat de València. Graduate in Journalism and Communication Sciences from the Université de Tunis, postgraduate in the Women and Development programme at the Institute of Women's Studies of the University of Valencia. She is currently a lecturer in audiovisual communication at the University of Valencia. She has been a guest lecturer in six editions of the Mediterranean Chair of the Patronat Sud/nord at the University of Valencia since 2000, a collaborating lecturer at the University of Alicante from 2005 to 2008 and has carried out several research and teaching stays at the International Development Research Center in Canada (2001), the Institut of Global Studies in Geneva, Switzerland (2004), the University of Valdivia, Chile (2015), the Pontificia Universidad Católica de Perú, PUCP (2016) and the Institut de Presse et des Sciences de l'Information de Tunis (2021). Her research interests focus on communication and gender studies, representation, interculturality and cinema. She was awarded the 2013 Manuel Castillo Research Prize by the General Foundation of the University of Valencia. She has been principal investigator of the project "Social movements and civil society in North Africa after the revolutions" (2013). Funded by the Spanish Agency for International Cooperation and Development (AECID). She has participated as a researcher in three European projects "Cultural Narratives of Crisis and Renewal", European Project (H2020-MSCA-RISE-2014). Marie Skłodowska-Curie Actions; "Archives in Transition: Collective Memories and Subaltern Uses Acronym: rans.Arch (Code: 8772299, Horizon 2020 / MSCA-RISE). "Trans-making. Art, Culture, Economy to democratize society (C.1/2017-12/2020 Horizon 2020 / MSCA-RISE)". She has been a member of the research team of the national research projects: 'Interculturality, Biopolitics and Gender Technologies' (2017-2019), directed by Dr. Giulia Colaizzi and "Terrorism and fictional cinema: from a historical perspective to global issues" (2012-2013), directed by Manuel de la Fuente. Some publications (2020) Colonialidad de la mirada y crísis del orden visual en el Islam, Filosofi(e)Semiotiche, Vol. 7, N. 2, 2020 ISSN 2531-9434; (2019) "Tiranía de la imagen y crisis del sujeto en la sociedad del espectáculo" en De la Fuente, M. (ed.) Cine, imagen y representación en Guy Debord. Valencia: Tirant Lo Blanch; (2018) "Feminismo, identidad y religión en el Mundo Árabe", Clepsydra. Revista Internacional de Estudios de Género y Teoría Feminista, Vol 17, pp 65-82; (2016) "Body, Gender, and Power in the Arab World". Al-Raida Journal,VOl. 139-150 pp. 8-19; (2015) Cuerpos sin rostros, mujeres árabes en la economía de la guerra global, En Quesada, F. (Ed.), Guerra, imaginario y género: cuerpos, territorio y conexiones (pp.36-55). Madrid: Biblioteca Nueva; (2015) "Género y revolución en el Mundo Árabe". Revista: El nuevo pensamiento (Original en árabe). Vol. 4 pp. 11-24. ISSN: 2382-2783. Ed: Abwab Editions. Túnez; KETITI, A. (2014) Ironie et subversion dans le dessin humoristique numérique post-révolutionnaire en Tunisie, En Communication électronique, cultures et identités, (pp. 447-454) France : Klog. ISBN : 979-10-92272-02-4. |
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FENOLL TOME, FRANCISCO VICENTE |
Universidad de Valencia. Dpto. de Teoría de los Lenguajes y Ciencias de la Comunicación Facultad de Filología, Traducción y Comunicación Av. Blasco Ibáñez 32, planta 5ª. 46010 Valencia (9639) 83029 |
Biography | ||
Vicente Fenoll holds a PhD in Communication (2015) from the University of Valencia, where he has served as Associate Professor at the Department of Language Theory and Communication Science since 2014. He has broad professional experience in broadcast television news and in election campaigns. He is member of the research groups Mediaflows (www.mediaflows.es) and CamforS (https://digidemo.ifkw.lmu.de/camfors). His research interests are populism, social media, and political communication. In doing so, he has been visiting researcher at various American and European universities. He has authored numerous book chapters and articles in various scientific journals and is co-editor of Campaigning on Facebook: Political Parties’ Digital Communication Strategies in Europe (2021, Palgrave Macmillan). |
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FRANCES DOMENECH, MIQUEL Director/a Taller Audiovisuals |
Biography | |||
Professor of Audiovisual Communication at the University of Valencia, director of the Official Master's Degree in Audiovisual Content and Formats, and head of the UVEG Audiovisual Workshop. He is currently also President of the working group on Audiovisual and Multimedia Communication of CRUE Communication (Council of Rectors of Spanish Universities) and member of the Board of Directors of the Association of Ibero-American Educational Televisions and Secretary General (ATEI). As head of the research group “Audiovisual Content and Formats” (CONTD) he has participated in projects such as: The communication of science on television. Narrative strategies of the scientific documentary in Europe and Online video as a tool to communicate science with the collaboration of the Universities of Navarra, Pompeu Fabra, University of Porto, University of Carolina and University Otago and the Free University of Berlin; the Valencian Oral Memory Archive with the collaboration of the Valencia Provincial Council and RTVV; o Telde: Teleeducation for Development with the collaboration of the Generalitat Valenciana and the five Valencian public universities. He is also a project evaluator for the National Agency for Evaluation and Prospective (ANEP), and has participated in the MECESUP project in Hispanic American Universities as an international expert. It is currently part of the group of Ibero-American Universities that have developed the TVMORFOSIS communication debate project. As director of the Audiovisual Workshop, he has been responsible for the production of numerous popular science documentaries and educational videos such as: Memories of a School, Los Moriscos Valencianos, 500 Years of History of the University of Valencia, Menu of Genes, Women and Power: Under the Glass Ceiling, The Cetaceans of the Mediterranean, Creart, The Botanical Garden of the University of Valencia, From red to blue: the Valencian transition, Under the Skin of Conflict, Josep Antoni Cavanilles: Hª del paisatge, La “Riuà”, Mediterranean Viva, Oenological Territory, Ser Joan Fuster, Following Darwin's Footsteps, The Garden Around the Corner, Pep Gimeno Botifarra: el cant dels arrels, or Semper Al Tall, Ximo Michavila. Mestre de Mestres, the Valuable and Valued Valencian Tourist Landscapes series, Revelant Blasco Ibáñez, Against the NO-DO or the series: The University Responds, Sustainable Universe, Lives and Drinks, Get to Work, the Science of Wine or Xafant Terra.
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GALAN CUBILLO, ESTEBAN |
96 386 4400 |
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GAMIR RIOS, JOSE VICENTE Coordinador/a Curs |
(9633) 95048 |
Biography | ||
Degree in Audiovisual Communication (UV, 2005) and Journalism (UV, 2007). Ph.D. in Communication (UV, 2016) with Extraordinary Award. Assistant Professor in the Department of Language Theories and Communication Sciences. Teaching in the Degree in Audiovisual Communication, in the Master's Degree in Audiovisual Contents and Formats, and in the Master's Degree in New Journalism, Political Communication and Knowledge Society. Member of the interuniversity R&D group Mediaflows. His lines of research include political communication, media economics, disinformation, and new media. Papers:
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GUARDIA CALVO, ISADORA |
Facultat de Filologia traducció i comunicació. Departament Teoria Llengutages i Ciències de la Comunicació C/Carrer Blasco Ibañez, 32 51008 |
Biography | ||
Isadora Guardia has a PhD in Audiovisual Communication from the University of Valencia, she is a professor linked to the UVEG since 2002, and currently she is a PhD contract professor in the Audiovisual Communication Degree. From 2012 to 2106 she has been a full-time lecturer at the University School ERAM- UdG in the Degree of Audiovisual Communication and Multimedia. Her research career is distinguished by combining practice and theory. In 2002 she began to make documentaries of a social and political nature. Her doctoral thesis investigates the aesthetic and historical relationship between the militant documentary of the 60's and the present time. He has published numerous articles and communications in national and international congresses as well as in scientific magazines on social sciences and books. He published his doctoral thesis in 2011. She is currently working on a research project, which includes a feature-length documentary on memory and repression. She belongs to the research group ERAMSCI of the University School ERAM-UdG. Her lines of research focus on new languages and artistic expressions in audiovisual and militant documentary film and video. She belongs to the research group REPERCRI (Grupo Investigación Representación Contemporánea de los Perpetradores. Principal Investigator Vicente Sánchez-Biosca, UVEG). He belongs to the research group GRUPO TRANS ARCH https://trans-arch.org with which he has traveled to several Latin American countries.
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GUILLAMON CARRASCO, SILVIA Responsables de Gestio Academica Coordinador/a Titulacio de Grau |
Biography | |||
Silvia Guillamón Carrasco has a PhD in Audiovisual Communication (Extraordinary Award, 2014), a degree in Audiovisual Communication and Hispanic Philology and a Master's degree in Language Sciences and Human Relations. Full Professor of Audiovisual Communication at the University of Valencia. Currently she is the Director of the R&D+i project "Gender representations in 21st century Spanish cinema. Film imaginary and social discourses" (GV/2021/086), financed by the Conselleria d 'Innovation, Universities, Science and Digital Society. She has been a professor at the Universidad Internacional Valenciana and the Universidad de Buenos Aires (Argentina) and a guest researcher at UCSC (University of California, Santa Cruz), UMASS (University of Massachusetts, Amherst) and at the Università di Bologna (Italy). Her research is focused on the intersection between semiotics, feminism, gender theory and Spanish cinema. Latest publications: (2020) “Haptic Visuality and Film Narration. Mapping New Women’s Cinema in Spain”, Communication & Society, Vol. 33(3); Guillamón Carrasco, S. y Belmonte Arocha, J. (2020) “Sexualidad, política del cuerpo y función socioeducativa del cine en Touch Me Not (Adina Pintilie, 2018)”, Fotocinema. Revista científica de cine y fotografía, Nº 21; Guillamón Carrasco, S. y Belmonte Arocha, J. (2020) “Figuraciones de lo siniestro en Parents (Bob Balaban, 1989)”, Tropelías. Revista de teoría de la literatura y literatura comparada, Nº 34; (2018) “El monstruo femenino. Lo siniestro y la construcción de lo materno en Furtivos, Fonseca. Journal of Communication, nº 17; (2017) “Gender Discourse & National Reconstruction. The Narrative of Historic Debt in Raza”, Communication & Society, 30 (2); (2017) “La representación de la femme fatale en el universo narrativo de Muerte de un ciclista (Juan Antonio Bardem, 1955)”, Área Abierta. Revista de comunicación audiovisual y publicitaria, Vol. 17 (3); (2016) “The Doll in the Imaginary of the Late Francoist Period: an Analisys of No es bueno que el hombre esté solo”, L’Atalante. Revista de estudios cinematográficos, nº 21. |
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HUGUET CLEMENTE, MARIA CARMEN |
Biography | |||
María Huguet graduated with a degree in Audiovisual Communication from the University of Valencia in 2003. In 2011 she received the PhD in Audiovisual Communication from the same University with a thesis entitled "Enriched Television: the symbiosis between television and knowledge" with qualification from “Summa cum laude.” Her work experience is divided between audiovisual and digital communication in the area of branding and marketing. She has worked in RTVV, Valentian International University, Quatre Films, Everxio and actually, in Baluard Estudio. In 2006 she completed a Master in Communication and New Technologies Management (COSO) and in 2017 a Specialization Course in Digital Marketing (EDEM-ISDI). Since 2015 she is an Associate Professor at the University of Valencia where she has taught the following subjects: “Audiovisual Acquisition Technologies”
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LOPEZ OLANO, CARLOS JAVIER Coordinador/a de Mobilitat |
Biography | |||
Carlos López Olano has a degree in Hispanic Philology (Spanish Literature) and Audiovisual Communication, and is PhD. Cum Laude and Extraordinary Award from the University of Valencia. He is currently an assistant professor in the Department of Language Theory and Communication Sciences at the UV. He has also taught and collaborated in different degrees and postgraduate courses related to audiovisual and journalism at the Jaume I University of Castellón (UJI), Cardenal Herrera (CEU) and the University of Virginia. He has been a researcher and visiting professor at universities such as Hebrew Univ. in Jerusalem, Roehampton Univ. in London or Glasgow Univ. (UK). He has worked as a journalist, producer, editor and news conductor in different audiovisual media, such as Antena 3 Televisión, Canal 9 RTVV or in À Punt. His main lines of research are about public television, especially on the protection of news independency in the European landscape, and about the new possibilities that multiplatform and transmedia technologies open up in this field. He works too about Democratic memory, from the point of view of communication. |
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MESTRE PEREZ, ROSANNA |
51104 |
Biography | ||
PhD in Hispanic Philology (2000), with a doctoral thesis on Spanish cinema.. She also has a Bachelor Degree in Audiovsual Communication (1997) and a Minor in Audiovisual Languages (1993) at University of Valencia. She has been a Visiting Insructor of Spanish at Longwood College, VA (EEUU) (1998-99), currently Longwood University. Since 1999 she teaches at University of Valencia (UV). She has taught undergraduated and graduated courses in Audiovisual Communication, undergraduated courses in Journalism and in Multimedia Engineering at University of Valencia, undergraduated courses at Longwood College, and graduated courses at its headquarters in Mérida (Venezuela) and at University of Oriente at Santiago de Cuba. She has also taught Spanish Cinema, among others classes, in Spanish and English, in several programs of Spanish for USA students at University of Valencia: UVA, ISA, UNC and ISU (1990-2017). She is co-PI of the international research project Qualitative and quantitative analysis of tourism-inducing factors in audiovisual fiction and their effects on audiences and potential tourists, ref. PID2020-112668GB-I00, funded by the Ministry of Science and Innovation (MICINN) of the Spanish Government, at University of Valencia, together with Jorge Nieto Ferrando (Universitat de Lleida). She has been PI of the international research team CITur (Cinema, Imaginary and Tourism) at University of Valencia (2020-21) that has developed projects with funding from Generalitat Valenciana (2005-06), Ministerio de Ciencia e Innovación (2012-14) and from Ministerio de Economía y Competitividad (2014-20). She was a member of the I + D research team de I + D Mediaflows in el project "Ecología de la desinformación: la construcción de las noticias falsas y su impacto en el espacio público" (AICO2020/224) led by Guillermo López García (Universitat de València) and the research team led by Josep Gifreu Pinsach (Universitat Pompeu Fabra) working on television and migration (2001-03). She led two projects of educational innovation at University of Valencia on cooperative work and use of ICT (2009-10 and 2010-11). She has participated in two other, NAPCED 4-0, on literary cybergenres and multimedial formats (2021-22 and 2022-23) and El Mur, a transmedia project (2019-20). She has been the director of Aula de Cinema at University of Valencia (2001-02). Her research lines are Spanish cinema and tourism, and interactive communication (CMC). Among her most recent publications there are: - (2022): "Entre txantxigorri y txacolin: rutas literarias y cinematográficas que dinamizan el turismo neolocal en el valle del Baztán", en A. del Rey Reguillo y R. Mestre Pérez (coords.), Cine español actual, patrimonio autóctono y turismo, pp. 151-206, Gedisa. - (2021): "Film Commissions hoy: el cine al servicio de los rodajes y el turismo", pp. 91-100; "El turismo moderno en el cine español", pp. 191-200; "Posturismo en el cine español contemporáneo", pp. 201-215, en A.del Rey Reguillo (ed.), La huella del turismo en un siglo de cine español (1916-2015), Síntesis. - (2021): Media crisis and disinformation: the participation of digital newspapers in the dissemination of a denialist hoax, El Profesional de la Información, vol. 30, nº 4, con Lorena Cano-Orón, Dafne Calvo y Germán Llorca-Abad. - (2020): «Secular Re-Symbolisation of the Santiago Pilgrimage in Spanish Cinema: the Case of The Way and Road to Santiago», L’Atalante. Revista de estudios cinematográficos, nº30, pp. 17-32. - (2020): «España, plató de cine: claroscuros de las rutas de cine y televisión». Revista de Estudios Turísticos, nº 220, pp. 9-31. - (2018), "Japan in Spain. Japanese culture through Spanish eyes in the film Gisaku", Arts, 7(4), 93, Special Issue on Japanese Transnational Cinema, pp. 1-14. |
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MENDEZ RUBIO, ANTONIO |
Biography | |||
Antonio Méndez Rubio (1967) is PhD and Professor of Audiovisual Communication at the University of Valencia since 1999. His main lines of research are critical theory, popular culture and musical communication. Author of numerous articles and works in specialized magazines, monographs and collective books. Guest and visiting professor at various national and international universities. He has published the reference manuals Perspectives on Communication and Society (2008) and Musical Communication and Popular Culture (2016). His most recent essay books on cultural criticism are Abordajes (2019), Fascismo de Baja Intensidad (2021) and La escucha actual (2022). |
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MORALA GIRON, ALEJANDRO |
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PELLICER ROSELL, MANUEL D. Coordinador/a Curs |
Avda Blasco Ibáñez, 32 DP 46010 Despacho nº 6- 5ª planta FFTiC Tutoría presencial: martes 10-13 horas Tutoría virtual: manuel.pellicer@uv.es 51028 |
Biography | ||
Degree in Information Sciences from the Universitat Autònoma de Barcelona (UAB) and Doctor in Audiovisual Communication from the Universitat de València (UVEG) - (Extraordinary Doctorate Award, 2006). Currently professor of Audiovisual Communication and Publicity of the Universitat de València since 2012. Previously, associate professor of the same degree between 1995 and 2012. He teaches the subjects of "Ideation and television production" and "Television reporting". He also teaches in the Master's Degree in Content Production and Audiovisual Formats at the UV. Since 2010 he has been teaching the television module in the Postgraduate course in Scientific Journalism at UNED and the Master's Degree in Comprehensive Corporate Communication at Ramon Llull University since 2017. In addition, journalist-editor of staff in the area of news of the Ràdio-Televisió Pública Valenciana-Canal 9 during the years 1993-2012, with the accomplishment of works of writing, edition, script and production of news, reports and documentaries, as well as in the production of debate programs and documentary programming. Previously, carrying out different activities in the press (La Vanguardia, El Temps, Mediterráneo-delegation Valencia) and radio (Ràdio 9). Correspondent in Valencia of the newspapers El Observador de la actualidad, Diari de Barcelona and El Mundo-cultura section. His main lines of research focus on the analysis of media discourse, with special emphasis on opinion discourse in the press, the analysis of audiovisual production and political discourse on networks. The results of these works are published in Quaderns de Filologia, Revista Latina de Comunicación Social, Quaderns del CAC, Zeitschrift für Katalanistik, Comunicació, Mètode, Afers, Cultura, idioma y Representacion, Zer, Cuadernos.Info, Revista de Investigación Lingüística, among others. others. He is also the author of the books Martí Domínguez i Barberà: la passió per la paraula (2004), El solc de l'escriptura: anàlisi del discurs periodístic de Martí Domínguez Barberà (2011), and co-author of Las comisiones parlamentarias de investigación: “El accidente de la Línea 1” (2019). He is also the author of various book chapters published, among other publishers, in Tirant Lo Blanch, Gedisa, Thomson-Reuters Aranzadi, Biblioteca Nueva, Comunicación Social, Nau Llibres and PUV, and co-editor of the volumes Mutaciones discursivas en el siglo XXI: la política en los medios y en las redes (2019), Notes d'un desficiós (2017), Ser Joan Fuster; 33 visions sobre l'escriptor (2008), El debate de la cultura de la imagen (2003) and Justicia y representación mediática (2001). She has participated in various financed research projects related to the thematic agenda of the media, the media treatment of gender violence, the regulation of audiovisual and political discourse through social networks, in addition to other educational innovation projects. The research work has been recognized by the CNEAI with two six-year terms. He has also made stays at the Universitat Autònoma de Barcelona (2013) and at the Institut de Journalisme de Bordeaux Aquitaine (2018). |
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PERIS BLANES, ALVAR Director/a Titulacio Master Oficial Secretari/a de Departament |
Departament de Teoria dels Llenguatges i Ciències de la Comunicació Facultat de Filologia, Traducció i Comunicació Avda. Blasco Ibáñez, 32 - 46010 (València) 51008 |
Biography | ||
Àlvar Peris Blanes (Valencia, 1976) holds a PhD in Audiovisual Communication from the Universitat de València, where he is a professor since 2002 in the Degree in Audiovisual Communication and in the Official Master's Degree in Audiovisual Contents and Formats. His main interests as a researcher are focused on the analysis of audiovisual texts as well as on the media construction of identities. He is the author of numerous scientific works published in academic journals, monographs and collective books on communication, Cultural Studies and history. He is a member of the R&D Mediaflows and CONTD - Content for Digital Television groups and has participated in several R&D projects financed by public institutions. He has also been a visiting professor at Duke University (USA) and at The University of Nottingham (United Kingdom).
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PITARCH GARRIDO, JOSE |
64400 |
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PUCHADES LATORRE, JAVIER PEDRO |
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RAUSELL LLEDO, IGNACIO PAS-E.T.S. Audiovisuals |
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RENARD ALVAREZ, SANTIAGO |
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ROGER MONZO, VANESSA |
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SANCHEZ BIOSCA, VICENTE |
(9639) 83276 |
Biography | ||
VSB es full professor of Communication Arts at the UV. During the Winter-Spring Semester of 2013 he held the Chair of Spanish Culture and Civilization at King Juan Carlos Center (New York University), in February-March 2018, he was appointed as visiting professor at the Université de Paris-Sorbonne. He has developed three periods of research as a visiting scholar: NYU holding a Salvador de Madariaga-Senior fellowship (3 months, 2017), 2 months divided into two periods at the Bophana Audiovisual Resource Center and at the American University of Phnom Penh (Cambodia, Octuber 2014, October 2015). Co-holder of the Chair of Estudios Artísticos at the museum IVAM (2016-2018), he has led two research projects over this period: Charisma and image of political leaders during the Spanish Transition to Demoracy and currently Representation of perpetrators of mass violence: concepts, narratives, and images. He edited along with L. Zylberman a monographic issue of the journal Genocide Studies and Prevention (18.2, 2018), another in the French journal Mémoires en jeu / Memories at Stake (París) and is the author of a book entitled, Miradas criminales, ojos de víctima. Imágenes de la aflicción en Camboya (2017). He leads the reserach group REPERCRI (www.repercri.com) and his forthcoming bookwill be publish at Alianza editorial: La muerte en los ojos. Qué perpetran las imágenes de perpetradores. www.repercri.com |
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SANCHEZ CASTILLO, SEBASTIAN Especialista Pau |
Biography | |||
Dr. Sebastián Sánchez-Castillo Research articles
LLIBRES 1. Solves, J., J.M. Arcos, L. Páramo, S. Sánchez-Castillo e I. Rius (2018). Estudio sobre situación de necesidades sociosanitarias de las personas con enfermedades raras en España. Estudio Enserio. Datos 2016-2017. Ministerio de Sanidad, Servicios Sociales e Igualdad. FEDER/CREER, Madrid. ISBN: 978-84-09-01971-7. DL: M-17132-2018 2. Pozo Sánchez, Begonya y Sánchez Castillo, Sebastián (2014). Percepción y representación audiovisual de la violencia de género. Libro electrónico. ISBN: 978-84-616-8151-8. 3. Sánchez Castillo, Sebastián (2012). Iconografía virtual. Introducción a entornos 3D. Editorial Liber Libro. Albacete. ISBN: 978-84-92428-64-9. Dep. Legal: AB-104-2012. Págs.: 1-142. 4. Sánchez Castillo, Sebastián (2012). La televisión como productora de engramas culturales. Una revisión teórica. Ediciones Albores. Sevilla. ISBN: 978-84-939733-7-7 Dep. Legal: SE-1439-2012. Págs.: 1-197. 5. Sánchez Castillo, Sebastián (2009). Desarrollo de contenidos digitales en la difusión audiovisual del Patrimonio Histórico-Artístico valenciano. Servei de Publicacions de la Universitat de Valéncia. ISBN:978-84-370-7449-8. Valencia. Págs. 1-566. 6. Sánchez Castillo, Sebastián (2007). El Universo Multimedia y el diseño de proyectos interactivos. Desarrollo de Proyectos de Animación y Videojuegos. Alfa Delta Digital S.L. ISBN: 978-84-96857-28-5. Valencia. Págs. 1-90. CAPÍTOLS DE LLIBRE 1. Sánchez Castillo, Sebastián (2011). “Estudio correlacional y análisis cuantitativo de las enfermedades raras en la prensa española”. En AA.VV, Desafíos y estrategias comunicativas de las enfermedades raras: la investigación médica como referente. estudio cuantitativo-discursivo de la prensa escrita impresa y digital española (2009-2010). (Coord., A.Bañón; J.Fornieles; J.Solves; I.Rius). Valencia: CIBERER. Instituto de Salud Carlos III. Ministerio de Ciencia e Innovación, pp, 41-57. ISBN: 978-84-694-0596-3. 2. Rius Sanchis, Inma; Sánchez Castillo, Sebastián (2011). “Enfermedades Raras: competencias, retos y habilidades periodísticas”. En AA.VV, Desafíos y estrategias comunicativas de las enfermedades raras: la investigación médica como referente. estudio cuantitativo-discursivo de la prensa escrita impresa y digital española (2009-2010). (Coord., A.Bañón; J.Fornieles; J.Solves; I.Rius). Valencia: CIBERER. Instituto de Salud Carlos III. Ministerio de Ciencia e Innovación, pp, 57-89. ISBN: 978-84-694-0596-3. 3. Sánchez Castillo, Sebastián (2011). “Correlational study and quantitative analysis of rare diseases in the Spanish press”, en AA.VV, Communication strategies and challenges for rare diseases: medical research as a referent a quantitative-discursive study of Spanish printed and digital written press (2009-2010), (Coord., A.Bañón; J.Fornieles; J.Solves; I.Rius). Valencia: CIBERER. Instituto de Salud Carlos III. Ministerio de Ciencia e Innovación, pp, 41-57. ISBN: 978-84-694-0595-6. 4. Rius, I. y Sánchez-Castillo, S. (2011). “Rare Diseases. Journalistic capacities, challenges and skills”, en AA.VV, Communication strategies and challenges for rare diseases: medical research as a referent a quantitative-discursive study of Spanish printed and digital written press (2009-2010), (Coord., A.Bañón; J.Fornieles; J.Solves; I.Rius). Valencia: CIBERER. Instituto de Salud Carlos III. Ministerio de Ciencia e Innovación, pp, 57-89. ISBN: 978-84-694-0595-6. 5. Sánchez-Castillo, S. (2011). “Encuadres noticiosos de las Enfermedades Raras en la prensa española. Perspectiva bajo el análisis de contenido y ´Teoría del Framing”. En, Lenguaje, Comunicación y Salud, (eds. Fornieles J; Requena, S; Bañón, A). Editorial Arcibel. Sevilla, pp, 179-201. ISBN: 978-84-15335-09-2. 6. Sánchez-Castillo, S. y Mercado, M.T. (2011). “Consumo energético, nucleares y calidad de vida: actualidad periodística y educación ambiental para futuros comunicadores”. En: El reto del EEES en docencia e investigación en el área de los medios sociales. Padilla, G; Salgado, C; Cobo, F. (Coords). Editorial Visionlibros, Madrid, pp, 83-102. ISBN: 978-84-9008-123-5. 7. Sánchez Castillo, Sebastián (2012). “Mecanismos audiovisuales de ficción en la construcción de la identidad cultural. El caso de la serie L´Alqueria Blanca”. En: La ficción audiovisual en España. Relatos, tendencias y sinergias productivas. Miquel Francés i Domènec y Germán Llorca Abad (Coords). Editorial Gedisa. Colección Multimedia y Comunicación. Barcelona. ISBN: 978-84-9784-695-0. DL: B.1323-2012. Págs: 133-148. 8. Mercado Sáez, Mª Teresa y Sánchez Castillo, Sebastián (2012).”La imagen de los juegos en la televisión” En: Tratamiento de Juegos Paralímpicos de 2008 en los medios españoles. (eds. Josep Solves Almela). Comité español de representantes de personas con discapacidad. CERMI. Comité Paralímpico Español. Nº 56. Editorial Cinca. Capítulo IV, pp: 191-225. ISBN: 978-84-15305-23-1. D.L: M. 23.334-2012. http://www.cermi.es/es-ES/Biblioteca/Paginas/Inicio.aspx?TSMEIdPub=290 9. Mercado, M.T; Rius, I y Sánchez- Castillo, S (2012).”Olímpicos y paralímpicos” En: Tratamiento de Juegos Paralímpicos de 2008 en los medios españoles. (eds. Josep Solves Almela). Comité español de representantes de personas con discapacidad. CERMI. Comité Paralímpico Español. Nº 56. Editorial Cinca. Capítulo V, pp: 229-251. ISBN: 978-84-15305-23-1. D.L: M. 23.334-2012. http://www.cermi.es/es-ES/Biblioteca/Paginas/Inicio.aspx?TSMEIdPub=290 10. Sánchez Castillo, Sebastián (2012). “La construcción social de las enfermedades de baja prevalencia en la prensa española”. En: Comunicación, control y resistencias. VV.AA. Cuadernos artesanos La Latina, nº 32. Pág. 66. ISBN: 978-84-156-98-07-04. D.L: TF. 970-2012. http://issuu.com/revistalatinadecomunicacion/docs/cal_32_libro_resumenes_dinamico 11. Sánchez Castillo, Sebastián (2013). “El nuevo documentalismo en 3D: ¿ilusión o persuasión?”, en El documental en el entorno digital. Francés, M; Gavaldà, J; Llorca, G; Peris, A. (coords.) Editorial UOC. pp: 39-56. ISBN. 978-84-9029-976-0. D.L. B.2.691-2013 12. Sánchez Castillo, Sebastián (2014). “Informativos televisivos y nuevos códigos de realización ante la realización de los medios”., en La televisión de la crisis ante el abismo digital. Editorial Gedisa. Colección Comunicación, pp: 289-306. ISBN: 978-84-9784-809-1 13. Sánchez Castillo, Sebastián (2014). “Metacobertura del día de las enfermedades raras : análisis de nuevos encuadres en prensa”, en Estudios de periodística XVII. Periodística y web 2.0: hacía la construcción de un nuevo modelo, pp: 649-661. ISBN: 978-84-15949-32-9. Sociedad Española de Periodística. 14. Sánchez Castillo, Sebastián (2014). Evaluación cognitiva e identificación con los personajes de ficción en soportes interactivos y multiplataforma. En, AA.VV. La democracia no es un editorial. Patrones neoliberales en los medios de comunicación. Cuadernos Artesanos de Comunicación nº 70, pp.91. ISBN 978–84–15698–28–9. DOI: 10.4185/CAC70. Sociedad Latina de Comunicación Social. La Laguna (Tenerife). 15. Pou, M.J; Álvarez, À y Sánchez-Castillo, S (2015). “Tratamiento informativo de la política energética en los diarios El País y Público”. La pantalla insomne. ISBN-13: 978-84-15698-98-2 / D.L.: TF-719-2015/ DOI: 10.4185/cac90 Edita: Sociedad Latina de Comunicación Social – La Laguna, Tenerife. Págs. 1573-1583. http://www.cuadernosartesanos.org/#90 16. Sánchez-Castillo, Sebastián y Sánchez Pozo, Begonya (2015). Persuasión audiovisual como testigo de la violencia machista, en “Nuevas culturas y sus nuevas lecturas”. Colección, Innovación y vanguardias universitarias., pp. 603-610. McGraw-Hill. Madrid. ISBN: 978-84-48197-31-5. https://www.blinklearning.com contraseña: profesor. Código libro: RVXD4YW9 17. Sánchez Castillo, Sebastián (2016). “ISIS y la persuasión narrativa en la Yihad 3.0”, en Comunicación y Terrorismo, (coord.) Luis Veres y Germán Llorca. Editorial Tirant Humanidades. Valencia, pp: 23-44 ISBN: 978-84-16556-57-1. DL: V-1557-2016. 18. Mercado, M.T., Sahuquillo, F. y Sánchez-Castillo, S. (2016). “El encuadre del riesgo en la cobertura de la política energética en España”. En, La comunicación en situaciones de riesgo y crisis. Valencia: Tirant lo Blanc Humanidades, pp 263-281. ISBN13: 978-84-1634-971-5 19. Peris Blanes, À.; Llorca-Abad, G.; Sánchez-Castillo, S. y López Rico, C.M. (2017). "La televisión y la formación de la opinión pública: informativos y debates electorales". En Guillermo López García y Lidia Valera Ordaz (eds.). Pantallas electorales. El discurso de partidos, medios y ciudadanos en la campaña de 2015. Barcelona: UOC. Pp. 101-128. ISBN: 978-84-9116-705-1 20. Sánchez Castillo, Sebastián (2017). “Construcción social de la crisis en la prensa española”. En, Rodrigo Browne Sartori Carlos del Valle Rojas y Víctor Silva Echeto (compiladores) Relatos culturales de la crisis: comunicación y crítica política. InCom (UAB) Universitat Autònoma de Barcelona. ISBN: 978-84-945378-2-0, pp: 61-81. Barcelona. 21. Sánchez Castillo, S (2018). “Constructos y realización audiovisual en la comunicación política”. En, Camareno Calandria, E y Mut Camacho, M (Coordinadoras). Nuevos tratamientos informativos y persuasivos. Ediciones Universitarias: Editoral Tecnos (Grupo Anaya). Madrid. ISBN: 978-84-309-7376-7. pp: 337-350 22. Sánchez Castillo, S (2018). “Propuesta de proyección geográfica y transmedia para una nueva radiotelevisión pública valenciana”. En, Galán; Rodríguez, A y Marzal, J. Contenidos transmedia para la radiotelevisión de proximidad. Editorial Eunsa, Colección: Comunicación. ISBN: 978-84-313-3287-7. pp. 169-182 23. Sánchez-Castillo, S (2018). “Legitimación política y construcción audiovisual”, en Albalad Aiguabella, J.M.; Busto Salinas, L; Muñiz Zuñiga, V (coords.). Nuevos lenguajes de lo audiovisual. Gedisa Editorial. Barcelona. ISBN: 978-84-17341-98-5. DL: B- 28033-2018, pp. 449-463. 24. Galán, E y Sánchez-Castillo, S (2019). “El proyecto transmedia y la gestión documental como herramienta en la creación del conocimiento”, pp. 213-230. En, Documentación y producción transmedia de contenidos audiovisuales. Francés, M y Orozco, G (coords) Editorial Síntesis. Madrid. ISBN: 978-84-9171-366-1. DL: M-16.833-2019. 25. Galán-Cubillo, E.; Sánchez-Castillo, S.; Drylie Carey, L (2020). “Investigación y Co-creación Transmedia: la "regla de las tres íes”. En, Contenidos y formatos transmedia en la comunicación universitaria, Miquel Francés (compilador), pp. 351-376. Editorial Eudem. Argentina. ISBN: 978-987-4440-69-3 26. Sánchez-Castillo, Sebastián (2021). “La construcción del liderazgo político y la identidad escenográfica en TikTok”. En, Cosmovisión de la comunicación en redes sociales en la era postdigital, pp. 197-210. Editorial McGrawHill. Madrid. ISBN: 978-84-486-2583-2. DL: M-6828-2021 27. Sánchez-Castillo, Sebastián (2021). “Estímulo del turismo a través de la ficción audiovisual. Métodos de investigación”. En Miradas sobre el audiovisual y el turismo. Salamanca: Comunicación Social (en prensa). 28. Sánchez Castillo, S. (2021). “Análisis de datos del cine turístico español. En La huella del turismo en un siglo de cine español (1916-2015)”. Madrid: Síntesis (en prensa). |
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VERES CORTES, LUIS ENRIQUE Coordinador/a Curs |
Avenida Vicente Blasco Ibáñez 32, 5º, Despacho 32. 46071 Valencia-España Horario de atención: Miércoles de 8-10 h. 51024 |
Biography | ||
Luis Veres was born in Valencia in 1968. He has been visiting professor at universities in Peru, Chile, Mexico, Poland, Austria, Belgium, France, Italy, Holland, Romania, United Kingdom, Norway and Portugal. From 1995 to 2009 he was a professor at the Cardenal Herrera-CEU University. Since 2010 he has been a full professor in the Department of Theory of Languages at the University of Valencia. He is the author of the novels El hombre que tuvo una ciudad (1998), El cielo de cemento (2000), La casa del fin del mundo (2011) and Las voces amarillas (2019), as well as the essays, la narrativa del indio en la revista Amauta (2001), Periodismo y literatura de vanguardia en América Latina (2003), Literatura e imaginarios sociales (2003), Estrategias de la desinformación (2004), La retórica del terror (2006), Los reyes y el laberinto (2007), Entre la Cruz y la Media Luna. Discursos y problemas de Seguridad (2007), El sentido de la metaficción. De Woody Allen a Roberto Bolaño (2015), Cine documental y criminalización indígena (2015), Comunicación y terrorismo (2015), Los lenguajes del terrorismo (2017), Las Brigadas Rojas y el cine (2018), Ficción televisiva y Quality TV (2021). He has won the Vicente Blasco Ibáñez novel prize (1999) and the Juan Gil-Albert essay prize (2002). |