Manuel Asensi Pérez is Professor of Literary Theory and Comparative Literature. He has 
been visiting professor at several universities in the U.S, Latin America and Europe. His fields of expertise are literary theory, the relations between cinema and literature, and the field of Lacanian psychoanalysis. 
Among his most important books include Theoría de la lectura. For a paradoxical critique (1987), Literary theory and deconstruction (1992), Philippe Sollers, Tel Quel and the genesis of French post-structuralism (2004), Criticism and sabotage (2013), the latter book deserving of several monographs in journals such as Anthropos (2014) and Quaderns de Filologia (2021) and which inaugurated a new critical 
modality. The last book published is Lacan para multitudes o por qué no se puede vivir sin Lacan (2023), a book that is already in its second edition.

Natalia M. Campos Martín holds a PhD in Translation and Interpreting from the University of Málaga and a degree in French Philology from the University of Castilla-La Mancha. She holds a certificate as an Expert in Legal, Sworn, and Judicial Translation from UCLM and a Master's degree in Editorial Translation from UMU. Currently, she is a permanent lecturer at the Faculty of Philology, Translation and Communication (Department of French and Italian Philology) at the University of Valencia.

She has two six-year research periods recognised and is accredited as a university senior lecturer. She teaches various subjects at the University of Valencia within the Degree in Translation and French Philology and the Master's in Creative and Humanistic Translation. Additionally, she has participated as a guest lecturer in similar Master's programmes at the universities of Murcia, Córdoba, and Málaga.

Her research career began in 2006 within the Inter-University Research Group in Translation (HUM 767) of PAIDI at the Regional Government of Andalusia and continued with a research project funded by the Séneca Foundation through a competitive call (2011-2013). In this context, she completed her doctoral thesis under the supervision of Emilio Ortega Arjonilla on the legal-economic translation of contracts from French to Spanish. After relocating to Valencia, she joined the research group HISTRADCYT (focusing on the history of scientific and medical translation) in 2014, which has been affiliated with the López Piñero Inter-University Institute since 2018. In this framework, she has actively participated in various R&D projects (both national and European - AGIS), projects of the Valencian Regional Government (2016-2017), as well as teaching innovation projects and other research and development activities (organisation of conferences, seminars, etc.).

Among her research outcomes, she has published over 50 works, including books, articles in specialised journals, book chapters, translations, and reviews. Her publications include two monographic books, 15 articles in indexed translation journals (Onomazéin, Sendebar, Hermeneus, Hikma, etc.), and more than 35 book chapters published by prestigious publishers ranked highly in the SPI index (Peter Lang, Comares, Tirant lo Blanch), as well as in renowned university presses (Cádiz, Valencia, Salamanca, Lleida, Córdoba, and La Laguna).

Regarding the dissemination of her research, she has participated in more than 20 scientific conferences and seminars, including 15 presentations at international conferences, over eight invited lectures, and numerous roles in organising committees. She has collaborated with several universities and research centres in Spain (UMA, UAL, UGR, UCO, and UCLM), Belgium (ISTI in Brussels), Argentina (University of Rosario), Poland (University of Krakow), France (Lyon 2 and 3, Grenoble), and Canada (University of Montreal).

She undertook research stays at the Faculty of Philosophy and Letters at the University of Málaga (2006) for the development of her doctoral thesis and later as a visiting lecturer in 2016. More recently, she has completed postdoctoral research stays as a visiting researcher through competitive grants from the Valencian Regional Government at the University of Lyon 2 (2020, 2021) and Lyon 3 (2024) for various research projects involving the Lacassagne archives, among others. She also completed a three-month research stay in 2022 at the University of Montreal, under the supervision of Professor Georges Bastin.

She is the mother of a lovely 12-year-old daughter.

https://dialnet.unirioja.es/servlet/autor?codigo=1031342

https://producciocientifica.uv.es/investigadores/335065/detalle

https://orcid.org/my-orcid?orcid=0000-0002-0267-977X

Beatriz Cerezo Merchan holds a BA in Translation and Interpreting from the Universidad de Granada (2006) and a PhD in Translation and Interpreting from the Universitat Jaume I (2012). At present she is a lecturer of Translation and English Language in the Department of English and German Philology at the Universitat de València. Her main areas of research are audiovisual translation and accessibility and the didactics of translation.

Senior Lecturer in Media Studies at the University of Valencia (Spain). He has been researching the history of cinema and the political effects of popular culture while his main teaching interests focus on documentary film, Spanish film, popular music and audio-visual translation. He also served as a research fellow and a visiting professor in Europe, North America, South America and Asia. He coordinated the Master’s Degree in Interculturality, Communication and European Studies at the University of Valencia and the Marie-Curie research projects “Cultural narratives of crisis and renewal” and "Archives in transition. Collective memories and subaltern uses" at the same institution. He has published many articles dedicated to cinema and music in various international journals. He has also authored books such as “Frank Zappa en el infierno. El rock como movilización para la disidencia política” (Madrid, Biblioteca Nueva, 2006) “Madrid. Visiones cinematográficas de los años 1950 a los años 2000” (Neuilly-sur-Seine, Atlande, 2014), and edited others, such as “Cine, imagen y representación en Guy Debord” (Valencia, Tirant, 2019). He also translated the memoirs of rock musicians Roger Daltrey, Robby Krieger and Frank Zappa into Spanish.

Since obtaining my doctorate in 1994, I have been occupied with different topics of general linguistics in the postdoctoral period until I began, after my stay at the University of Heidelberg in 1992 with a grant from the Alexader von Humboldt Foundation, a thematic reorientation in the field of translatology and contrastive linguistics (Aspects of Linguistic Contrast and Translation. The Natural Perspective, Frankfurt, Peter Lang, 1994), with a special focus on intercultural pragmatics (Culturas y Acción Comunicativa. Introducción a la Pragmática Intercultural, Barcelona, Octaedro, 1999).  This stage lasted throughout the 1990s until the beginning of the new century, when, without abandoning previous lines of research, such as pragmatics and intercultural communication, I focused my interest on the field of clinical linguistics. Research in this field has centered on the characterization of the linguistic deficit in aphasia, taking into account data from conversational interactions involving subjects with aphasia. In the monograph Inhibición y Lenguaje, A Propósito de la Afasia y la Experiencia del Decir, Madrid, Biblioteca Nueva, 2006, the theoretical bases of my research in clinical linguistics are established. During this period I have been principal investigator of 5 research projects and one special action with ministerial funding, and one research project with regional funding.

Papers

Carlos Hernández Sacristán (2009) Transculturalidad: sobre fundamentos y límites de la comunicación intercultural. - Universos. 6, pp. 9 - 35. (España): Universitat de València, 2009. ISSN 1698-6083

Carlos Hernández Sacristán; Beatriz Gallardo Paúls (2010) Tres condiciones de empirismo para los hechos del lenguaje, de interés en un enfoque cognitivo. - Revista Española de Lingüística. 40 - 1, pp. 73 - 96. (España): Arco Libros - La Muralla, 2010. ISSN 0210-1874

Carlos Hernández-Sacristán; VicentRosell-Clari; JonathanE.MacDonald (2011) Proximal and distal. Rethinking linguistic form and use for clinical purposes. - Clinical Linguistics & Phonetics. 25 - 1, pp. 37 - 52. (Reino Unido): 2011. ISSN 0269-9206

Carlos Hernández-Sacristán; Vicent Rosell-Clari; Enrique Serra-Alegre; Josep Quiles-Climent (2012) On natural metalinguistic abilities in aphasia: A preliminary study. 904941 - Aphasiology. 26 - 2, pp. 199 - 219. (Reino Unido): 2012. ISSN 0268-7038

Carlos Hernández Sacristán (2012) Sobre la dimensión simbólica del déficit verbal. Racionalidad, emoción y experiencia en Pragmática Clínica. 018957 - Foro hispánico. 44, pp. 47 - 65. (Holanda): Rodopi, 2012. ISSN 0925-8620

Carlos Hernández Sacristán (2015)  Sobre datos conversacionales en la evaluación de la afasia: déficit lingüístico y función ejecutiva. 000731 - Oralia (Madrid). 18, pp. 131 - 161. (España): Arco Libros - La Muralla, 2015. ISSN 1575-1430

Vicent Rosell-Clari & Carlos Hernández-Sacristán (2017) Anomia rehabilitation viewed from a pragmatic functional paradigm. A case study. 017785 - Revista de investigación en logopedia. 7 - 1, pp. 47 - 70. (España): Universidad de Castilla-La Mancha, 2017. Disponible en Internet en: <http://revistalogopedia.uclm.es/ojs/index.php/revista/article/view/186/143>. ISSN 2174-5218

Rosell-Clari,V.; Hernandez-Sacristán,C.; Cervera-Crespo,T.; Lorenzo-Cordero, A. (2021) Assessing natural metalinguistic skills in people with Alzheimer's disease and frontotemporal dementia. 911795 - Journal of Communication Disorders. 89, pp. 106058 - 106073. (Estados Unidos de América): 2021. ISSN 0021-9924 DOI: https://doi.org/10.1016/j.jcomdis.2020.106058

Dr. Juan José Martínez Sierra is a Full Professor in the Department of English and German Studies at the Universitat de València. Within this department, he instructs courses on Written and Audiovisual Translation, Intercultural Communication, and English Language at both undergraduate and graduate levels. He earned his doctorate in Translation Studies from Universitat Jaume I in 2004, complemented by a degree in English Language and Culture from UJI in 1995, as well as an MA in Intercultural Communication from the University of Maryland, Baltimore County, USA, in 2001. His primary area of expertise lies in Audiovisual Translation, which comprises a significant portion of both his teaching curriculum and research endeavors. His research predominantly revolves around the study of audiovisual translation from an intercultural standpoint. This pursuit has yielded a prolific array of engagements, including lectures, seminars, invited talks, and presentations at national and international conferences. Dr. Martínez Sierra boasts an extensive publication record, encompassing over 100 works, such as books, book chapters, reviews, and numerous articles in esteemed scientific journals. He serves as the coordinator for CiTrans and collaborates actively with the research groups SILVA (Universitat de València) and TRAMA (UJI).

Professor at the University of Valencia. Specialized in Linguistics and with experience in the areas of Linguistics, East Asia, Japanese language and translation. She has worked in theoretical Linguistics, contrastive and typological Linguistics, language teaching, etc. She has collaborated with various universities in Europe, Asia and America. She has published numerous articles and several monographs in prestigious publishers such as Peter Lang, Arco Libros, Tirant, Universitat de València, etc.

[Biography, english version]

José Santaemilia is Professor of English at the Universitat de València and a certified translator of English. His research interests focus on issues of gender, sexuality, discourse, and translation. He has edited books such as Género, lenguaje y traducción (Valencia, 2003), Gender, Sex and Translation: The Manipulation of Identities (Manchester, 2005), Gender and Sexual Identities in Transition: International Perspectives (Cambridge Scholars Publishing, 2008), with Patricia Bou, Woman and Translation: Geographies, Voices and Identities (MONTI – Monographs on Translation and Interpretation, 2011), with Luise von Flotow, and New Perspectives on Gender and Translation: New Voices for Transnational Dialogues (Routledge, 2022), with Eleonora Federici.

In 2017, he co-edited, with Sergio Maruenda, a special issue of the journal RESLA (Revista Española de Lingüística Aplicada) on Specialised Translation in Spain: Institutional Dimensions. He is also the author, along with José Pruñonosa, of the first critical edition in Spanish of Fanny Hill (Editorial Cátedra, 2000).

He has been the director of the journal MonTI – Monographs on Translation and Interpretation (https://web.ua.es/monti) and has led the research group GEN(https://gentext.blogs.uv.es) at the Universitat de València, which provides discourse analyses of socio-ideological texts in the media, focusing on gender violence and social inequality.

Miguel Teruel lectures in English Literature and Literary Translation since 1987, mainly at the University of València, where he participates in the Master in Advanced English Studies and in the Master in Creative and Humanistic Translation; he has also collaborated with the Jaume I University of Castelló (Master in Translation and Interpreting Research) and with the Fundació ADEIT Universitat-Empresa (Master in Comparative Literature and Cultural Criticism). He is the External Internships coordinator for the Degree in English Studies.

Research stays: Sheffield University (1985), The Shakespeare Center at Stratford-Upon-Avon (1989), Huddersfield University (1994), Nottingham Trent University (2004), University of the Highlands and Islands (2015).

Translations into Spanish:

—Giuseppe Ungaretti Día tras día (1992, with Sabina Morello)

—Lord Byron Don Juan (1994, with Juan Vicente Martínez Luciano and María José Coperías)

—Jim Cartwright Calle (1994, with Jorge Picó)

—John Keats Poemas escogidos (1997, with Juan Vicente Martínez Luciano and Pedro Nicolás)

—Thomas de Quincey Confesiones de un inglés comedor de opio (1997)

—Tom Stoppard Arcadia (2000) and Rosencrantz y Guildenstern están muertos (2003, both with Jorge Picó), La disolución de Dominic Boot and Tú serías Pura, y yo Franco (2010)

—Manuel Boix El rostre/El rostro/The Visage (Translation into English, 2002)

—Heiner Müller Descripción de un cuadro, El viaje, Todos somos kanakos, La República Kanaka (2004, 2006 y 2007, with Ana Rosa Calero)

—Timberlake Wertenbaker El amor del ruiseñor (2006, with Jorge Picó)

—Richard Berengarten Manual: las manos y la luz, Poemas, Luz negra y En cambio (2008, 2011, 2012 y 2021, with Paul Derrick)

—William Shakespeare Macbeth, Romeo y Julieta, Noche de Reyes, Hamlet, Antonio y Cleopatra, La tempestad, y Bien está lo que bien acaba (since 1987, with the Shakespeare Foundation of Spain).

—Shakespeare a Benicàssim (2013 y 2014, with Jorge Picó, Sergi López, Vicent Montalt and Pilar Ezpeleta)

—Anne Frater Anns a’ Chànan Chùbhraidh / En la lengua fragante (Translation from Scottish Gaelic, 2016)

—L.S. Phibbs Reunión de madres y La pierna de Jim (2023, with Paula Llorens)

—Donald Wellman Ejercicios romanos (2024, with Francisca González and Nicolás Estévez)

Digital Editions (in Emothe):

—Edition and translation of Antonio y Cleopatra, by William Shakespeare (2012)

—Edition of the translation by Jorge Salavert of La duquesa de Malfi, by John Webster (2014)

—Edition of Endymion, by John Lily (2016)

—Edition of A Trick to Catch the Old One, by Thomas Middleton (2017)

—Edition of The Malcontent, by John Marston (2017, with Sonia Perelló)

—Edition of the translation by Rosa Díaz of Endimión, by John Lily (2018)

Critical works:

—Tom Stoppard: La escritura de la parodia (1994)

—A Guide to the Shakespearean Scene (1994)

—"Translating Shakespeare: The Rhetorical Challenge and Performability” (1995)

—"Traducción y parodia en la poesía de Ezra Pound" (1995)

—"Revisión y reescritura: De Quincey y Wordsworth" (1999)

—"'No More Mularkey': una lectura de los Selected Poems de Simon Armitage" (2002)

—"Ovidi, Metamorfosis, Ted Hughes" (2005, with Vicent Montalt)

—"Lecturas inglesas del mito de Filomela" (2006)

—Cruzando la Frontera (2007, with Ana Rosa Calero and Domingo Pujante)

—"Traducir a Shakespeare: la palabra del actor" (2009, with Pilar Ezpeleta and Vicent Montalt)

—Nineteenth-Century Literature: A Reader (2012, with Laura Monrós).

—"'Gallivanting Round the Globe': Translating National Identities in Henry V” (2012, with Vicent Montalt and Pilar Ezpeleta)

—"Three Ways of Looking at a Nightingale: The Tale of Philomela by Ted Hughes, Timberlake Wertenbaker and Joanna Laurens” (2013)

—"Remando de noche: una interpretación" in Donald Wellman Remando de noche (2015, with Nicolás Estévez and Francisca González)

—"Anns a’ Chànan Chùbhraidh/En la lengua fragante: Translating Scottish Gaelic Poetry" (2017)

Supervision of Doctoral Thesis:

—Alberto Mira Nouselles Secreto a voces: Enunciación y homosexualidad en el texto teatral. Tennessee Williams y Joe Orton (1995, with Juan Vicente Martínez Luciano)

—Joaquim Anyó i Oliver Tirant lo Blanc i Shakespeare: Les fonts de ‘Much Ado About Nothing’ (2001, with Cesáreo Calvo)

—Ana Rosa Calero Valera Las obras de Heiner Müller en torno a Shakespeare: reescritura paródica (2001, with Brigitte Jirku)

—María Ruth Noriega Sánchez Between Worlds: A Comparative Study of Magic Realist Strategies in African American, Native American, Chicano, and Mexican Contemporary Women’s Writing (2001)

—Abdelrhaffar Bourkiba Larbi Parody and Ideology: The Case of ‘Othello’ (2005)

—Adelaida Blasco Cerezuela ‘When Shall We Three Meet Again?’: ‘Macbeth’ en ocho momentos de la historia del teatro inglés (2008)

—Anna Marí Aguilar La recepció del teatre británic contemporani a l’estat espanyol: 1956-2004 (2009, with Juan Vicente Martínez Luciano)

—Laura Monrós Gaspar Classical Myths on the Victorian Popular Stage: The Figure of Cassandra (2009, with Carmen Morenilla)

—María Gaviña Costero Érase una vez Ballybeg: la obra dramática de Brian Friel y su repercusión en España (2011)

—Miguel Ángel Jordán Enamorado Análisis del estilo literario de Jane Austen (2017)

—Mayron Estefan Cantillo Lucuara Michael Field's Sapphism: a Tiresian ontology of openness between life and death in ‘Long Ago’ (1889) (2019, with Laura Monrós)

Recent Papers presented:

—“Breviario para traductores (de teatro)” (La Nucia, 2007)

—"'Gallivanting Round the Globe': Translating Identities in Henry V” (Praga, 2011, with Vicent Montalt and Pilar Ezpeleta)

—“La poesía inglesa en el período de Entreguerras: de Wilfred Owen a W. H. Auden” (València, 2012)

—“Wrighting (Shakespeare, Translation) for the Stage” (Toulouse, 2012)

—“Verdi Plays Shakespeare: el ejemplo de Macbetto” (València, 2013)

—“La Gran Guerra de Joe Sacco: el horror bélico en el cómic” (València, 2014)

—“Donar a Shakespeare noves identitats en el context català: estudi d’un cas particular” (València, 2015, with Vicent Montalt and Pilar Ezpeleta)

—”’What ish My Nation?’: Translating and Performing the Four Captains Scene from Henry V” (Toulouse, 2015, with Pilar Ezpeleta and Vicent Montalt)

—”Byron, Waterloo, y el baile de la Duquesa de Richmond” (València, 2015)

—”Forasteros en las obras de Shakespeare: lenguaje, representación y traducción” (València, 2016, with Vicent Montalt and Pilar Ezpeleta)

—”Scottish Gaelic Women Poets in the Nineteenth Century: A Translation into Spanish of Poems by Màiri Nic a’ Phearsain” (Málaga, 2017)

—”Poesía y naturaleza: un recorrido con varios poetas en inglés del s. XIX a la actualidad” (KeyNote Speech, Instituto López Piñero, UJI, 2023)

Master Final Dissertations:

—Saturnino Figueroa Los orígenes de la literatura de terror: la novela gótica inglesa (2013)

—Antonio Francisco Muñoz Recepción de ‘El Quijote’ en la prensa estadounidense durante el conflicto de Cuba (1856-1900) (2013, with Jesús Tronch)

—Mayron Cantillo Lucuara Welcome to Thebes: encuentro bélico-feminista entre la antigua Grecia y la actual Liberia (2014, with Laura Monrós)

—Miguel Ángel Jordán Enamorado ‘Northanger Abbey’: análisis de la adaptación cinematográfica y de la traducción para el doblaje y la subtitulación en español (2015)

—Lourdes Pérez Collado The Influence of the English Gothic Novel in Spain: An Analysis of the ‘Legends’ of Gustavo Adolfo Bécquer (2015)

—Mónica Martínez Castells Interculturalité et Postcolonialisme: ‘Garçon Manqué’ de Nina Bouraoui et ‘Kiffe Kiffe Demain’ de Faïza Guène (2016, with Ignacio Ramos Gay)

—Cristina Llamedo Ossorio La senda del perdedor: de Céline a Bukowski (2017, with Evelio Miñano Martínez)

—Marc Avinent Vivó Rude and Crude: ‘Viz’ Comic and the Parodic Game (2017)

—Jorge Martínez Alcaide La figura del pirata en la literatura de aventuras (2019)

—Virginia Coll Rodríguez Publishing Jane Austen: The Reception of Jane Austen in Spain and a Stemmatic Analysis of Her Spanish Translations (2019, with Laura Monrós)

—Zalina Baroeva Speech as the Means of Characterization in ‘Pygmalion’ by B. Shaw (2019)

—Teresa Coll Collado An Analysis of ‘Fight Club’ 's Film Adaptation and its Translation into Spanish: Dubbing, Subtitles and Audiovisual Language (2021)

—Kong Honghong Translation of Linguistic Culture in Chinese Subtitling of TV Series ‘Mad Men’ (2022)

—Mar Colomer Calleja La traducción intralingüística diacrónica de clásicos teatrales: aplicación a un fragmento de ‘El gran teatro del mundo’ (2022)

—Ilaria Albanese La traducción del dialecto y del lenguaje soez en la novela ‘Ragazzi di vita’ de Pier Paolo Pasolini (2022)

—Elena Ortega Monzó 'Outtakes'/'Tomas falsas', de Irenosen Okojie. Una propuesta de traducción (2023)

—Ambrosio Reus Crespo A Bibliographical Review of J.R.R. Tolkien's Works in Spanish (2023)

—Oana Malina Iacob Audiovisual Translation of Cultural References: An Analysis of the English Dubbing and Subtitling of 'Money Heist' (2023)

Associate Professor in the Department of English and German (ORCID ID: https://orcid.org/0000-0001-5014-0456).  Degree in English (1999) & French (2002, Universitat de València); Master of Arts in Translation Studies (2000, University of Sheffield); PhD (2008). Her research focuses on the field of feminist translation, translation and censorship and the translation and reception of 20th century English women novelists in Spain. Coordinator of the UNISOCIETAT programme of the Vice-Rectorate for Culture and Society (Universitat de València). Member of IULMA. Member of the Research Group CITRANS. Collaborates with TRACE. She has coordinated the MUTE (MUjer, Traducción y Censura en España) Project.